836 Treffer (Angezeigtes Ergebnis 1 - 30)
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1.

A Fine Composite Atlas

WIT, Frederick de (1630-1706).
(New York, NY, U.S.A.)
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Buchbeschreibung: [Amsterdam: after 1715], 1715. Folio (21 x 13 4/8 inches). Near contemporary manuscript index leaf listing 147maps. Engraved allegorical title-page for "Atlas Maior", fine double-page engraved map of the world "Planisphaerium Terrestre, sive Terrarum Orbis. Amsterdam ca., 1705 by Carol Allard (Shirley 578, a bit creased), and 146 maps, including 7 folding, numbered in a contemporary hand, ALL COLORED IN A CONTEMPORARY HAND (map of Great Britain with chipping to green coloring due to oxidization, map of Hungary torn along fold, some maps trimmed closely, some light browning and staining, some edges a bit frayed). Original Dutch vellum, panelled in blind (lower hinge split at the head and foot of the spine, a bit soiled, lacking two pairs of ties) Provenance: early ink library stamp of the "Historical Association" on the front paste-down. A fine and comprehensive composite atlas, most published by de Wit but with additional maps by Visscher, Allard, Chatelain and Mortier. In addition to the striking world map by Allard with its black background and numerous projections, and found in the "Atlas Major" from about 1705, there are maps of the continents, regional maps of Europe; and unusually high number of maps of Asia (11) Ottens’s "Imperium Japonicum .", Amsterdam, dated 1715, and a fine map of the East Indies showing the northern coastline of Australia; 5 maps of Africa; and 11 maps of the Americas, notably including Carel Allard’s "Recentissima Novi Orbis sive Americae Septentrionalis et Meridionalis" Amsterdam, ca. 1700; Visscher’s "Nova Tabula Geographica Complectens Borealiorem Americae Partem." Amsterdam, ca. 1690 or later; Visscher’s "Carte Nouvelle Contenant la Partie d'Amerique la Plus Septentrionale." Amsterdam, ca. 1685 or later; Ottens’ "Totius Neobelgii Nova et Accuratissima Tabula" Amsterdam, ca. 1708 (Burden 373, state 6); Henry Chatelain’s "Carte de la Nouvelle France, ou se Voit le Cours des Grandes Rivieres de S. Laurens & de Mississipi . de la Floride, de la Louisiane, de la Virginie, de la Marie-Lande, de la Pensilvanie, du Nouveau Jersay, de la Nouvelle Yorck . " (no date). De Wit was born in Gouda in 1630 became one of the "most famous engravers of maps of the second half of the 17th-century" (Koeman), his earliest maps issued in 1654. In addition to being geographically correct, de Wit’s maps are full of detail and are often decorated with elaborate cartouches. "Frederick de Wit, who was the sole proprietor of the firm, was not just a conveyor of maps but also an innovator in the field of commercial cartography. His maps and in particular his atlas production changed the form in which atlases were consumed in the second half of the seventeenth century. de Wit produced and successfully marketed the first concise reference atlas. de Wit’s cartographic production is one of the key factors that joined the early Netherlands period in cartography ca 1550 to ca. 1675, to the latter years of Dutch commercial cartography, and European atlas production in the eighteenth century" (George Carhart). Catalogued by Kate Hunter at Arader Galleries. Buchnummer des Verkäufers 72lib555

