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  • Soft cover. Zustand: Good. Zustand des Schutzumschlags: Poor DJ. Original Lithograph By Pasquale Giovanni Napolitano; Portrait Photograph And Works Photographs By Brett Weston (illustrator). 1st Edition. One Of A Stated Limitation Of 212 [Plus A Small Number Of Extra Copies].Tanned Cover With Attached Wrapper Printed With Black "N" On Front Cover, In Loose Dj With Maroon "N" On Front And Rear Covers. This Example Numbered 1, Inscribed By Previous Owner In 1945. (We Know Of At Least One Other Copy Also Numbered "1", And This Is Probably One Of The Over-Run Numbered At Will). Good Only, Cover Worn With Small Chips, Contents Fine, Dj With Clean Front Panel, Dusty Rear Panel, Lacking Spine And Flaps. A Monograph On The Art Of Pasquale Giovanni Napolitano, Los Angeles Muralist. [An Archive Of About 12 Boxes Of Manuscripts, Correspondence, Drawings, Oils, Sculpture, Murals, Etc. By Napolitano Is Also Available Separately]. He Studied At Otis In The 1920-1923 Under Julia Wendt And F. Tolles Chamberlin, Studied At Chouinard 1921-1924 Under Chamberlin, Taught Sculpture In The First Such Class At Chouinard In 1924, Where He Did A Bust Of Mrs. Chouinard, Then Worked For Herman Sachs, Of Herman Sachs And J Konde, 1925-1929, On Interior Decorations And Murals For Many Prominent Los Angeles Buildings, Including Bullocks Wilshire, Los Angeles City Hall, The Pacific Gas And Electric Headquarters Building, The May Company (1929), Bel-Air Bay Club, Hollywood Park Turf Club, Etc. While Working For Sachs He Traveled To Florida For Work On Architectural Decoration. He Studied Ceramics , Then [Under Alfred Binn] At Alfred University Circa 1930 In Nyc. He Then Studied In Italy, Munich (Arts And Crafts School], And Berlin (Prussian Academy Of Fine Arts), Returning To The U. S., In 1932. He Began Independent Business In Interior Building Decorations In Ny 1932-1933, Working On Many Buildings. He Then Returned To Los Angeles Where He Resumed His Architectural Work And Opened A Home Studio Where He Produced Ceramics [Including Work For Judson Studios In The 1930'S-1950'S], Sculpture, Textiles, Etc. In 1933-1935 He Worked Fdor The Federal And State Public Works Of Art Projects, Where He Met Merle Armitage Encouraged Him And Who Wrote This Book About Him; Armitage Used His Work As A Primary Illustrator In Many Books 1934 To 1970. Napolitano Did Murals For Many Los Angeles Area Schools, Including Beverly Hills High School, Also Many Buildings Such As The Hollywood Park Turf Club, , And Some Private Residences, Including The Residence Of William Andrews Clark In Santa Barbara. He Worked As A Gilder In Santa Barbara 1935-1936, Then Again For Sachs In 1936-1937. He Again Taught At Chouinard In 1938-1939 And Is Featured Prominently In Their Catalog. He Became A Member Of Several Motion Picture Unions, Worked For Mgm And Later Cbs, Did Work On George Pal's Cartoons Circa 1943 As A Primary Cartoonist, Undertook Work For Cbs, Worked On Design For The King And I, Etc., But Starting In The Later 1940'S His Primary Focus Was On Religious Sculpture And Architectural Decoration, Particularly Murals And Sculpture, In Churches In The Los Angeles Area, And Some Work In San Francisco, San Diego, El Centro, Arizona, Etc. Including A Well-Known Statue At The Franciscan Retreat In Malibu. [Much Of This Work Has Been Inadvertently Destroyed In Remodels, Or Lost, But His Work Notes And Sketches, Photographs And Drawings, Textiles And Sculpture, Are Preserved In The Napolitano Papers Available Separately From Arroyo Seco Books].

