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Verlag: Steidl, 2005
ISBN 10: 3865210724ISBN 13: 9783865210722
Anbieter: Chapter 1, Johannesburg, GAU, Südafrika
Buch
Hardcover. Zustand: Fair. No Jacket. The boards are shelf rubbed and bit knocked. the bottom of the pages are damp damaged and wavy. the text and the photographs are not affected. minor marks. tightly bound. A reading copy. Our orders are shipped using tracked courier delivery services.
Verlag: Steidl, Göttingen 2004., 2004
Anbieter: Antiquariat Carl Wegner, Berlin, B, Deutschland
Verbandsmitglied: GIAQ
Erstausgabe
Hardcover. 24,4 x 20,5 cm. Grey, illustrated original hardback. 191, (1) pages with texts in english and french language and b/w photos. Clean copy in really good condition. / Volume original en carton de 191 pages en anglais et en francais. Beaucoup de photos monochromes. Très propre, bon exemplaire. This catalogue is published in conjunction with the exhibition Documentary and Anti-Graphic Photographs, Foundation Henri Cartier-Bresson, Paris (2004) / Musée de l Elysée, Lausanne 2005.-- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! -- Herzlichen Dank für Ihre Bestellung! Foto.
Verlag: Steidl, Gottingen, nd.
Anbieter: lamdha books, Wentworth Falls, NSW, Australien
Quarto hardcover; illustrated boards; 191pp., monochrome illustrations. Very minor wear only; fine. No dustwrapper, as issued. Postage quoted is for a standard format octavo book. Final charges may vary depending on size and weight. "It was in the process of sorting through Henri Cartier-Bresson's archives, brought together for the creation of the Foundation, that we came upon a modest white announcement card bearing a strange pair of eyes and a no less obscure title: 'Documentary and Anti-Graphic Photographs'. Everything about it was enticing: the names of three artists of no small renown which formed the eyes - Manuel Alvarez Bravo, Walker Evans, Henri Cartier-Bresson - , the date, April 1935, and the name of the dealer, Julien Levy. As for the significance of the 'anti-graphic photography', it was open to a variety of interpretations which anyone curious about photographs would feel duty-bound to explore. Julien Levy was one of the most influential collectors of the 20th Century. His gallery, which opened in 1931 in New York, played an essential role in avant-garde cultural exchanges between France and the United States of America, and especially, it was the first in the United States to promote Surrealism. Gathered together again for the first time since, these period prints represent an exceptional set of essential and sometimes unknown images. This historical exhibition assembles the original early works of three masters of photography. Julien Levy did not live to see photography arrive on the art market as he had sought, and when people spoke to him about his talent as an exceptional discoverer, he claimed a 'state of grace'. But the freedom of his choices and the quality of his eye have marked the evolution of photography with incontestable milestones. This selection places us face to face with the history of the medium in the making." - from the Introduction. Exhibition catalogue.
Verlag: Göttingen. Steidl., 2004
ISBN 10: 3865210724ISBN 13: 9783865210722
Anbieter: Antiquariat Querido - Frank Hermann, Düsseldorf, NRW, Deutschland
Buch
Zweite Auflage. 24,5 x 20,5 cm. 191 S. Illustrierter OPappband. Kleines Klebeschild am oberen Rücken. Sonst gutes bis sehr gutes Exemplar. Katalog zur Rekonstruktion der Ausstellung aus dem Jahr 1935 in der Galerie Julien Levy New York in der Fondation Henri Cartier-Bresson, Paris 8. September bis 19. Dezember 2004 und andere Stationen. Durchgehend mit Abbildungen versehen. Text in englischer Sprache. Sprache: englisch.
Verlag: Göttingen. Steidl., 2004
ISBN 10: 3865210724ISBN 13: 9783865210722
Anbieter: Antiquariat Querido - Frank Hermann, Düsseldorf, NRW, Deutschland
Buch
Zweite Auflage. 24,5 x 20,5 cm. 191 S. Illustrierter OPappband. Sehr gutes Exemplar. Katalog zur Rekonstruktion der Ausstellung aus dem Jahr 1935 in der Galerie Julien Levy New York in der Fondation Henri Cartier-Bresson, Paris 8. September bis 19. Dezember 2004 und andere Stationen. Durchgehend mit Abbildungen versehen. Text in englischer Sprache.
Verlag: Steidl, 2004
ISBN 10: 3865210724ISBN 13: 9783865210722
Anbieter: BADGERS BOOKS ONLINE, Littlehampton, Vereinigtes Königreich
Fotografie
Hardcover. Zustand: NEAR FINE. Near FINE hardback. 2004 Steidl. Both French and English text. NO inscriptions. Minor publishing ruckle to top back hinge. NB. Regrettably NOT available to send to EU countries. Size: 8vo.