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Buchbeschreibung: Amsterdam: Nicolai Visscher, [ca 1715]., 1715. Folio (21 x 13 4/8 inches). Letterpress title-page with some letters hand-coloured red and green (early marginal repair to lower corner). Engraved allegorical title-page with hand-colour in full (Koeman Vis 12, with early marginal repair to lower corner), fine double-page engraved map of the world "Planisphaerium Terrestre, sive Terrarum Orbis. Amsterdam ca., 1705 by Carol Allard (Shirley 578, a bit creased), and 120 double-page maps and plates with hand-colour in full, including 12 folding (most maps with early repairs to lower corners, only affecting the image on the last 5 maps; all maps with marginal dampstaining, particularly to the lower corners, more pronounced towards the end of the atlas). Contemporary Dutch paneled vellum (lightly soiled, gilt rubbed, endpapers renewed). Provenance: with the early 20th -century bookplate of R & V Andreen on the front paste-down. A fine and comprehensive composite atlas, and one of a series of large atlases compiled and sold by the Visscher family of art dealers and cartographers at the end of the seventeenth and early eighteenth centuries. No two of the Visscher atlases seem to have been identical in content, and most contain, like this one, a selection of maps by the Visschers themselves as well as other cartographers. In this case the majority of the maps are published by Visscher, with additional maps by: Allard of the world, Europe, Africa, the New World, the English channel, and Friesland; Blaeu of Brasil; de Wit; Jansson; Reland, of the Japanese Empire, engraved by B. Ruyter in 1715, and the Persian Empire; Schenk; and Specht. In addition to the striking world map by Allard with its black background and numerous projections, and found in the "Atlas Major" from about 1705, there are maps of the continents, regional maps of Europe, ten maps of Asia, and seven maps related to America: Allard's "Novi orbis, sive Americae septentrionalis et meridionalis", Visscher's "Carte nouvelle contenant la partie d'Amerique la plus septentrionale", "Nova tabula geographica complectens Borealiorem Americae partem", "Insulae Americanae", Jamaica, and "Carte du Paraguary, du Chili, detroit de Magellan"; and Blaeu's map of Brasil. See Koeman Vis 12. Catalogued by Kate Hunter at Arader Galleries. Buchnummer des Verkäufers 72lib550

3.

Atlas minor, sive geographia compendiosa.

VISSCHER, Nicolaes II (1649-1702) [and others].
(New York, NY, U.S.A.)
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Buchbeschreibung: Amsterdam: Nicolas Visscher [chez la veuve de Nicolas Visscher], [ca 1716]., 1716. Folio (21 3/8 x 13 2/8 inches). Letterpress title-page. Additional allegorical engraved title-page and 101 double-page engraved maps of which 7 are folding, all with exceptionally fine contemporary hand coloring (some light creasing and marginal soiling, lower margin of southern France expertly renewed, lower and right margin of Castile expertly renewed, tear in upper fold of New Castile affecting image and right margin expertly renewed). Contemporary Dutch vellum, each cover decorated in panels with fine central gilt arms of the Admiralty of Rotterdam and four stamped corner pieces containing armillary spheres, all edges gilt (expertly recased); modern tan clamshell case. Provenance: with the arms of the Admiralty of Rotterdam in the center of each cover and with the initials "P.P.P" [Pugno Pro Patria ("I fight for the fatherland")] beneath. A fine atlas from the house of Visscher, who were among the leading producers of maps in Amsterdam in the 17th and 18th centuries. Founded by Nicholas Visscher, whose work is known for the high quality of engraving, exceptionally fine ornament, and accurate geographical information. The maps that relate to America include Carel Allard's (1648-1709) "Planispheriam terrestre sive terrarum orbis." [1796], a fine double hemisphere world map surrounded by eight smaller projections depicting the world from various angles, and for smaller circular diagrams, all against a dark cross-hatched background. California is shown as an island and the coastlines of New Zealand and Australia are shown in part; and his two fine Celestial maps. Six further maps depict America: Visscher's "Novis orbis sive Americae", "Nova Tabula Geograpguca complecters. Borealiorem Americae Partem", "Insulae Americanae", Jamaica, Brasil, and Paraguay. "Indiae Orientalis" depicts the northern coastline of Australia. From the distinguished library of the Admiralty of Rotterdam, also known as the Admiralty de Maze, the oldest of the five influential Admiralties of the Dutch Republic at the height of Dutch maritime supremacy. Established in 1574 during the Dutch revolt after the Capture of Brielle) William I of Orange's supporters decided to pool their naval resources at Rotterdam, in the Prinsenhof the former Saint Agnathaklooster, at Botersloot. Although the building was finally demolished in 1884 the arms of the Admiralty with the crossed anchors and an abbreviation of its motto Pugno Pro Patria ("I fight for the fatherland") on the remains of the original gate can be seen in the collection of the Rijksmuseum in Amsterdam. The structure of the five Admiralties (Amsterdam, Rotterdam, Firesland, West-Friesland and Zeeland) was eventually determined and defined in 1597 by the States-General of the Netherlands. Each Admiralty had branches for equipping warships, protecting overseas trade and traffic on the sea and rivers, collecting taxes, and jurisdiction over loot and price setting. The admiralties were dissolved in 1795 with the rise of the Batavian Republic. For more information about this book, or a warm welcome to see it and other books in our library at 72nd Street, NYC, please contact Kate Hunter, M.A. Oxon, in the Rare Book Department. Buchnummer des Verkäufers 72lib96

