Upstaging the Cold War: American Dissent and Cultural Diplomacy, 1940-1960 (Culture, Politics & the Cold War) - Hardcover

Falk, Andrew J.

Hardcover

ISBN 10: 1558497285 ISBN 13: 9781558497283

Verlag: University of Massachusetts Press, 2010

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Críticas:

"For me, the most striking virtue of Andrew Falk's book is its ability to document and historicize cultural dissent over a significant and greatly changing two-decade period in ways that make these expressions of political criticism more central to mainstream politics than I had ever imagined.... The writing is impressive - lucid, accessible, and engaging." - Christian G. Appy, author of Patriots: The Vietnam War Remembered from All Sides"

Reseña del editor:

How dissident artists became cultural emissaries during the early decades of the Cold War. Traditional interpretations of the 1950s have emphasized how American anti-communists deployed censorship and the blacklist to silence dissent, particularly in the realm of foreign policy. Yet as Andrew J. Falk demonstrates, those efforts at repression did not always succeed. Throughout the early years of the Cold War, a significant number of writers and performers continued to express controversial views about international relations in Hollywood films, through the new medium of television, on the Broadway stage, and from behind the scenes. By promoting superpower cooperation, decolonization, nuclear disarmament, and other taboo causes, dissident artists such as Lillian Hellman, Arthur Miller, Rod Serling, Dalton Trumbo, Reginald Rose, and Paddy Chayefsky managed both to stretch the boundaries of Cold War ideology and to undermine some of its basic assumptions. Working at times under assumed names and in some cases outside the United States, they took on the role of informal diplomats who competed with Washington in representing America to the world. Ironically, the dissidents' international appeal eventually persuaded the U.S. foreign policy establishment that their unconventional views could be an asset in the Cold War contest for 'hearts and minds', and their artistic work an effective means to sell American values and culture abroad. By the end of the 1950s, Falk shows, the Eisenhower administration not only appropriated the work of these talented artists but enlisted some of them to serve as official voices of Cold War cultural diplomacy.

Über diese Auflage

• Verlag: University of Massachusetts Press
• Erscheinungsdatum: 2010
• ISBN 10: 1558497285
• ISBN 13: 9781558497283
• Einband: Tapa dura
• Anzahl der Seiten: 264