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Verlag: Oxford University Press, 1994
Anbieter: Shore Books, London, Vereinigtes Königreich
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Soft cover. Zustand: Very Good. 176 pages. Illustrated. Palestrina, a Musician and Composer in the Market-Place (pp. 551-558+560+562-566+568-570+572) Noel O'Regan Reconsidering Palestrina (pp. 574-576+579-585) Peter Phillips On a Continuo Organ Part Attributed to Palestrina (pp. 587-605) Patrizio Barbieri Competence and Incompetence in the Papal Choir in the Age of Palestrina (pp. 606-618+620-624+626-629) Richard Sherr 'The Praise of It Endureth for Ever': The Posthumous Publication of Palestrina's Music 'The Praise of It Endureth for Ever': The Posthumous Publication of Palestrina's Music (pp. 631-639) Jerome Roche Tones, Modes, Clefs and Pitch in Roman Cyclic Magnificats of the 16th Century (pp. 641-644+646-648+650-658+660-664) Jeffrey G. Kurtzman The Performance of Palestrina: Some Questions, but Fewer Answers (pp. 666-675) Graham Dixon Towards Europe: The Achievement of the 15th Century (pp. 677-679) The Rise of European Music 1380-1500 by Reinhard Strohm Review by: Alejandro Enrique Planchart The Medieval Sequence: A Foretaste of Heavenly Song (pp. 679-680+682) Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-Century Paris by Margot Fassler Review by: Christopher Page The Venetian 'ospedali' (pp. 682-683) Woman Musicians of Venice: Musical Foundations, 1525-1855 by Jane L. Baldauf Berdes Review by: Laura Macy From Jacobean to Restoration (pp. 685+687) The Blackwell History of Music in Britain, III: The Seventeenth Century by Ian Spink Review by: John Morehen.