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Buchbeschreibung: Amsterdam: Nicolaes Visscher, [ca 1689, or later]., 1689. Folio (21 4/8 x 13 inches). Letterpress title-page and Index leaf listing 21 maps. Fine engraved allegorical title-page with original hand-colour in full (Koeman Vis 12), fine double-page engraved double hemisphere map of the world (Shirley 406, 1658), and 28 double-page maps, including two with index panels added to either side, and three folding (some early repairs to verso, and the map of North America torn with extensive loss). Contemporary drab paper boards newly backed with scarlet morocco gilt. The highly attractive world map "Orbis Terrarum Nova Et Accuratissima Tabula" (1658) is "regarded as the master forerunner of a number of highly decorative Dutch world maps. [with] minor variations in the still unknown coastline of North America. The northern part of California (as an island) has been flattened and is now entitled ‘Nova Albion’, still further north a small piece of land or an island ‘Anian’ appears adjacent to a strait leading within striking distance of the west shores of Hudson’s Bay. In china, stippling is used for the first time in a general map to denote a desert: this is the extensive ‘Xamo Desertum’. just west of the Great Wall of China" (Shirley). The detailed allegorical border depicts dramatic classical scenes representing the rape of Persephone, Zeus being carried across the heavens in an eagle-drawn chariot, Poseidon commanding his entourage, and Demeter receiving the fruits of the Earth. Two smaller spheres fall between the cusp of the larger hemispheres and based on polar projections that of the south pole depicts the southernmost tip of South America. The other maps include many maps of Europe, the continents, and a map of the East Indies showing most of the western and northern coastline of Australia, Britain with additional index panels at either edge, Scotland (corner strengthened on verso), Ireland (ditto), Poland, Sweden and Norway, Denmark, folding map of the Roman Empire, 2 maps of the Rhineland and Moselle, Switzerland, the 17 Provinces of "Germaniae Inferior", Belgium, Belgii Regii, a folding map of Galle and Fancia with index panels at either edge (extensive early repairs to verso), Spain and Portugal, Italy, a folding map of Hungary, a folding map of the Turkish empire, the Greek archipelago, the East Indies showing the northern coastline of Australia, Africa, Barbary, North and South America, South America, North America (which is torn with considerable loss). See Koeman Vis 12. Catalogued by Catalogued by Kate Hunter at Arader Galleries. Buchnummer des Verkäufers 72lib545

5.

An Exceptionally Fine Small Atlas. - Nieut Kaert-Boeck, vande XVII Nederlandse Provincies.

