Atget (inscribed first edition)

John Szarkowski

ISBN 10: 0870700944 / ISBN 13: 9780870700941

Verlag: The Museum of Modern Art, 2000

Beschreibung

First edition. Inscribed by author on title page. A fine copy in a fine DJ, protected by a removable mylar cover. See my photos of the book you will receive, not stock photos. More available upon request. This book is in my possession and will be packed in bubble wrap and shipped in a cardboard box. USPS tracking provided. #87.

Bestandsnummer des Verkäufers 023708

Bibliografische Details

• Titel: Atget (inscribed first edition)
• Verlag: The Museum of Modern Art
• Erscheinungsjahr: 2000
• Sprache: Englisch
• ISBN-10: 0870700944
• ISBN-13: 9780870700941
• Einband: Hardcover
• Auflage: 1st Edition
• Druck: 1st Printing
• Zustand: Fine
• Zustand des Schutzumschlags: Fine
• Signiert: Inscribed by Author(s)

Über diesen Titel

Inhaltsangabe

This volume presents the essence of the work of the French photographer Eugene Atget through 100 selected images. John Szarkowski explores the unique sensibilities that made Atget one of the greatest artists of the 20th century and a vital influence on the development of contemporary photography.

Reseña del editor

This superbly reproduced volume presents the essence of the work of the great French photographer Eugène Atget in one hundred carefully selected photographs. John Szarkowski, an acknowledged master of the art of looking at photographs, explores in this book the unique sensibilities that made Atget one of the greatest artists of the twentieth century and a vital influence on the development of modern and contemporary photography. Szarkowski's eloquent introductory text and commentaries form an extended essay on the remarkable visual intelligence displayed in these subtle, sometimes enigmatic pictures. Atget was a commercial photographer who devoted more than thirty years of his life to the task of documenting the city of Paris, its environs, and the French countryside in more than eight thousand photographs. In the process, he created an oeuvre that brilliantly explains the great richness, complexity, and authentic character of his native culture. His uncompromising eye recorded the picturesque villages and landscape of France; the storied chateaux and the romantic parks and gardens of the ancien régime of Louis XIV ; and, in Paris, architectural details, private courtyards, quaint shop windows, curious buildings and streets, and various denizens of the urban scene of his times. Atget died almost unkown in 1927, although groups of his prints were included in various Paris archives. In 1925 the young American artist Berenice Abbott had discovered his work, and after his death she arranged to buy his archives with the help of art dealer Julien Levy ; in 1968 that collection was acquired by The Museum of Modern Art.