A Race of Singers: Whitman's Working-Class Hero from Guthrie to Springsteen (Cultural Studies of the United States) - Softcover

Garman, Bryan K.

Softcover

ISBN 10: 0807848662 ISBN 13: 9780807848661

Verlag: The University of North Carolina Press, 2000

Inhaltsangabe

Book by Garman Bryan K

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Críticas:

Acknowledging the genius and power of Whitman's example, this fine study of artistic influence also shows how social forces shaped the reproduction of a manly and individualistic cultural radicalism across generations. (David Roediger, University of Minnesota) "Whether your interest is in literature, history, culture, music . . . or specific figures such as Whitman, Guthrie, and Springsteen, I predict you will be stimulated by the reading of A Race of Singers." -- "Hungarian Journal of English and American Studies" "[An] interesting study. . . . Very well written and admirably researched." -- "Journal of the American Studies Association of Texas" "A Race of Singers" contributes tremendously to our understanding of . . . male homoeroticism.Cecelia Tichi, Vanderbilt University Fine study of artistic influence.David Roediger, University of Minnesota Well written, well researched, and provocative."Library Journal" ""A Race of Singers" contributes tremendously to our understanding of . . . male homoeroticism.Cecelia Tichi, Vanderbilt University" "Fine study of artistic influence.David Roediger, University of Minnesota" "Well written, well researched, and provocative."Library Journal""

Reseña del editor:

When Walt Whitman published Leaves of Grass in 1855, he dreamed of inspiring a "race of singers" who would celebrate the working class and realize the promise of American democracy. By examining how singers such as Woody Guthrie, Bob Dylan, and Bruce Springsteen both embraced and reconfigured Whitman's vision, Bryan Garman shows that Whitman succeeded. In doing so, Garman celebrates the triumphs yet also exposes the limitations of Whitman's legacy.

While Whitman's verse propounded notions of sexual freedom and renounced the competitiveness of capitalism, it also safeguarded the interests of the white workingman, often at the expense of women and people of color. Garman describes how each of Whitman's successors adopted the mantle of the working-class hero while adapting the role to his own generation's concerns: Guthrie condemned racism in the 1930s, Dylan addressed race and war in the 1960s, and Springsteen explored sexism, racism, and homophobia in the 1980s and 1990s.

But as Garman points out, even the Boss, like his forebears, tends to represent solidarity in terms of white male bonding and homosocial allegiance. We can hear America singing in the voices of these artists, Garman says, but it is still the song of a white, male America.

Über diese Auflage

• Verlag: The University of North Carolina Press
• Erscheinungsdatum: 2000
• ISBN 10: 0807848662
• ISBN 13: 9780807848661
• Einband: Tapa blanda
• Anzahl der Seiten: 354