Verlag: Steidl GmbH & Co. OHG, 2016
ISBN 10: 3869307439ISBN 13: 9783869307435
Anbieter: Better World Books: West, Reno, NV, USA
Buch
Zustand: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.
Verlag: Steidl, GÃ ttingen, 2005
Anbieter: obiettivolibri, Milano, MI, Italien
cartonato illustrato. Zustand: buono stato. 192 b/n. Lingua: francese.
Anbieter: 5Uhr30, Köln, Deutschland
Buch Erstausgabe
Zustand: Wie neu. Steidl, Gottingen. 2005. First edition, first printing. New, mint, unread; still originally shrink-wrapped in publisher`s plastic foil. Hardcover (as issued). 200 x 240 mm. 192 pages. Text in french. Perfect condition! Collector`s copy! "The importance of Manuel Alvarez Bravo, Walker Evans & Alvarez Bravo, no one could imagine the eminent place the trio would occupy in the avant-garde of their time, nor the immense influence the photographers would have on future generations. Gathered together here again for the first time since 1935, these period prints represent an exceptional set of essential and sometimes unknown images. This selection of early works of three masters of photography places us face to face with the history of the medium in the making. The show in New York in 1935 was one of the first exhibitions Henri Cartier-Bresson ever had. This book is the last project he considered before leaving us - the wheel has come full circle." (from the publisher)***************Steidl, Göttingen. 2005. Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch; noch original-verpackt in der Plastikfolie des Verlags. Hardcover in Leinen mit Schutzumschlag. 200 x 240 mm. 192 Seiten. Text auf französisch. Perfekter Zustand! Sammler-Exemplar! Sprache: Französisch Gewicht in Gramm: 1600.
telato editoriale. Zustand: ottimo stato. testo di Mercedes Iturbe, Roberto Tejada. Pagine: 70 b/n. Lingua: inglese.
Verlag: , Editorial RM,, 2003
ISBN 10: 9685208212ISBN 13: 9789685208215
Anbieter: Studio Bibliografico Marini, ROMA, RM, Italien
Buch
hardcover. Zustand: Ottimo (Fine). Prima edizione (First Edition). Catalogo della mostra tenutasi presso il Museo del Palacio de Bellas Artes, Città del Messico 13 novembre 2002 - 2 marzo 2003. Testi di Mercedes Iturbe e Roberto Tejada. Fotografie in bianco e nero di Manuel Alvarez Bravo, Henri Cartier-Bresson, Walker Evans. Elenco delle opere esposte Stampato e rilegato in Giappone. 4to (cm 35x27). pp. 70. . Ottimo (Fine). . Prima edizione (First Edition). . Three exceptional photographers of the same generation and different nationalities coincide at a particular moment. Their singular way of recording the world through the lens of a camera produces the happy encounter of these three artists. Historical coincidences, along with their individual explorations, would bring them together in time, in frindship in photography. Manuel Alvarez Bravo, Henri Cartier-Bresson and Walker Evans, a Maxican, a Frenchman and an American, discover at an early age the importance of art and culture: a passion to which they would remain faithful for the rest of their lives. (Mercedes Iturbe). Book.
Verlag: Steidl Verlag and Galerie Thomas Zander, Göttingen, Germany and Köln (Cologne), 2015
ISBN 10: 3869307439ISBN 13: 9783869307435
Anbieter: Vincent Borrelli, Bookseller, Albuquerque, NM, USA
Buch Erstausgabe Signiert
Hardcover. Zustand: New. 1st Edition. Price is net to all; promotional discounts do not apply. SHIPPING NOTE: Due to size and weight (e.g., multi-volume sets), additional shipping fees apply (calculated at checkout). First edition, first printing. Signed by Friedlander. Boxed set of four volumes sharing the following format: Hardcover. Coarse cloth-covered boards with title stamped on cover and spine; no dust jacket as issued; contained in a printed paper-covered slipcase. Photgraphs by Manuel Álvarez Bravo, Walker Evans, Lee Friedlander and Garry Winogrand. Each volume 48 pp., with numerous black-and-white plates. Includes a 32-page booklet with text by Susan Kismaric. 14 x 11-5/8 inches. New (from Friedlander's personal archive). From the publisher: "From 1973 to 1974, Lee Friedlander and Burt Wolf edited four iconic portfolios at the Double Elephant Press in New York, featuring photographs by some of the most influential photographers of the twentieth century: Manuel Alvarez Bravo, Walker Evans, Garry Winogrand, and Lee Friedlander himself. Each of the four limited edition portfolios contained fifteen photographs by each artist, representing their distinct visions that can be described in the words of Walker Evans as 'oddly refreshing, unselfconsciously striking, and unpredictably adventurous.' This publication honors the unique collaborative project that was to become a touchstone in the history of photography." Signed by Author.