WIT, Frederick de (1630-1706).
(New York, NY, U.S.A.)
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Buchbeschreibung: Amsterdam: F. de Wit, 1660-1666., 1666. 2 works in one volume, folio (20 2/8 x 12 inches). Engraved title-page to "Nieut Kaert-Boeck" (using that of Jacob van Campen's "Afbeelding van't Stadt Huys an Amsterdm" [1661] with de Wit' s present title on an engraved overslip, together 53 double-page engraved mapsheets, all except one hand-colored in outline the cartouches and other embellishments fully hand-colored (first few maps with repaired splits at lower fold), manuscript contents in a contemporary hand, 7 leaves of descriptive text. Contemporary speckled calf, spine gilt in compartments (binding expertly repaired at spine and joints by James Brockman). Provenance: Near contemporary ownership inscription and description of contents of Baron Georg Guldenstiern (1632 -1686), State councillor to Queen Christina of Sweden (1626 - 1689) (ruled 1632-1654), chamberlain to King Charles X Gustavus of Sweden (1622 - 1660) (ruled 1654 - 1660), Chancelor of the Exchequer and of the Admiralty and governor of Stockholm 1678-1682 under King Charles XI (1655 - 1697), (ruled 1660-1697), governor of the provinces of Kronoberg and Uppland from 1657 and 1664 respectively; Christopher Henry Beaumont Pease, Lord Wardington (1924-2005), Library of Important Atlases and Geographies, Sotheby’s, 10th October 2006, lot 359. AN EXCEPTIONALLY FINE EXAMPLE of an early small de Wit atlas. Purchased by Baron Georg Guldenstiern, explaining the addition of the regional maps of Uppland and Götaland, which are not normally found in De Wit's small atlas. In two parts: a general world atlas and a regional atlas of the seventeen Dutch provinces. It contains a number of important maps found only in de Wit's early small atlases. The four continental maps are examples of de Wit's first continental maps that he replaced with more modern maps by 1671. The map of Hungary "NOVISSIMA ET EMENDATA DELINEATIO HUNGARIÆ" was originally published by Joannes Meyssens,(Schilder) but with de Wit's imprint it is known of in only one other de Wit atlas held by the map collection of the Amsterdam University Library. Like the map of Hungary the map of Germania by Claes Jansz. Visscher found in this atlas is also replaced by 1671. The World map is de Wit's second, and it is in an earlier state than the one given by Shirley (451), as the page number "1" is in manuscript and is not yet engraved. This is the only copy of this map known without the engraved page number. The atlas can be dated to between 1666 and 1671. Furthermore it can be dated to shortly after 1668, due to the contents of the atlas and several indicators found on the maps within the atlas. The first part of the general atlas has no title page or printed index. This indicates an early atlas as de Wit did not begin to use the familiar allegorical title page with Atlas holding up the heavens until shortly before 1671. The lack of a printed index also indicates a pre 1671 date as the printed indexes that are found in most of his atlases did not appear until ca.1671. The date of after 1666, for the earliest possible date for this atlas, is known as the atlas contains a map of Brabant: "Tabula Ducatus BRABANTIÆ ." dated 1666. Further this portion of the atlas also has the second state of de Wit's title page for his atlas of the seventeen provinces. The title page calls for twenty maps and it has a printed index of twenty maps on the verso. Both the title page and the index help in dating the atlas. De Wit acquired the plate for this title page in 1666 along with a number of plates of Amsterdam from Dancker Danckerts (Shirley 451 and 499). De Wit subsequently had a new title text for his provincial atlas printed that he then pasted over the original Danckerts text on this title page. There are three renditions of the new title block, the first indicating only fourteen maps, the second indicating twenty and the third twenty-five maps. We know that the fourteen map provincial atlas was first advertised by de Wit on the 14th of June 1667, in the "Oprechte Haerlemse Coura. Buchnummer des Verkäufers 12-4-7

6.
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Buchbeschreibung: Nicolas Visscher, 1660. Couverture rigide. Buchzustand: Bon. 535 x 358 mm. Grand in-folio de 9 double-pages regroupant 36 estampes, cartonnage du XVIIIè siècle. EXEMPLAIRE COMPLET, IMPRIME SUR GRAND PAPIER, EN SOMPTUEUX COLORIS DE L'EPOQUE DE L'ATLAS BAROQUE DES PAYS BAS. Depuis 60 ans, le répertoire des ventes publiques ne mentionne que 2 exemplaires en tirage normal, l'un de la première édition de 1657, l'autre de la présente édition de 1660, un troisième, incomplet, fut vendu en 1987. Ce recueil présente 36 estampes gravées, groupées par 4 vues imprimées au recto d'un double folio - illustrant l'architecture baroque des Pays Bas au milieu du XVIIè siècle. Le présent exemplaire, imprimé sur grand papier est le seul répertorié dans ce tirage de luxe. La famille Visscher est célèbre dans l'histoire de l'imprimerie des Atlas aux Pays Bas au XVIIè siècle. Hollstein, Schut 32 ; Hollstein, Publ. Clae Claesz Visscher I, 7. *** THE ONLY COMPLETE COPY OF THE BAROQUE ATLAS OF THE NETHERLANDS PRINTED ON LARGE-PAPER and magnificently coloured at the time to appear on the market since 1950.***. Buchnummer des Verkäufers 000020

