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Buchbeschreibung Zustand: New. Brand New. Bestandsnummer des Verkäufers 9781501776267
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Buchbeschreibung Zustand: New. Bestandsnummer des Verkäufers 46321782-n
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Buchbeschreibung Paperback. Zustand: new. Paperback. Byzantine Media Subjects invites readers into a world replete with images-icons, frescoes, and mosaics filling places of worship, politics, and community. Glenn Peers asks readers to think themselves into a world where representation reigned and humans followed, and indeed were formed. Interrogating the fundamental role of representation in the making of the Byzantine human, Peers argues that Byzantine culture was (already) posthuman. The Byzantine experience reveals the extent to which media like icons, manuscripts, music, animals, and mirrors fundamentally determine humans. In the Byzantine world, representation as such was deeply persuasive, even coercive; it had the power to affect human relationships, produce conflict, and form self-perception. Media Studies has made its subject the modern world, but this book argues for media having made historical subjects. Here, it is shown that media long ago also made Byzantine humans, defining them, molding them, mediating their relationship to time, to nature, to God, and to themselves. "An innovative approach to the history of Byzantine art that applies media theory to Byzantines' relationship to representations of their culture, faith, and history"- Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781501776267
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Buchbeschreibung paperback. Zustand: New. Language: ENG. Bestandsnummer des Verkäufers 9781501776267
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Buchbeschreibung Paperback. Zustand: Brand New. 320 pages. 10.00x7.00 inches. In Stock. Bestandsnummer des Verkäufers x-1501776266
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Buchbeschreibung Zustand: New. Bestandsnummer des Verkäufers 46321782-n
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Buchbeschreibung Paperback. Zustand: new. Paperback. Byzantine Media Subjects invites readers into a world replete with images-icons, frescoes, and mosaics filling places of worship, politics, and community. Glenn Peers asks readers to think themselves into a world where representation reigned and humans followed, and indeed were formed. Interrogating the fundamental role of representation in the making of the Byzantine human, Peers argues that Byzantine culture was (already) posthuman. The Byzantine experience reveals the extent to which media like icons, manuscripts, music, animals, and mirrors fundamentally determine humans. In the Byzantine world, representation as such was deeply persuasive, even coercive; it had the power to affect human relationships, produce conflict, and form self-perception. Media Studies has made its subject the modern world, but this book argues for media having made historical subjects. Here, it is shown that media long ago also made Byzantine humans, defining them, molding them, mediating their relationship to time, to nature, to God, and to themselves. "An innovative approach to the history of Byzantine art that applies media theory to Byzantines' relationship to representations of their culture, faith, and history"- Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Bestandsnummer des Verkäufers 9781501776267
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Buchbeschreibung Paperback. Zustand: new. Paperback. Byzantine Media Subjects invites readers into a world replete with images-icons, frescoes, and mosaics filling places of worship, politics, and community. Glenn Peers asks readers to think themselves into a world where representation reigned and humans followed, and indeed were formed. Interrogating the fundamental role of representation in the making of the Byzantine human, Peers argues that Byzantine culture was (already) posthuman. The Byzantine experience reveals the extent to which media like icons, manuscripts, music, animals, and mirrors fundamentally determine humans. In the Byzantine world, representation as such was deeply persuasive, even coercive; it had the power to affect human relationships, produce conflict, and form self-perception. Media Studies has made its subject the modern world, but this book argues for media having made historical subjects. Here, it is shown that media long ago also made Byzantine humans, defining them, molding them, mediating their relationship to time, to nature, to God, and to themselves. "An innovative approach to the history of Byzantine art that applies media theory to Byzantines' relationship to representations of their culture, faith, and history"- Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Bestandsnummer des Verkäufers 9781501776267
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