Críticas:
[Part] is a composer who speaks in hauntingly clear, familiar tones, yet he does not duplicate the music of the past. He has put his finger on something that is almost impossible to put into words something to do with the power of music to obliterate the rigidities of space and time. One after the other, his chords silence the noise of the self, binding the mind to an eternal present. --Alex Ross
[P rt] is a composer who speaks in hauntingly clear, familiar tones, yet he does not duplicate the music of the past. He has put his finger on something that is almost impossible to put into words something to do with the power of music to obliterate the rigidities of space and time. One after the other, his chords silence the noise of the self, binding the mind to an eternal present. --Alex Ross
"[P rt] is a composer who speaks in hauntingly clear, familiar tones, yet he does not duplicate the music of the past. He has put his finger on something that is almost impossible to put into words--something to do with the power of music to obliterate the rigidities of space and time. One after the other, his chords silence the noise of the self, binding the mind to an eternal present." --Alex Ross
"[Part] is a composer who speaks in hauntingly clear, familiar tones, yet he does not duplicate the music of the past. He has put his finger on something that is almost impossible to put into words--something to do with the power of music to obliterate the rigidities of space and time. One after the other, his chords silence the noise of the self, binding the mind to an eternal present." --Alex Ross
Reseña del editor:
This collection of essays and interviews is an ideal guide to the work and thought of one of the world’s greatest and most original living composers. In Enzo Restagno’s extensive interview, Pärt gives an intimate description of his work and life in Soviet Estonia, his emigration, his artistic odyssey, and his worldview. Then, Arvo Pärt’s compositional technique is the focus of a musicological essay by Leopold Brauneiss. Finally, Saale Kareda explores the spiritual aspects of the composer’s approach to his works. Two acceptance speeches, delivered by Pärt on receiving major European prizes, complete this fascinating and illuminating portrait.
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