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60 pages. 50 plates. 10.5x7.75", paperback. Cover bit rubbed, soiled, VG.
Verlag: The Royal Academy of Arts/ Arts Council of Great Britain, London, 1978
ISBN 10: 0728701529ISBN 13: 9780728701526
Anbieter: gearbooks, The Bronx, NY, USA
Buch
Soft Cover. Zustand: Good. Bruno Pfäffli (Atelier Frutiger et Pfäffli), Arcueil, France (Designer); 'The Corn Sifters' (Cover) (illustrator). 288 pp. Tightly bound copy with moderate use. Clean text. Few page edges warped due to water stains.
Verlag: London, England: Tate Gallery., 1956
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Zustand: Good. [Exhibition catalogue]. 4to. 51 pp. Soft white and green printed wraps with black lettering. Good with marginal chipping along bottom of spine and wraps and marginal creasing and offsetting from age. Mostly black and white plates with color illustrated frontis. Includes a foreword by Philip James and an essay by Douglas Cooper. Includes artist biographical chronology and select bibliography. Includes annotated list of 89 exhibited works. Catalogue created to accompany the exhibition ?An Exhibition of Paintings by G. Braque?, held from September 28 through November 11, 1956 at the Tate Gallery in London, England, arranged by the Arts Council of Great Britain in association with the Edinburgh Festival Society. Second Pressing. Half-title page includes signature of previous owner inscribed along top right corner of page: ?Peter Selz, 1956.? Scarce. From the Collection of the Art Historian Peter Selz.
Verlag: London, England: Arts Council of Great Britain., 1984
ISBN 10: 0728703939ISBN 13: 9780728703933
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Buch
Zustand: Good. [Exhibition catalogue]. 8vo. Square. 84 pp. Soft blue and green paper and cloth wove wraps with black and white lettering and French folds. Very good. Black and white and color plates. Includes an essay by Tim Hilton. Catalogue created to accompany the exhibition ?Anthony Caro: Sculpture 1969-84?, first held at Serpentine Gallery in London, England from April 12 through May 28, 1984 before traveling to galleries and museums in Manchester and Lees, Copenhagen, Dusseldorf and Barcelona. First free end paper includes signature of previous owner, Peter Selz, in black sink along top right of page. Scarce. From the Collection of the Art Historian Peter Selz.