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A select collection of original Scotish airs for the voice. To each of which are added introductory & concluding symphonies & accompanyments for the violin & piano forte, by Pleyel. ... Volume 1 of 1 - Softcover
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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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British Library
T186186
Edited by George Thomson. The titlepage is engraved. Duplicate pagination, one set being engraved score leaves interleaved with letterpress song leaves. A reissue of the first volume of 'A select collection of original Scotish airs for the voice', with
Dublin : printed by Hine, [1800?]. [5],25,25,[1]p. : engr.music ; 4°
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
++++
The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
++++
British Library
T186186
Edited by George Thomson. The titlepage is engraved. Duplicate pagination, one set being engraved score leaves interleaved with letterpress song leaves. A reissue of the first volume of 'A select collection of original Scotish airs for the voice', with
Dublin : printed by Hine, [1800?]. [5],25,25,[1]p. : engr.music ; 4°
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- VerlagGale ECCO, Print Editions
- Erscheinungsdatum2010
- ISBN 10 114099607X
- ISBN 13 9781140996071
- EinbandTapa blanda
- Anzahl der Seiten60
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