Credit, Fashion, Sex: Economies of Regard in Old Regime France - Hardcover

Crowston, Clare Haru

Hardcover

ISBN 10: 0822355132 ISBN 13: 9780822355137

Verlag: Duke University Press, 2013

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Críticas:

"[A] bold, powerfully argued, and innovative work, which will compel broad rethinking in the way that historians conceptualize relationships between the ancien regime society and economy." -- John Borgonovo * Journal of Modern History * "This is important, detailed research that demonstrates how the credit system and network worked rather than falling back on existing assumptions.... The book is a reminder of how many questions remain to ask and answer. It also shows what a fine scholar can do when given the time and physical space (i.e., a book's length) to explore analytical issues in depth. This is a tour de force in many respects." -- Deborah Simonton * Business History Review * "Clare Crowston's ambitious, multifaceted study.... offers a profusion of insights and information.... [W]e should be thankful for what adds up to a landmark contribution to the socio-cultural history of the Old Regime." -- Sarah Maza * Canadian Journal of History * "Full of fascinating insights and narrative detail, Crowston's book is deeply learned and admirably ambitious." -- Amalia D. Kessler * American Historical Review * "Crowston models an approach that should inspire a new generation of historians to work seriously and fruitfully on this kind of source material and use it to explore many themes.... Credit, Fashion, Sex brilliantly makes the case for why centralizing credit in all its complexity and multiple registers as an analytical category transforms our understanding of early modern French society in important ways that have often eluded us." -- Julie Hardwick * History Workshop Journal * "The elasticity and evolution of the notion [of credit] are the springboards for a well-argued investigation into how it underpinned the Ancien Regime. And like a blemish on a painting, once this is pointed out, it is impossible to ignore and one is left wondering how it was ever overlooked." -- Paul Scott * History * "Overall, Crowston convincingly and skillfully argues for the importance of a complex and dynamic economy of regard that operated in Old Regime France. Furthermore, she presents the individuals who engaged in this system as conscious and informed participants. Important links with the intertwined themes of gender, power, and sex are highlighted, demonstrating the influence of credit upon all else." -- Serena Dyer * The Economic History Review * "Crowston's second book is a strong follow-up to the impressive Fabricating Women (2001), and, like her first, cleverly combines economic, social and gender history to provide innovative new insights into Old Regime France, in particular Paris. ... [A]n excellent monograph and substantial contribution to the field." -- Anna Jenkin * French History * "As illuminating as the book is for historians of eighteenth-century France, its most important contribution may be the innovative methodology by which it integrates economic, social, cultural, and political history. In this respect, the book serves as a model for all scholars interested in cutting-edge research that combines the best of the humanities and social sciences." -- Michael Kwass * Journal of Social History * "Expands our understanding of the role of women in old regime credit markets, even as she transforms our understanding of the credit markets themselves." -- Thomas Luckett * Journal of Economic History * "After reading this book, I cannot imagine lecturing on the old regime without devoting attention to the theme of credit." -- Charles Walton * H-France Forum * "[T]his is a book teeming with insights about the economy and culture of the Old Regime. The twinning of credit and fashion in Crowston's analysis offers a refreshing new perspective on the history of fashion. . . . This is an important book that many early modern French historians will want to read and debate." -- Jennifer M. Jones * H-France Forum * "If you want to understand how things really worked in the world of French Queen Marie Antoinette, then read this book. Behind the glitter and the glowing beauty stood the fashion designer who provided style and most important, credit, for the rich rarely settled their debts. With this masterful and fascinating study, Clare Haru Crowston lays bare a whole cultural system in which economics, fashion, marriage, and social distinction were intertwined in brilliant and ultimately fatal ways."-Lynn Hunt, author of Inventing Human Rights: A History "Credit, Fashion, Sex is one of the most remarkable books that I have read in the past decade. It is a virtuoso performance that marshals interest in a staggering array of interconnected themes, among them gender and sex, capitalism and nonmaterial levers of power, the role of information and the pretensions of absolutism, the consumer revolution and stark inequality, fashion and anxiety, confidence and deceit. It shows us how understanding credit systems inflects the way we fathom everything else."-Steven L. Kaplan, author of Le pain maudit: Retour sur la France des annees oubliees, 1945-1958

Reseña del editor:

In Old Regime France credit was both a central part of economic exchange and a crucial concept for explaining dynamics of influence and power in all spheres of life. Contemporaries used the term credit to describe reputation and the currency it provided in court politics, literary production, religion, and commerce. Moving beyond Pierre Bourdieu's theorization of capital, this book establishes credit as a key matrix through which French men and women perceived their world. As Clare Haru Crowston demonstrates, credit unveils the personal character of market transactions, the unequal yet reciprocal ties binding society, and the hidden mechanisms of political power. Credit economies constituted "economies of regard" in which reputation depended on embodied performances of credibility. Crowston explores the role of fashionable appearances and sexual desire in leveraging credit and reconstructs women's vigorous participation in its gray markets. The scandalous relationship between Queen Marie Antoinette and fashion merchant Rose Bertin epitomizes the vertical loyalties and deep social divides of the credit regime and its increasingly urgent political stakes.

Über diese Auflage

• Verlag: Duke University Press
• Erscheinungsdatum: 2013
• ISBN 10: 0822355132
• ISBN 13: 9780822355137
• Einband: Tapa dura
• Anzahl der Seiten: 448