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Buchbeschreibung: Amsterdam: chez Regner & Josue Ottens, [ca 1720]., 1720. Folio (21 x 13 inches). Title-page printed in red and black with an engraved vignette by F. Ottens. 48 fine double-page engraved maps and 5 charts (including fortification plate) with partial original hand-colour (lacking engraved frontispiece, a few small tears, small wormhole at lower centre of last 3 maps). 18th-century English diced half russia over marbled paper boards, the spine in seven compartments with six raised bands, gilt-lettered in the second, the others decorated in gilt with modern Pease family crests gilt (hinges broken). Provenance: 18th-century ownership inscription of George Champagne (?Rector of Twickenham and Canon of Windsor, ca 1755-1808) at the head of the title-page and manuscript index on verso of the final map; Lord Wardington (1924-2005), Library of Important Atlases and Geographies, his sale Sothebys' 10th October 2006, lot 362. Reiner and Josua Ottens assembled collections of maps in atlas form from the 1720s onwards until about 1750. The maps in this atlas are dated between 1704 and 1713. Although no two atlases assumed to have assembled by the Ottens brothers are the same, many of the extant examples contain a standard engraved title-page (not found in the present copy) with their imprint. Few maps collected and sold by the Ottens firm actually bear an Ottens imprint: many were taken from the stocks of the leading publishers of the day in Amsterdam or Paris, no doubt as a result of the influence which they were able to exert on their fellow members in the Amsterdam Compagnie van Boekverkopers or Booksellers Guild, of which both Reiner and Josua were at some time Governors. This volume includes maps after Jaillot, de Wit, F. & L. Valk, G. Delisle, de Leth, de Fer, Caspar Specht, Nicolaes Visscher and others. For more information about this book, or a warm welcome to see it and other books in our library at 72nd Street, NYC, please contact Kate Hunter, M.A. Oxon, in the Rare Book Department. Buchnummer des Verkäufers 12-5

8.

Atlas Maior.

F. De Wit - Covens & Mortier.
(Gent, N/A, Belgium)
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Buchbeschreibung: Amsterdam, J. Covens & C. Mortier. Hardcover. Buchzustand: Fine. Amsterdam, J. Covens & C. Mortier, c.1730. Modern half-calf, folio (55 x 35 cm), new endpapers. Engraved title page + 73 contemporary coloured maps (2 folding) from De Wit, Ottens, Covens & Mortier, Schenck, Visscher, Valck, Jaillot, etc. + 3 tables with two inset maps. See van Egmond, p.125 Maps: World (2), Asia, Africa, America (2), Portugal, Spain, France, British Isles (4), Netherlands (18), Switserland, Scandinavia (4), Germany + Eastern Europe (26), Italy (7), Greece, Turkey, Holy Land. Frederik de Wit's Atlas Maior had a fluctuating composition and can therefore be delineated bibliographically only with difficulty. Printed tables of contents give us something to go by. The shortest index mentions seventeen maps, the longest 160. (van Egmond). Buchnummer des Verkäufers 24280

