Ballet and Opera in the Age of "Giselle" (Princeton Studies in Opera): 21 - Softcover

Smith, Marian

Softcover

ISBN 10: 0691146497 ISBN 13: 9780691146492

Verlag: Princeton University Press, 2010

Inhaltsangabe

Book by Smith Marian

Über diesen Titel

Críticas:

Winner of the 2001 De la Torre Bueno Prize for Most Distinguished Book in Dance Scholarship, Dance Perspectives Foundation (New York) "To readers interested in the evolution of opera and ballet performance practice, Smith's meticulously documented study offers a chance to see many familiar works in a new and surprising light."--M. Lignana Rosenberg, Opera News "Marian Smith's book is a swift and easy read, fully researched, informative, genuinely insightful about her subject. Definitely one for the bookshelf."--David Blewitt, Opera Now

Reseña del editor:

Marian Smith recaptures a rich period in French musical theater when ballet and opera were intimately connected. Focusing on the age of Giselle at the Paris Opera (from the 1830s through the 1840s), Smith offers an unprecedented look at the structural and thematic relationship between the two genres. She argues that a deeper understanding of both ballet and opera--and of nineteenth-century theater-going culture in general--may be gained by examining them within the same framework instead of following the usual practice of telling their histories separately. This handsomely illustrated book ultimately provides a new portrait of the Opera during a period long celebrated for its box-office successes in both genres. Smith begins by showing how gestures were encoded in the musical language that composers used in ballet and in opera. She moves on to a wide range of topics, including the relationship between the gestures of the singers and the movements of the dancers, and the distinction between dance that represents dancing (entertainment staged within the story of the opera) and dance that represents action. Smith maintains that ballet-pantomime and opera continued to rely on each other well into the nineteenth century, even as they thrived independently. The "divorce" between the two arts occurred little by little, and may be traced through unlikely sources: controversies in the press about the changing nature of ballet-pantomime music, shifting ideas about originality, complaints about the ridiculousness of pantomime, and a little-known rehearsal score for Giselle.

Über diese Auflage

• Verlag: Princeton University Press
• Erscheinungsdatum: 2010
• ISBN 10: 0691146497
• ISBN 13: 9780691146492
• Einband: Tapa blanda
• Anzahl der Seiten: 330