Produktart
Zustand
Einband
Weitere Eigenschaften
Land des Verkäufers
Verkäuferbewertung
Verlag: Thames & Hudson, 2001
ISBN 10: 0500974950ISBN 13: 9780500974957
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Buch
Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 2.
Verlag: Actes Sud and Fondation Cartier pour l'art contemporain, Arles and Paris, 2000
ISBN 10: 2742730354ISBN 13: 9782742730353
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
Buch Erstausgabe
First edition. Hardcover. Exhibition catalog for a show that ran November 24, 2000 through February 11, 2001. Text in French with contributions by Francesco Bonami, Regis Durand, and Francois Quintin. Includes numerous color images of which several are gatefolds. A very near fine copy in a very near fine dust jacket.
Verlag: Thames & Hudson, 2001
ISBN 10: 0500974950ISBN 13: 9780500974957
Anbieter: GF Books, Inc., Hawthorne, CA, USA
Buch
Zustand: Good. Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting.
Verlag: Thames & Hudson, 2001
ISBN 10: 0500974950ISBN 13: 9780500974957
Anbieter: GoldenWavesOfBooks, Fayetteville, TX, USA
Buch
Hardcover. Zustand: new. New. Fast Shipping and good customer service.
Verlag: Thames & Hudson, 2001
ISBN 10: 0500974950ISBN 13: 9780500974957
Anbieter: Books Unplugged, Amherst, NY, USA
Buch
Zustand: Fair. Buy with confidence! Book is in acceptable condition with wear to the pages, binding, and some marks within.
Verlag: Fondation Cartier pour l'art Contemporain and Thames and Hudson, 2000
ISBN 10: 0500974950ISBN 13: 9780500974957
Anbieter: ANARTIST, New York, NY, USA
Buch
Hardcover with dustjacket, 114 pages, in English; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.
Verlag: Actes Sud and Fondation Cartier pour l'art contemporain, Paris and Arles, 2000
ISBN 10: 2742730354ISBN 13: 9782742730353
Anbieter: Vincent Borrelli, Bookseller, Albuquerque, NM, USA
Buch Erstausgabe
Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. First edition (French). Hardcover. Paper-covered boards, with photographically illustrated dust jacket. Includes texts (in French) by Francesco Bonami, Régis Durand and François Quintin, and an exhibition history and bibliography. 112 pp. with 29 four-color plates (with four 2-page gatefolds). 11-1/4 x 9 inches. Published on the occasion of the 2000 exhibition Thomas Demand at the Fondation Cartier pour l'art contemporain, Paris. New in publisher's shrink-wrap. Thomas Demand is one of the most important and relevant contemporary artists working today. Demand's starting point is usually an image culled from the mass media, off the Internet, or a low-resolution image discovered in a newspaper or other source during his research. Oftentimes, the picture has become iconic or representative in some way of an importanthistorical, political or culturalevent. He then painstakingly creates by hand,over the course of weeks or even months,afull-size (1:1) sculptural model from colored paper and cardboard. The paper model, in which he deliberately excludes certain specific details, and emphasizes various elements and graphic forms important to the original source image, is then photographed by Demand. This photograph is the final work of art and the paper-model is then destroyed and recycled ("Grotte / Grotto, 2006" is the only existing original paper sculpture). Demand's large-scale photographs deal with our relationship to media in general, and photography in particular. The confluence ofmemory, individualinterpretations and readings, collectivemeanings associated with significant events,are all examined. Hisprocess -- from source material and research, to the meticulous sculptural interpretation, to the final photographic work -- adds to his multi-layered examination ofvisual representation, as well as the problematic"indexical" nature of photography. If one strips away specificity, if the details that allow us to "read" a photograph are reduced to generic bits of unremarkable paper, is the result a denial of what photography intends? If the photograph exists to let us know who we are in space, allows us to decode the details, the light, the "specifics," then Demand turns our perceptions into chaos. In his work, Demand uses sites of historical significance -- visual sites -- and recreates them in painstaking full-size scale models using cardboard and paper. The authenticity of the historical event is suggested, through titles, yet the images are stark and lifeless as enormous vacuums of energy and perception. They are intentionally blank and soul-less, so as to capture the inadequacy of photography's ability to really "capture" historical events. From the publisher: "Behind Thomas Demand's impressive images, fragments of a hyper-realistic and familiar world, appears the singular echo of an 'other reality ,' from the archives, historic, political photos or more generally from media.".
Verlag: Thames & Hudson, 2001
ISBN 10: 0500974950ISBN 13: 9780500974957
Anbieter: BennettBooksLtd, North Las Vegas, NV, USA
Buch
Zustand: New. New. In shrink wrap. Looks like an interesting title! 2.07.
Verlag: Thames & Hudson, 2001
ISBN 10: 0500974950ISBN 13: 9780500974957
Anbieter: GF Books, Inc., Hawthorne, CA, USA
Buch
Zustand: New. Book is in NEW condition.
Verlag: Thames & Hudson, 2001
ISBN 10: 0500974950ISBN 13: 9780500974957
Anbieter: Book Deals, Tucson, AZ, USA
Buch
Zustand: New. New! This book is in the same immaculate condition as when it was published.