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Buchbeschreibung: Large contemporary handcoloured wallmap on 41 connected sheets [total size: c. 170 x 230 cm / map size: c. 120 x 173 cm], engraved by Thomas Doesburgh (fl. 1677-1714), a.o. after ornamental designs by Gerard Hoet (1648-1733), [2nd corr. ed.] pbld by J. Covens & C. Mortier, [Amst., 1743]. (first ed. pbd by Nic. Visscher, Amst., 1696). - Overall browned, sl. waterstained in lower left corner. - Framed.*Scarce handcoloured copy of the corrected second state of Bernard de Roy's decorative wallmap of the province of Utrecht, decorated with coat-of-arms on each side and five large profiles of Amersfoort, Rhenen, Utrecht, Wijk by Duurstede & Montford at the bottom. - - Cf. Donkersloot-de Vrij, Topografische kaarten van Nedederland vóór 1750, no. 754 (2de druk); A.H. Sijmons, Nieuwe kaart van den Lande van Utrecht (1973). Buchnummer des Verkäufers 220225

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Buchbeschreibung: Gr.-4to (284 x 217 mm). Mit 2 Kupfertiteln von Lambert Vischer, 2 Portraitkupfern (von Ferdinand von Fürstenberg, nach Dietrich Caspar von Fürstenberg gestochen von Abraham Blotelingh, das zweite zeigt Theodor von Fürstenberg), 3 doppelblattgrossen topographischen Karten (ca. 1:530'000), gestochen von Jan Mathys sowie 2 doppelblattgrossen und 27 ganzseitigen Kupferstichen mit topographischen Ansichten (24) oder Darstellungen von Monumenten (3), nach Johann Georg Rudolphi radiert von Romeyn de Hooghe. Drucktitel in Rot und Schwarz. [28] Bl. (inkl. Kupfertitel), 337, [15] S. Index, [9] Bl. (Addenda monumentis], 134 S. (Panegyricus), [3] Bl. Index. Dunkelbrauner Kalbslederband d. Z. über 5 erhabenen Bünden, Deckel mit oval eingefasstem Wappensupralibros des französischen Staatsmanns und Gelehrten Nicolas Joseph Foucault (1643-1721), mit reicher Rückenvergoldung, gesprenkelter Schnitt. Amsterdam, Daniel Elzevier, 1672. Vorzugsexemplar auf grossem Papier der grossen Geschichte und Beschreibung des Bistums Paderborn und des Hauses Fürstenberg, "ein schöneres, idealeres Denkmal hat selten ein Fürst seinem Lande gesetzt" (ADB). Als Bischof von Paderborn mit vielerlei Aufgaben beschäftigt, versuchte Ferdinand von Fürstenberg weiterhin seine Interessen und Aktivitäten auf den Gebieten der Literatur und der Geschichtsschreibung weiter zu pflegen. Er versammelte einen kleinen Kreis von Gelehrten um sich und errang in der Folge als Mäzen und Humanist europäischen Ruf. Als Krönung seiner historischen Forschungen - geschrieben hat er an seinem Buch vor allem nachts - liess er die vorliegende Prachtausgabe der 'Monumenta Paderbornensia' in Amsterdam bei dem international tätigen und für seine vorzüglichen Druckwerke berühmten Daniel Elzevier drucken und gegenüber der nicht illustrierten Erstausgabe von 1669 auch erstmals mit wunderbaren Radierungen ausstatten. Die Vorlagen der Landschaftsveduten liess er durch den einheimischen Künstler Johann Georg Rudolphi (1633-1693) zeichnen, der sie wohl 1669/1670 vollendete. Gegenüber den Veduten eines Merian oder van Lennep zeichnen sich Rudolphis Ansichten durch ihre grösstmöchliche Realitätstreue aus. "Rudolphi sieht Natur und Architektur als gleichwertige, sich durchdringende Teile. Die Stadt ist von Bäumen und Büschen umgeben, die die Befestigungsanlagen verdecken, es wird zum erstenmal erkennbar, dass die Stadt in einer Senke der hügeligen Umgebung liegt. Die Stadt . erscheint als ein Teil der Landschaft und zeigt sich von ihr geprägt" (Dirk Strohmann). Radiert wurden die Ansichten von Romeyn de Hooghe (1645-1708), dessen Merkmale seines Stils, "wie das Arbeiten mit kurzen, dünnen und unregelmässigen Strichen, die starken Kontraste zwischen Hell und Dunkel, die Vorliebe für einen verdunkelten, sich nach hinten zu aufhellenden Vordergrund, schon deutlich zu erkennen sind" (D. Strohmann). Das Titelkupfer von Lambert Visscher zeigt eine antikisch anmutende Ruinenszenerie mit mythologischen Bildelement. Vier Flussgötter, vermutlich Personifikationen der drei bedeutenden Flüsse des Landes, der Pader, der Lippe und der Ems sowie des Tiber, sind zu Füssen der Tafel hingelagert. Martialische Symbole (Liktorenbündel, Beil, Schild und Feldzeichen) liegen auf der linken Seite. Alle Original-Platten haben sich im Besitz der Familie von Fürstenberg (Bergmuseum Schnellenberg) bis auf den heutigen Tag erhalten. Bei der Bearbeitung der 'Monumenta' standen dem Fürstbischof und seinen Historikern, unter ihnen vor allem der durch Rottendorff vermittelte Jesuit Nikolaus Schaten (1608-1676), zahlreiche wichtige handschriftliche und gedruckte Werke zur Verfügung. Wichtiges Quellenmaterial wurde durch den Domdechanten von Münster, Bernhard von Mallinckrodt und von dem eifrigen Handschriftensammler, Arzt und Dichter Bernhard Rottendorff zur Verfügung gestellt. Von letzterem stammt auch die dreiundzwanzigseitige Vorrede, in der er die reiche Geschichte des Paderborner Bistums würdigt und den Bildungsweg des Fürstbischofs. Buchnummer des Verkäufers B349034

