Wolfgang Tillmans: Burg von Deitcher, David & Wolfgang Tillmans: Very Good Hard Cover (1998) Signed by Artist.

Beschreibung

This is a very good hardcover copy in a very good dustjacket with just light wear. Signed and briefly inscribed to a friend by the photographer Wolfgang Tillmans, on the half title-page, and dated October 1998. Essay by David Deitcher. Text in English, German and French. Illustrated in color throughout with Tillmans' photographs. 13" high X 11" wide. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.

Bestandsnummer des Verk�ufers 012406

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Bibliografische Details

Titel

Wolfgang Tillmans: Burg

Verlag

Taschen Verlag, Koln, Germany

Erscheinungsjahr

1998

Sprache

Deutsch

ISBN-10

3822878812

ISBN-13

9783822878811

Einband

Hard Cover

Zustand

Very Good

Zustand des Schutzumschlags

Very Good

Signiert

Signed by Artist.

Verk�uferkataloge

Modern Photography

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Inhaltsangabe

Accept no substitutes. Wolfgang Tillmans could well be the coolest photographer on the planet, and here's the evidence. Always imitated, never bettered, he's the lens-meister of the zeitgeist, the photo-journo who went artside, a man in constant demand, moving effortlessly from magazine to fashion shoot to gallery retrospective. He creates identities, he's the brand name of hip. From Ray Gun to i-D, his images feel iconic before they're out of the fluid. I'll be your mirror, he whispers, and the Gen X-kids find themselves reflected in his always open pictures. Make your own meaning, rave about them, the artifice, the stagings, it's so close to home and snapshot-casual you could do it yourself. But you couldn't. Framing is all. Every shot is classically composed, it's just the subjects that are so Now. From the portraits that made him famous, through the still lives and landscapes (undermining the genres with every shot), this second book, with design and layout from the man himself, is high colour, dirty realist heaven. Finding the still point in the information overload, the sexuality in the machine, and the image in the image saturation, Tillmans gives us the brief epiphanies we might just remember as our own.

Rese�a del editor

Accept no substitutes. Wolfgang Tillmans could well be the coolest photographer on the planet, and here's the evidence. Always imitated, never bettered, he's the lens-meister of the zeitgeist, the photo-journo who went artside, a man in constant demand, moving effortlessly from magazine to fashion shoot to gallery retrospective. He creates identities, he's the brand name of hip. From Ray Gun to i-D, his images feel iconic before they're out of the fluid. I'll be your mirror, he whispers, and the Gen X-kids find themselves reflected in his always open pictures. Make your own meaning, rave about them, the artifice, the stagings, it's so close to home and snapshot-casual you could do it yourself. But you couldn't. Framing is all. Every shot is classically composed, it's just the subjects that are so Now. From the portraits that made him famous, through the still lives and landscapes (undermining the genres with every shot), this second book, with design and layout from the man himself, is high colour, dirty realist heaven. Finding the still point in the information overload, the sexuality in the machine, and the image in the image saturation, Tillmans gives us the brief epiphanies we might just remember as our own.

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