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Visible Spirit: The Art of Gian Lorenzo Bernini, Volume III: 3 - Hardcover

 
9781904597469: Visible Spirit: The Art of Gian Lorenzo Bernini, Volume III: 3
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Book by Lavin Irving

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Bernini at St. Peter's may be a unique case in history: a single artist in change of a grandiose monument in a continuous state of creativity under constantly changing patrons and a variety of projects, for nearly six decades. This book argues that a continuous thread of thought may be discerned underlying and connecting the vicissitudes of this spectacular display. From first to last, Bernini conceived of St. Peter's as a pilgrimage church, a kind of pilgrimage of human life, his own and of the believers who visited the basilica to worship and give testimony. The book is in large format and richly illustrated with 272 colour illustrations. It represents a fitting tribute to the artist and his monument, St. Peter's Basilica

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  • VerlagPindar Press
  • Erscheinungsdatum2013
  • ISBN 10 1904597467
  • ISBN 13 9781904597469
  • EinbandTapa dura
  • Anzahl der Seiten386

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Verlag: Pindar Press, London (2013)
ISBN 10: 1904597467 ISBN 13: 9781904597469
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Buchbeschreibung Hardcover. Zustand: new. Hardcover. Bernini at Saint Peter's may be a unique case in history: a single artist in change of a grandiose monument in a continuous state of creativity under constantly changing patrons and a variety of projects, for nearly six decades. This book argues that a continuous thread of thought may be discerned underlying and connecting the vicissitudes of this spectacular display. From first to last, Gianlorenzo Bernini conceived of Saint Peter's as a pilgrimage church, a kind of pilgrimage of human life, his own and of the believers who visited the basilica to worship and give testimony. Irving Lavin is professor emeritus in the School of Historical Studies at the Institute for Advanced Study in Princeton. He is one of the most distinguished and honoured art historians in the United States. Professor Lavin is best known for his series of fundamental publications on the Baroque artist Gianlorenzo Bernini (1598-1680). These include new discoveries and studies on the master's prodigious early life, his architecture and portraiture, his invention of caricature, his depictions of religious faith and political leadership, his work in the theatre, his attitude towards death and the role of the artist in the creation of a modem sense of social responsibility. This book discusses Gianlorenzo Bernini's remarkable role in the ongoing transformation of Saint Peter's basilica over nearly six decades. It argues that Bernini envisioned Saint Peter's as a pilgrimage church, symbolizing the journey of human life for both himself and the visiting faithful. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Bestandsnummer des Verkäufers 9781904597469

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Buchbeschreibung Hardcover. Zustand: new. Hardcover. Bernini at Saint Peter's may be a unique case in history: a single artist in change of a grandiose monument in a continuous state of creativity under constantly changing patrons and a variety of projects, for nearly six decades. This book argues that a continuous thread of thought may be discerned underlying and connecting the vicissitudes of this spectacular display. From first to last, Gianlorenzo Bernini conceived of Saint Peter's as a pilgrimage church, a kind of pilgrimage of human life, his own and of the believers who visited the basilica to worship and give testimony. Irving Lavin is professor emeritus in the School of Historical Studies at the Institute for Advanced Study in Princeton. He is one of the most distinguished and honoured art historians in the United States. Professor Lavin is best known for his series of fundamental publications on the Baroque artist Gianlorenzo Bernini (1598-1680). These include new discoveries and studies on the master's prodigious early life, his architecture and portraiture, his invention of caricature, his depictions of religious faith and political leadership, his work in the theatre, his attitude towards death and the role of the artist in the creation of a modem sense of social responsibility. This book discusses Gianlorenzo Bernini's remarkable role in the ongoing transformation of Saint Peter's basilica over nearly six decades. It argues that Bernini envisioned Saint Peter's as a pilgrimage church, symbolizing the journey of human life for both himself and the visiting faithful. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Bestandsnummer des Verkäufers 9781904597469

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Buchbeschreibung Couverture rigide. Zustand: Neuf. Zustand des Schutzumschlags: Neuf. prima edizione. BERNINI at Saint Peter's : The Pilgrimage (Visible Spirit: The Art of Gianlorenzo Bernini, volume III) Author: Lavin, Irving Price: Euro 450,00.- ISBN: 9781904597469 Record created on 02/02/09 Description: London: Pindar Press, 2012. 30cm., hardcover, 374pp., 272 illus., most in color. Summary: Bernini at St. Peter's may be a unique case in history: a single artist in change of a grandiose monument in a continuous state of creativity under constantly changing patrons and a variety of projects, for nearly six decades. This book argues that a continuous thread of thought may be discerned underlying and connecting the vicissitudes of this spectacular display. From first to last, Bernini conceived of St. Peter's as a pilgrimage church, a kind of pilgrimage of human life, his own and of the believers who visited the basilica to worship and give testimony. Contents: Preamble 1 St. Peter's as Summa Ecclesiarum 5 The Apse and Crossing 13 The High Altar 13 Baldachins and Ciboria 14 The Baldacchino (1624-35) 21 Excursus A: Borromini and the Baldacchino 29 Excursus B: A Neglected Prototype of the Baldacchino 34 Excursus C. The Pedestals of the Baldacchino: Footsteps on the Way to Redemption 41 The Creativity of the Baldacchino 41 The Trinity: Bees between Heaven and Earth 41 Birth 66 Purification - Healing 68 Lupercalia 76 Marriage and Progeny 81 The Chastity of Bees 83 Born From the Dunghill 88 Marginalia: Emblems Of Salvation 96 Jubilee 96 Lizards and the Sol Iustitiae 105 The Colonna Santa, the Lizard, and Apollo 117 Giotto's Navicella, the Natalis Solis Invictus, and the Sol Iustitiae 124 Beelzebub 128 Paired Tombs 131 The Tomb of Urban VIII (1627-47) 133 The Crossing Piers (1627-41) 143 The Nave: Continuity 154 "Feed My Sheep" (Pasce oves meas) (1633-46) 154 The Tomb of Matilda of Tuscany (1633-44) 157 The Nave Decoration (1645-9) 161 Ingress - Egress 164 The Piazza and Colonnades (1656-67) 164 Commemoration 182 The Cathedra Petri (1657-66) 182 The Equestrian Monument of Constantine and the Scala Regia (1662-70) 189 The Tomb of Alexander VII (1671-8) 216 Passage to the Holy City 228 The Ponte Sant'Angelo and Castel Sant'Angelo (1667-71) 228 Prehistory: 228 Saint Michael and the City 229 Siege, Triumph, and Retribution 236 The Last Judgment 243 The Bridge of Trial 246 Purgatory and All Souls 249 The Plague 249 Pre-conception 252 Bernini's Way of Salvation: 257 The Via Salvationis and the Arma Christi 261 The Angels on the Bridge 267 The Regal Couple 272 Blood and Water 276 Consummation 281 The Sacrament Altar (1673-5) 281 The Church, the City, and the Artist 298 Roma alessandrina: Urban Unity, Public Welfare, and Universal Christian Charity 298 The Blood of Christ (1669-70) 309 Bibliography 323. Bestandsnummer des Verkäufers 007313

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