Críticas:
"The collected works in The Afro-Latin@ Reader broaden definitions of blackness and latinidad and reveal the multiple ways in which Afro-Latino/as navigate national and cultural histories that have consistently denigrated or dismissed their African heritage and challenge US racial classifications that dismiss their cultural background and linguistic difference. The Afro-Latin@ Reader invites us to move beyond a binary understanding of racial identity and to embrace the allegiances that may be forged and, in many instances, have been forged among Afro-Latino/as, Latinos/as, African Americans, and other underrepresented groups in the US." -- Sobeira Latorre * Anthurium * "As a collection of pieces, many of which have been published previously, The Afro-Latin@ Reader ultimately serves as a compact archive of materials from various academic disciplines and creative genres that details the Afro-Latina/o experience in the United States. . . . The Afro-Latin@ Reader makes accessible to students, scholars, and the general public a virtually ignored set of important contributions, not only to the study of Afro-Latina/os, but to the discourse about race in the United States more generally." -- Petra R. Rivera * Transition * "[R]equired reading for all Latinos. . . . This important reader provides critical information from a wide variety of approaches on the evolution and current realities of Black Latinos and Latinas. From poetic to musical to social scientific sources, this is a powerful 360-degree treatment of the subject." -- Angelo Falcon * National Institute for Latino Policy Book Notes * "The Afro-Latin@ Reader is a superb collection, one that I cannot wait to use in my own courses. For some time now, scholars have engaged the history and anthropology of Black populations in Latin America, but the scholarship on the Afro-Latin@ presence (as configured on this side of the Rio Grande) has been more episodic and, to some extent, under-theorized. The breadth of The Afro-Latin@ Reader, as well as its effort to actually define the entire field, makes it a unique scholarly contribution."-Ben Vinson III, co-author of African Slavery in Latin America and the Caribbean "The Afro-Latin@ Reader assembles in one place an extraordinary range of articles, chapters, and first-person accounts of Afro-Latin@ identity. These pieces show that explorations of Afro-Latin@ identities quickly reveal significant hidden histories of racialization, colonization, exploitation, and social mobilization. They complicate our understanding of the U.S. racial order and its complex systems of inclusion and exclusion. This collection is a much-needed addition to scholarship in ethnic studies."-George Lipsitz, author of American Studies in a Moment of Danger "The collected works in The Afro-Latin@ Reader broaden definitions of blackness and latinidad and reveal the multiple ways in which Afro-Latino/as navigate national and cultural histories that have consistently denigrated or dismissed their African heritage and challenge US racial classifications that dismiss their cultural background and linguistic difference. The Afro-Latin@ Reader invites us to move beyond a binary understanding of racial identity and to embrace the allegiances that may be forged and, in many instances, have been forged among Afro-Latino/as, Latinos/as, African Americans, and other underrepresented groups in the US." - Sobeira Latorre, Anthurium: A Caribbean Studies Journal "As a collection of pieces, many of which have been published previously, The Afro-Latin@ Reader ultimately serves as a compact archive of materials from various academic disciplines and creative genres that details the Afro-Latina/o experience in the United States. . . . The Afro-Latin@ Reader makes accessible to students, scholars, and the general public a virtually ignored set of important contributions, not only to the study of Afro-Latina/os, but to the discourse about race in the United States more generally." - Petra R. Rivera, Transition "This exciting collection is a great resource for anyone interested in Ethnic Studies, Cultural Studies, or American Studies." - Jenell Navarro, Women's Studies "[R]equired reading for all Latinos. . . . This important reader provides critical information from a wide variety of approaches on the evolution and current realities of Black Latinos and Latinas. From poetic to musical to social scientific sources, this is a powerful 360-degree treatment of the subject." - Angelo Falcon, National Institute for Latino Policy Book Notes
Reseña del editor:
The Afro-Latin@ Reader focuses attention on a large, vibrant, yet oddly invisible community in the United States: people of African descent from Latin America and the Caribbean. The presence of Afro-Latin@s in the United States (and throughout the Americas) belies the notion that Blacks and Latin@s are two distinct categories or cultures. Afro-Latin@s are uniquely situated to bridge the widening social divide between Latin@s and African Americans; at the same time, their experiences reveal pervasive racism among Latin@s and ethnocentrism among African Americans. Offering insight into Afro-Latin@ life and new ways to understand culture, ethnicity, nation, identity, and antiracist politics, The Afro-Latin@ Reader presents a kaleidoscopic view of Black Latin@s in the United States. It addresses history, music, gender, class, and media representations in more than sixty selections, including scholarly essays, memoirs, newspaper and magazine articles, poetry, short stories, and interviews.While the selections cover centuries of Afro-Latin@ history, since the arrival of Spanish-speaking Africans in North America in the mid-sixteenth-century, most of them focus on the past fifty years. The central question of how Afro-Latin@s relate to and experience U.S. and Latin American racial ideologies is engaged throughout, in first-person accounts of growing up Afro-Latin@, a classic essay by a leader of the Young Lords, and analyses of U.S. census data on race and ethnicity, as well as in pieces on gender and sexuality, major-league baseball, and religion. The contributions that Afro-Latin@s have made to U.S. culture are highlighted in essays on the illustrious Afro-Puerto Rican bibliophile Arturo Alfonso Schomburg and music and dance genres from salsa to mambo, and from boogaloo to hip hop. Taken together, these and many more selections help to bring Afro-Latin@s in the United States into critical view. Contributors: Afro-Puerto Rican Testimonies Project, Josefina Baez, Ejima Baker, Luis Barrios, Eduardo Bonilla-Silva, Adrian Burgos Jr., Ginetta E. B. Candelario, Adrian Castro, Jesus Colon, Marta I. Cruz-Janzen, William A. Darity Jr., Milca Esdaille, Sandra Maria Esteves, Maria Teresa Fernandez (Mariposa), Carlos Flores, Juan Flores, Jack D. Forbes, David F. Garcia, Ruth Glasser, Virginia Meecham Gould, Susan D. Greenbaum, Evelio Grillo, Pablo "Yoruba" Guzman, Gabriel Haslip-Viera, Tanya K. Hernandez, Victor Hernandez Cruz, Jesse Hoffnung-Garskof, Lisa Hoppenjans, Vielka Cecilia Hoy, Alan J. Hughes, Maria Rosario Jackson, James Jennings, Miriam Jimenez Roman, Angela Jorge, David Lamb, Aida Lambert, Ana M. Lara, Evelyne Laurent-Perrault, Tato Laviera, John Logan, Antonio Lopez, Felipe Luciano, Louis Pancho McFarland, Ryan Mann-Hamilton, Wayne Marshall, Marianela Medrano, Nancy Raquel Mirabal, Yvette Modestin, Ed Morales, Jairo Moreno, Marta Moreno Vega, Willie Perdomo, Graciela Perez Gutierrez, Sofia Quintero, Ted Richardson, Louis Reyes Rivera, Pedro R. Rivera , Raquel Z. Rivera, Yeidy Rivero, Mark Q. Sawyer, Piri Thomas, Silvio Torres-Saillant, Nilaja Sun, Sherezada "Chiqui" Vicioso, Peter H. Wood
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