  • EUR 7,01 Versand

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    Soft cover. Zustand: Fine. Zustand des Schutzumschlags: Fine DJ. Original Lithograph By Pasquale Giovanni Napolitano; Portrait Photograph And Works Photographs By Brett Weston (illustrator). 1st Edition. One Of A Stated Limitation Of 212 [Plus A Small Number Of Extra Copies]. This Example Numbered 1, Inscribed To Napolitano's Wife Emmie Goetz ( A Textile Maker For Maria Kipp And Also An Independent Weaver): "This No 1 Copy Is For Emmie- Merle Armitage", And Also Signed By Lynton P Kistler, The Publisher, And Also Signed By By Napolitano. (We Know Of At Least One Other Copy Also Numbered "1" But Not So Signed And Inscribed). Preserved As New In Outer Tissue Dj, Over Loose Blue Dj Printed In Red, And Interior White Wrapper/Dj Printed In Red And Black Which Is Attached To The Card Covers. Outstanding Condition, No Wear, No Marks Or Stains, No Browning, No Creasing Or Chipping; The Condition Is Probably Unique Thus. A Monograph On The Art Of Pasquale Giovanni Napolitano, Los Angeles Architectural Painter, Artist, And Wpa Muralist. Napolitano Studied At Otis In The 1920-1923 Under Julia Wendt And F. Tolles Chamberlin, Studied At Chouinard 1921-1924 Under Chamberlin, Taught Sculpture In The First Such Class At Chouinard In 1924, Where He Did A Bust Of Mrs. Chouinard, Then Worked For Herman Sachs, Of Herman Sachs And J Konde, 1925-1929, On Interior Decorations And Murals For Many Prominent Los Angeles Buildings, Including Bullocks Wilshire, Los Angeles City Hall, The Pacific Gas And Electric Headquarters Building, The May Company (1929), Bel-Air Bay Club, Hollywood Park Turf Club, Etc. While Working For Sachs He Traveled To Florida For Work On Architectural Decoration. He Studied Ceramics , Then [Under Alfred Binn] At Alfred University Circa 1930 In Nyc. He Then Studied In Italy, Munich (Arts And Crafts School], And Berlin (Prussian Academy Of Fine Arts), Returning To The U. S., In 1932. He Began Independent Business In Interior Building Decorations In Ny 1932-1933, Working On Many Buildings. He Then Returned To Los Angeles Where He Resumed His Architectural Work And Opened A Home Studio Where He Produced Ceramics [Including Work For Judson Studios In The 1930'S-1950'S], Sculpture, Textiles, Etc. In 1933-1935 He Worked Fdor The Federal And State Public Works Of Art Projects, Where He Met Merle Armitage Encouraged Him And Who Wrote This Book About Him; Armitage Used His Work As A Primary Illustrator In Many Books 1934 To 1970. Napolitano Did Murals For Many Los Angeles Area Schools, Including Beverly Hills High School, Also Many Buildings Such As The Hollywood Park Turf Club, , And Some Private Residences, Including The Residence Of William Andrews Clark In Santa Barbara. He Worked As A Gilder In Santa Barbara 1935-1936, Then Again For Sachs In 1936-1937. He Again Taught At Chouinard In 1938-1939 And Is Featured Prominently In Their Catalog. He Became A Member Of Several Motion Picture Unions, Worked For Mgm And Later Cbs, Did Work On George Pal's Cartoons Circa 1943 As A Primary Cartoonist, Undertook Work For Cbs, Worked On Design For The King And I, Etc., But Starting In The Later 1940'S His Primary Focus Was On Religious Sculpture And Architectural Decoration, Particularly Murals And Sculpture, In Churches In The Los Angeles Area, And Some Work In San Francisco, San Diego, El Centro, Arizona, Etc. Including A Well-Known Statue At The Franciscan Retreat In Malibu. Much Of This Work Has Been Inadvertently Destroyed In Remodels, Or Lost, But All Is Preserved In Work Notes And Sketches, Photographs And Drawings, Textiles And Sculpture, Etc., In The Napolitano Papers [An Archive Of About 12 Boxes Of Manuscripts, Correspondence, Drawings, Oils, Sculpture, Murals, Etc. By Napolitano Is Also Available Separately]. Signed by Illustrator(s).

  • Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. Original Lithograph By Pasquale Giovanni Napolitano; Portrait Photograph, And Possibly All Photographs Also, By Brett Weston (illustrator). 1st Edition. One Of A Stated Limitation Of 212 [Plus A Small Number Of Extra Copies]. This Example Numbered 18. The Lithograph In The Book Is Numbered #18/212 And Signed By Napolitano In Pencil, And Inscribed By Napolitano To Modernist Artist Herman Sachs. The Book Is A Monograph On The Art Of Pasquale Giovanni Napolitano, Los Angeles Muralist Etc. Book Is Very Near Fine, Very Slight Browning To Spine Panel, French Flaps Immaculate. The Paper Dust Jacket Has Slight Wear, But Most Of Spine Is Detached And Laid In Loosely With Only Minute Losses. He Studied At Otis In The 1920-1923 Under Julia Wendt And F.Tolles Chamberlin, Studied At Chouinard 1921-1924 Under Chamberlin, And Taught Sculpture In The First Such Class At Chouniard In 1924, Where He Did A Bust Of Mrs. Chouinard. He Then Worked For Herman Sachs, Expressionist And Art Deco Decorator, Of Herman Sachs And J Konde, Later Herman Sachs Only. 1925-1929, On Interior Decorations And Murals For Many Prominent Los Angeles Buildings, Including Bullocks Wilshire, Los Angeles City Hall, The Pacific Gas And Electric Headquarters Building, The May Company (1929), Bel-Air Bay Club, Hollywood Park Turf Club, Etc. While Working For Sachs He Traveled To Florida For Work On Architectural Decoration. He Studied Ceramics [Under Alfred Binn] At Alfred University In 1930 In Nyc. He Then Studied In Italy, Munich (Arts And Crafts School], And Berlin (Prussian Academy Of Fine Arts), Returning To The U. S., In 1932, He Began Independent Business In Interior Building Decorations In Ny 1932-1933, Working On Many Institutional Buildings. He Then Returned To Los Angeles Where He Resumed His Architectural Work And Opened A Home Studio Where He Produced Murals, Paintings, Drawings, Ceramics [Including Work For Judson Studios In The 1930'S-1950'S], Sculpture, Textiles, Etc. In 1933-1935 He Worked For The Federal And State Public Works Of Art Projects, Where He Met Merle Armitage, Who Encouraged Him And Who Wrote This Book About Him; Napolitano Illustrated Many Books For Armitage 1934 To 1970. Napolitano Did Murals For Many Los Angeles Area Schools, Including Beverly Hills High School, Also Many Buildings Such As The Hollywood Park Turf Club, And Some Private Residences, Including The Residence Of William Andrews Clark In Santa Barbara. He Worked As A Gilder In Santa Barbara 1935-1936, Then Again For Sachs In 1936-1937. He Again Taught At Chouinard In 1938-1939 And Is Featured Prominently In Their Catalog. He Became A Member Of Several Motion Picture Unions, Did Work On George Pal's Cartoons Circa 1943 As A Primary Cartoonist, Undertook Work For Cbs, Worked On Design For The King And I, Etc., But Starting In The Later 1940'S His Primary Focus Was On Religious Sculpture And Architectural Decoration, Particularly Murals And Sculpture, In Churches In The Los Angeles Area, And Some Work In San Francisco, San Diego, El Centro, Arizona, Etc. Including A Well-Known Statue At The Franciscan Retreat In Malibu. Much Of This Prolific Work Has Been Inadvertently Destroyed In Remodels, Or Otherwise Lost, But His Work Notes And Sketches, Photographs And Drawings, Textiles And Sculpture, Etc., Are Preserved In The Napolitano Papers Held By Arroyo Seco Books. Inscribed by Illustrator(s).

