First Language

Carson, Ciaran

ISBN 10: 0916390608 / ISBN 13: 9780916390600

Verlag: Wake Forest University Press, 1994

Beschreibung

Fine paperback. Inscribed and Signed by Carson on the title page. First Edition, First Printing with no additional printings listed. Clean and bright, as new. BH. 74 pp.

Bestandsnummer des Verkäufers 004856

Bibliografische Details

• Titel: First Language
• Verlag: Wake Forest University Press
• Erscheinungsjahr: 1994
• Sprache: Englisch
• ISBN-10: 0916390608
• ISBN-13: 9780916390600
• Einband: Soft cover
• Auflage: 1st Edition
• Druck: 1st Printing
• Zustand: Fine
• Signiert: Signed by Author(s)

Über diesen Titel

Inhaltsangabe

Ciaran Carson won the first-ever T. S. Eliot Poetry Prize for First Language

Über die Autorin bzw. den Autor

Born in 1948 in Belfast, Northern Ireland, Ciaran Carson studied at Queen s University, Belfast, where, from 2003?2015, he served as the director of the Seamus Heaney Centre for Poetry. Though recently retired from that post, he continues to teach a postgraduate poetry workshop there, in addition to overseeing the Belfast Writers Group. Earlier in his career (from 1975?1998), Ciaran Carson acted as an arts officer for the Arts Council of Northern Ireland. He is also a member of Aosdána and is a Fellow of the Royal Society of Literature. A writer of both poetry and prose?fiction and non-fiction alike?Ciaran Carson has also translated many texts, including The Midnight Court, a work of the eighteenth-century poet Brian Merriman, and a version of Dante s The Inferno, which won the Oxford Weidenfeld Translation Prize. His other awards include the first-ever T. S. Eliot Prize (1994, for First Language), and the Forward Prize for Best Collection (2003, for Breaking News). As well as being a significant poet and careful translator, Carson is also a scholar of traditional Irish music; he frequently plays the flute alongside his wife, the accomplished Irish fiddler Deirdre Shannon. He has said: ?I m not interested in ideologies . . . I m interested in the words, and how they sound to me, how words connect with experience, of fear, of anxiety . . . Your only responsibility is to the language.