Reseña del editor:
Perhaps as old as writing itself, the metaphor of the book as child has depicted textuality as an only son conceived to represent its father uniformly and to assure the integrity of his name. Richard L Regosin demonstrates how Montaigne's "Essais" both departs from and challenges this conventional figure of textuality. He argues that Montaigne's writing is best described as a corpus of siblings with multiple faces and competing voices, a hybrid textuality inclined both to truth and dissimulation, to faithfulness and betrayal, to form and deformation. And he analyzes how this unruly, mixed brood also discloses a sexuality and gender dynamic in the "Essais" that is more conflicted than the traditional metaphor of literary paternity allows.Regosin challenges traditional critics by showing how the 'logic' of a faithful filial text is disrupted and how the writing self displaces the author's desire for mastery and totalization. He approaches the "Essais" from diverse critical and theoretical perspectives that provide new ground for understanding both Montaigne's complex textuality and the obtrusive reading that it simultaneously invites and resists. His analysis is informed by poststructuralist criticism, by reception theory, and by gender and feminist studies, yet at the same time he treats the "Essais" as a child of sixteenth-century Humanism and late Renaissance France. Regosin also examines Montaigne's self-proclaimed taste for Ovid and the role played by the seminal texts of self-representation and aesthetic conception ("Narcissus and Pygmalion") and the myth of sexual metamorphosis ("Iphis").
Nota de la solapa:
"Regosin explores meticulously, imaginatively, and critically the sinuosities of theEssais' self-reflexivity and metatextuality, both quintessential generative forces of this major Renaissance text. . . . A most important contribution to Montaigne studies."Marcel Tetel, author ofMontaigne
"This is a stimulating study of Montaigne's ambivalent figures of paternity, procreation, and generation. Regosin challenges the assumptions of traditional critics by showing how the 'logic' of a faithful filial text is disrupted and how the writing self displaces the author's desire for mastery and totalization. A rich, complex reading that combines careful textual scholarship with much critical imagination."François Rigolot, author ofLes Mètamorphoses de Montaigne
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