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Buchbeschreibung Hardcover. Zustand: new. New. Fast Shipping and good customer service. Bestandsnummer des Verkäufers Holz_New_0300085206
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Buchbeschreibung Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. This copy is in new, unmarked condition bound in grey cloth covered boards with bright gilt titling to the spine. This copy is bright, tight, white and square. There is a small, neat inscription to the obverse of the f.e.p. The unclipped dust wrapper is in new condition. International postal rates are calculated on a book weighing 1 Kilo, in cases where the book weighs more than 1 Kilo increased postal rates will be quoted, where the book weighs less then postage will be reduced accordingly. This beautiful illustrated book weighs in at 2.25 Kgs so overseas shipping rates will need to be quoted. This extraordinarily beautiful book gathers together and examines for the first time a delightful collection of English gardens rendered by artists from 1540 to the early nineteenth century, many of which are unknown. Sir Roy Strong, widely recognized for his expertise in both art history and garden history, surveys garden pictures ranging from Elizabethan miniatures to eighteenth-century alfresco conversation pieces, from suites of paintings of a single garden to amateur watercolors. He inquires into the origin of the English garden picture genre, its development prior to the invention of photography, its greatest exponents, its reliability as historical evidence of actual gardens, and its place within the larger European tradition of picturing the garden. The English, Strong observes, were slow in picturing the reality of their gardens. Until well into the Stuart age, the garden in art served as a symbol, and only gradually did this give way to the impulse to record the facts of contemporary garden-making. In the backgrounds of portraits of Jacobean and Caroline garden owners, the garden is no longer an emblem; it becomes instead a document demonstrating the owners pride in their gardens made in the new Renaissance manner. By the Georgian age the garden has moved from the back to the foreground of pictures, and whole families place themselves amid the glory of their self-fashioned landscapes. Both house and garden at this point assume a separate identity, each calling for an individual record. And by the nineteenth century, the author shows, the garden detaches itself from owner and house to be recorded for its own sake, as a single image at first, and later in a series. With some 350 fully annotated illustrations, this lovely book offers a unique record of three hundred years of English gardens and what they meant to those who owned and portrayed them. Ref UUU T. Bestandsnummer des Verkäufers 031366
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Buchbeschreibung Hardcover. Zustand: new. New Copy. Customer Service Guaranteed. Bestandsnummer des Verkäufers think0300085206
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Buchbeschreibung Hardcover. Zustand: new. New. Bestandsnummer des Verkäufers Wizard0300085206
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Buchbeschreibung Zustand: new. Bestandsnummer des Verkäufers FrontCover0300085206
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Buchbeschreibung Tapa blanda. Zustand: New. STRONG, R.: THE ARTIST AND THE GARDEN. NEW HAVEN, CT, 2000, 288 p. figuras, 1910 gr. Encuadernacion original. Nuevo. (TB-3-4) 1910 gr. Libro. Bestandsnummer des Verkäufers 274134
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Buchbeschreibung Zustand: New. New. In shrink wrap. Looks like an interesting title! 4.15. Bestandsnummer des Verkäufers Q-0300085206
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Buchbeschreibung Zustand: New. Book is in NEW condition. Bestandsnummer des Verkäufers 0300085206-2-1
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Buchbeschreibung Hardcover. Zustand: New. Bestandsnummer des Verkäufers mon0000101347
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