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Verlag: University of Rochester Press, 2010
ISBN 10: 1580463754ISBN 13: 9781580463751
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ISBN 10: 1580463754ISBN 13: 9781580463751
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ISBN 10: 1580463754ISBN 13: 9781580463751
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Verlag: University of Rochester Press 11/1/2010, 2010
ISBN 10: 1580463754ISBN 13: 9781580463751
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Paperback or Softback. Zustand: New. The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology 1.22. Book.
Verlag: BOYE6, 2010
ISBN 10: 1580463754ISBN 13: 9781580463751
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Verlag: University of Rochester Press, 2010
ISBN 10: 1580463754ISBN 13: 9781580463751
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ISBN 10: 1580463754ISBN 13: 9781580463751
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Verlag: BOYE6, 2010
ISBN 10: 1580463754ISBN 13: 9781580463751
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Verlag: Boydell & Brewer Ltd 2010-11-01, Rochester, N.Y., 2010
ISBN 10: 1580463754ISBN 13: 9781580463751
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paperback. Zustand: New. Language: ENG.
Verlag: BOYE6, 2010
ISBN 10: 1580463754ISBN 13: 9781580463751
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Verlag: Boydell & Brewer Ltd, 2010
ISBN 10: 1580463754ISBN 13: 9781580463751
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ISBN 10: 1580463754ISBN 13: 9781580463751
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ISBN 10: 1580463754ISBN 13: 9781580463751
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Verlag: BOYE6, 2010
ISBN 10: 1580463754ISBN 13: 9781580463751
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Verlag: University of Rochester Press, 2010
ISBN 10: 1580463754ISBN 13: 9781580463751
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Verlag: Univ of Rochester Pr, 2010
ISBN 10: 1580463754ISBN 13: 9781580463751
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Paperback. Zustand: Brand New. 404 pages. 8.75x6.00x0.75 inches. In Stock.
Verlag: BOYE6, 2010
ISBN 10: 1580463754ISBN 13: 9781580463751
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Zustand: New. 2010. Paperback. An exploration of the meaning and reception of "modernist" music. Editor(s): Ashby, Arved. Series: Eastman Studies in Music. Num Pages: 416 pages, black & white illustrations. BIC Classification: AVGC6. Category: (P) Professional & Vocational. Dimension: 228 x 155 x 21. Weight in Grams: 598. Listening, Meaning, Intention, Ideology. Series: Eastman Studies in Music. 416 pages, black & white illustrations. Editor(s): Ashby, Arved. An exploration of the meaning and reception of "modernist" music. Cateogry: (P) Professional & Vocational. BIC Classification: AVGC6. Dimension: 228 x 155 x 21. Weight: 590. . . . . .
Verlag: University of Rochester Press 2010-11-01, 2010
ISBN 10: 1580463754ISBN 13: 9781580463751
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Verlag: Boydell & Brewer Ltd, 2010
ISBN 10: 1580463754ISBN 13: 9781580463751
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Paperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days. An exploration of the meaning and reception of "modernist" music.
Verlag: Univ of Rochester Pr, 2010
ISBN 10: 1580463754ISBN 13: 9781580463751
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
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Paperback. Zustand: Brand New. 404 pages. 8.75x6.00x0.75 inches. In Stock.
Verlag: BOYE6, 2010
ISBN 10: 1580463754ISBN 13: 9781580463751
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Verlag: BOYE6, 2010
ISBN 10: 1580463754ISBN 13: 9781580463751
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Zustand: New. 2010. Paperback. An exploration of the meaning and reception of "modernist" music. Editor(s): Ashby, Arved. Series: Eastman Studies in Music. Num Pages: 416 pages, black & white illustrations. BIC Classification: AVGC6. Category: (P) Professional & Vocational. Dimension: 228 x 155 x 21. Weight in Grams: 598. Listening, Meaning, Intention, Ideology. Series: Eastman Studies in Music. 416 pages, black & white illustrations. Editor(s): Ashby, Arved. An exploration of the meaning and reception of "modernist" music. Cateogry: (P) Professional & Vocational. BIC Classification: AVGC6. Dimension: 228 x 155 x 21. Weight: 590. . . . . . Books ship from the US and Ireland.
Verlag: University of Rochester Press, 2010
ISBN 10: 1580463754ISBN 13: 9781580463751
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Verlag: Boydell & Brewer Ltd, 2010
ISBN 10: 1580463754ISBN 13: 9781580463751
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Kartoniert / Broschiert. Zustand: New. An exploration of the meaning and reception of modernist music.InhaltsverzeichnisIntention and Meaning in Modernist MusicThe End of the Mannerist CenturyA Fine AnalysisIn Memory of a Receding Dialectic: The Political Relevance o.
Verlag: Boydell & Brewer Ltd, Rochester, 2010
ISBN 10: 1580463754ISBN 13: 9781580463751
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Paperback. Zustand: new. Paperback. An exploration of the meaning and reception of "modernist" music.The debate over modernist music has continued for almost a century: from Strauss's Elektra and Webern's Symphony Op.21 to John Cage's renegotiation of musical control, the unusual musical practices of the Velvet Underground, and Stanley Kubrick's use of Ligeti's Lux Aeterna in the epic film 2001. The composers discussed in these pages -- including Bartok, Stockhausen, Bernard Herrmann, Steve Reich, and many others -- are modernists inthat they are defined by their individualism, whether covert or overt, and share a basic urge toward redesigning musical discourse.The aim of this volume is to negotiate a varied and open middle ground between polemical extremes of reception. The contributors sketch out the possible significance of a repertory that in past discussions has been deemed either meaningless or beyond describable meaning. With an emphasis on recent aesthetics and contexts-- including film music, sexuality, metaphor, and ideas of a listening grammar -- they trace the meanings that such works and composers have held for listeners of different kinds. None of them takes up the usual mandate of "educated listening" to modernist works: the notion that a person can appreciate "difficult" music if given enough time and schooling. Instead the book defines novel but meaningful avenues of significance for modernist music, avenues beyond those deemed appropriate or acceptable by the academy. While some contributors offer new listening strategies, most interpret the listening premise more loosely: as a metaphor for any manner of personal and immediate connection with music. In addition to a previously untranslated article by Pierre Boulez, the volume contains articles (all but one previously unpublished) by twelve distinctive and prominent composers, music critics, and music theorists from America, Europe, Australia, and South Africa: Arved Ashby, Amy Bauer, William Bolcom, Jonathan Bernard, Judy Lochhead, Fred Maus, Andrew Mead, Greg Sandow, Martin Scherzinger, Jeremy Tambling, Richard Toop, and Lloyd Whitesell.Arved Ashby is Associate Professor of Music at the Ohio State University. An exploration of the meaning and reception of "modernist" music. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.