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Buchbeschreibung HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Bestandsnummer des Verkäufers FM-9780521782449
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Buchbeschreibung Zustand: new. Bestandsnummer des Verkäufers 54ca180799e4c01677276aec06af2c7e
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Buchbeschreibung Hardback. Zustand: New. New copy - Usually dispatched within 4 working days. A collection of essays and interviews on Shakespeare performance in Japan. Bestandsnummer des Verkäufers B9780521782449
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Buchbeschreibung Hardcover. Zustand: Brand New. 259 pages. 10.00x7.00x1.00 inches. In Stock. Bestandsnummer des Verkäufers __0521782449
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Buchbeschreibung Hardcover. Zustand: new. Hardcover. Shakespeare has an astonishingly rich and varied performance tradition in Japan, stretching from the westernising and modernising ferment of the nineteenth century Meiji era to the postmodern performance culture of today. How has the tradition evolved? Where is it going? How is it to be accounted for in theatrical and cultural terms? What does it mean to perform Shakespeare in Japan? Such questions are raised in the book's introduction and pursued in fourteen essays on key aspects, moments and personalities in the performance tradition. These are followed by provocative interviews with four leading directors (Deguchi Norio, Ninagawa Yukio, Suzuki Tadashi and Noda Hideki) and with one leading performer (Hira Mikijiro). Unlike the very few existing books on Japanese Shakespeare, this book concentrates on modern and postmodern theatre, from c.1970, and contains contributions from both Japanese and Western scholars and theatre practitioners. Fourteen essays on topics from over one hundred years of Shakespeare performance in Japan. In addition, there are interviews with leading directors and with a leading performer. Unlike the very few existing books on Japanese Shakespeare, this 2001 book concentrates on modern and postmodern theatre. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9780521782449
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Buchbeschreibung Zustand: New. A collection of essays and interviews on Shakespeare performance in Japan. Editor(s): Ryuta, Minami; Carruthers, Ian; Gillies, John. Num Pages: 274 pages, 20 b/w illus. 8 colour illus. BIC Classification: 1FPJ; AN. Category: (P) Professional & Vocational. Dimension: 247 x 174 x 26. Weight in Grams: 927. . 2001. Hardcover. . . . . Bestandsnummer des Verkäufers V9780521782449
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Buchbeschreibung HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Bestandsnummer des Verkäufers FM-9780521782449
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Buchbeschreibung Zustand: New. A collection of essays and interviews on Shakespeare performance in Japan. Editor(s): Ryuta, Minami; Carruthers, Ian; Gillies, John. Num Pages: 274 pages, 20 b/w illus. 8 colour illus. BIC Classification: 1FPJ; AN. Category: (P) Professional & Vocational. Dimension: 247 x 174 x 26. Weight in Grams: 927. . 2001. Hardcover. . . . . Books ship from the US and Ireland. Bestandsnummer des Verkäufers V9780521782449
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Buchbeschreibung Hardcover. Zustand: new. Hardcover. Shakespeare has an astonishingly rich and varied performance tradition in Japan, stretching from the westernising and modernising ferment of the nineteenth century Meiji era to the postmodern performance culture of today. How has the tradition evolved? Where is it going? How is it to be accounted for in theatrical and cultural terms? What does it mean to perform Shakespeare in Japan? Such questions are raised in the book's introduction and pursued in fourteen essays on key aspects, moments and personalities in the performance tradition. These are followed by provocative interviews with four leading directors (Deguchi Norio, Ninagawa Yukio, Suzuki Tadashi and Noda Hideki) and with one leading performer (Hira Mikijiro). Unlike the very few existing books on Japanese Shakespeare, this book concentrates on modern and postmodern theatre, from c.1970, and contains contributions from both Japanese and Western scholars and theatre practitioners. Fourteen essays on topics from over one hundred years of Shakespeare performance in Japan. In addition, there are interviews with leading directors and with a leading performer. Unlike the very few existing books on Japanese Shakespeare, this 2001 book concentrates on modern and postmodern theatre. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Bestandsnummer des Verkäufers 9780521782449
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Buchbeschreibung Hardcover. Zustand: new. Hardcover. Shakespeare has an astonishingly rich and varied performance tradition in Japan, stretching from the westernising and modernising ferment of the nineteenth century Meiji era to the postmodern performance culture of today. How has the tradition evolved? Where is it going? How is it to be accounted for in theatrical and cultural terms? What does it mean to perform Shakespeare in Japan? Such questions are raised in the book's introduction and pursued in fourteen essays on key aspects, moments and personalities in the performance tradition. These are followed by provocative interviews with four leading directors (Deguchi Norio, Ninagawa Yukio, Suzuki Tadashi and Noda Hideki) and with one leading performer (Hira Mikijiro). Unlike the very few existing books on Japanese Shakespeare, this book concentrates on modern and postmodern theatre, from c.1970, and contains contributions from both Japanese and Western scholars and theatre practitioners. Fourteen essays on topics from over one hundred years of Shakespeare performance in Japan. In addition, there are interviews with leading directors and with a leading performer. Unlike the very few existing books on Japanese Shakespeare, this 2001 book concentrates on modern and postmodern theatre. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Bestandsnummer des Verkäufers 9780521782449
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