  • Hardcover. Zustand: Fine. Original Lithograph By Pasquale Giovanni Napolitano; Portrait Photograph, And Possibly All Photographs Also, By Brett Weston (illustrator). 1st Edition. One Of A Stated Limitation Of 212 [Plus A Small Number Of Extra Copies]. This Example Numbered 213. Specially Bound In Black Calf With A Modernist Design, Red Leather Inserts Of 'N" On Front Cover And A Line On Rear Cover, Napolitano's Name Blind Stamped On The Front Cover, Red Endpapers. The Binding Was Probably Designed By Napolitano. The Lithograph In The Book Is Numbered #120/212 And Signed By Napolitano In Pencil. The Book Is A Monograph On The Art Of Pasquale Giovanni Napolitano, Los Angeles Muralist Etc. He Studied At Otis In The 1920-1923 Under Julia Wendt And F.Tolles Chamberlin, Studied At Chouinard 1921-1924 Under Chamberlin, Taught Sculpture In The First Such Class At Chouniard In 1924, Where He Did A Bust Of Mrs. Chouinard, Then Worked For Herman Sachs, Of Herman Sachs And J Konde, 1925-1929, On Interior Decorations And Murals For Many Prominent Los Angeles Buildings, Including Bullocks Wilshire, Los Angeles City Hall, The Pacific Gas And Electric Headquarters Building, The May Company (1929), Bel-Air Bay Club, Hollywood Park Turf Club, Etc. While Working For Sachs He Traveled To Florida For Work On Architectural Decoration. He Studied Ceramics , Then [Under Alfred Binn] At Alfred University Circa 1930 In Nyc. He Then Studied In Italy, Munich (Arts And Crafts School], And Berlin (Prussian Academy Of Fine Arts), Returning To The U. S., In 1932. He Began Independent Business In Interior Building Decorations In Ny 1932-1933, Working On Many Buildings. He Then Returned To Los Angeles Where He Resumed His Architectural Work And Opened A Home Studio Where He Produced Ceramics [Including Work For Judson Studios In The 1930'S-1950'S], Sculpture, Textiles, Etc. In 1933-1935 He Worked For The Federal And State Public Works Of Art Projects, Where He Met Merle Armitage, Who Encouraged Him And Who Wrote This Book About Him; Armitage Used His Work As A Primary Illustrator In Many Books 1934 To 1970. Napolitano Did Murals For Many Los Angeles Area Schools, Including Beverly Hills High School, Also Many Buildings Such As The Hollywood Park Turf Club, And Some Private Residences, Including The Residence Of William Andrews Clark In Santa Barbara. He Worked As A Gilder In Santa Barbara 1935-1936, Then Again For Sachs In 1936-1937. He Again Taught At Chouinard In 1938-1939 And Is Featured Prominently In Their Catalog. He Became A Member Of Several Motion Picture Unions, Worked For Mgm And Later Cbs, Did Work On George Pal's Cartoons Circa 1943 As A Primary Cartoonist, Undertook Work For Cbs, Worked On Design For The King And I, Etc., But Starting In The Later 1940'S His Primary Focus Was On Religious Sculpture And Architectural Decoration, Particularly Murals And Sculpture, In Churches In The Los Angeles Area, And Some Work In San Francisco, San Diego, El Centro, Arizona, Etc. Including A Well-Known Statue At The Franciscan Retreat In Malibu. Much Of This Work Has Been Inadvertently Destroyed In Remodels, Or Lost, But His Work Notes And Sketches, Photographs And Drawings, Textiles And Sculpture, Etc., Are Preserved In In The Napolitano Papers . Signed by Illustrator(s).