Verkäufer
Shapero Rare Books, London, Vereinigtes Königreich
Verkäuferbewertung 5 von 5 Sternen
AbeBooks-Verkäufer seit 27. Juni 1998
Limited edition, one of 40 copies on vélin pur chiffon from a total edition of 180 copies; folio (48 x 38 cm); 61 pp. text, 37 woodcuts (2 double page and 7 within text, 30 in colour) including duplicate suite of 18 woodcuts each numbered 21/40 and signed by Braque, one extra plate in triplicate; full black polished calf by P.-L. Martin with abstract geometric design onlaid in brown and cream calf dated 1964 (binder's mark and date), spine lettered in gilt, all edges gilt, suede endpapers, black calf-backed chemise, brown cloth boards, housed in matching slipcase; slight wear to upper edges of spine, very minor scuff to design. Published in 1962, just a year before Braque died, the timely Si je mourais là-bas [If I die over there] was a suite of eighteen wood-engravings to accompany poems from Guillaume Apollinaire's Poèmes à Lou, which Braque himself selected and edited accordingly. Braque had been a close companion of Apollinaire, who died forty years prior to the series but gave a lot of good publicity to Braque and his fellow Cubists. Despite this, Braque felt that his friend, who was also an art critic, understood nothing about painting, a source of playful tension between the pair which may have contributed to the obscure nature of the suite's images. Pierre-Lucien Martin (1913-85) was one of the most successful French binders of the 20th century. He was trained at the École Estiènne in Paris and gained experience in several binderies before emerging as a designer in his own right after the Second World War. His designs are characterised by understated colour, impressive three-dimensional effects, and the intricate but highly logical application of geometry. This volume is a superb example of his work. Bestandsnummer des Verkäufers 96247
Titel: Si je mourais là-bas.
Verlag: Paris Louis Brodeur
Erscheinungsdatum: 1962
Einband: Hardcover
Signiert: Signatur des Verfassers
Anbieter: Ketterer Kunst Hamburg GmbH, Hamburg, Deutschland
Hardcover. Zustand: gut. Paris, L. Broder 1962. - Eines der großen französischen Malerbücher der Nachkriegszeit, ausgestattet mit 18 meist farbigen Orig.-Holzschnitten von Georges Braque. 1 von 150 numerierten und von Georges Braque signierten Exemplaren auf kräftigem "Vélin puar chiffon à la main d'une cuvée spéciale du Moulin d'Ambert". - "This luxuriously printed work employs the full range of Braque's familiar imagery from birds, still lifes, and portraiture, to calligraaphic abstraction" (Logan Coll.). - EINBAND: Lose Lagen in illustriertem Orig.-Umschlag, in Orig.-Halbpergamentdecke mit illustriertem Orig.-Pappschuber. 48 : 37 cm. - ILLUSTRATION: Mit 18 (2 doppelblattgroß) meist farbigen Orig.-Holzschnitten von G. Braque. - ZUSTAND: Rechte obere Ecke des Vorderdeckels und Schubers bestoßen. - Provenienz: Privatsammlung Baden Württemberg. - LITERATUR: Vallier 181. - Monod 371. - Logan Coll. 232. - Strachan S. 327. - Garvey/Wick 63. - Mitchell 39. - 1 of 150 numbered copies on laid paper, signed by Georges Braque. One o f the greatest French artist books of the post-war era. With 18 (2 doublepage) orig. woodcuts, mostly printed in colour. Loose sheets in illustrated orig. wrappers, with orig. half vellum chemise in orig. slipcase. - Upper right hand corner of front cover and slipcase bumped, in else fine copy. Bestandsnummer des Verkäufers 423000768
Anzahl: 1 verfügbar