11.

Oorspronkelyken Vermaard Konstryk.

BLOEMAERT, Abraham; Bloemaert
(New York, NY, U.S.A.)
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Buchbeschreibung: 1740. BLOEMAERT, Abraham and Frederik. Oorspronkelyk en Vermaard Konstryk Tekenboek van Abraham Bloemaart, geestryk getekent, en meesterlyk Gegraveert by zyn Zoon, Frederik Bloemaart . in een gevoegelyke Ordre geschikt door den beroemden Bernard Picart. [7] ff. With title to part one numbered "1" overlaid with chiaroscuro serving as frontispiece, engraved title vignette (signed F. Ottens) and architectural dedication page (signed J. C. Philips, 1740); portrait of Abraham Bloemaert (F. Bloemaert after P. Morelsen) and illustrated with a further 165 etched and engraved plates (numbered "2"-"166") by F. Bloemaert after A. Bloemaert, plus 7 duplicates (nos. 80, 94, 95, 108, 137, 144 and 145) being combined engravings and chiaroscuros. Folio, 396 x 280 mm, bound in contemporary three-quarter Dutch brown calf over marbled boards, red morocco spine label. Amsterdam: Reinier and Josua Ottens, 1740. Second and Best Edition of Abraham Bloemaert's famed Drawing Book (Tekenboek), profusely illustrated with line engravings and chiaroscuros by Frederik Bloemaert after his father's designs. Bloemaert's life drawings include multiple studies of heads, feet, and hands, nudes, putti and costumed figures, seen in various poses, from varied angles, and under various lighting conditions; animals and "historical" subjects round out this academic panorama. The most dramatic feature of the Drawing Book, and this copy in particular, is the series of chiaroscuro prints, whereby the otherwise monochromatic images are awash with ochre color and areas of the white paper showing through read as brilliant highlights. The present copy belongs to the second and most preferred edition (Roethlisberger I, 392 edition 2), in that there are 47 more plates than appeared in the first edition of 1650/56 (Roethlisberger state 1). Further, there are another 7 chiaroscuros not present in the Visscher issue of 1679/1702 (Roethlisberger state 1a). "The edition contains Frederick's plates of the Visscher edition as compounded and renumbered in 1723 by Bernard Picart for Renard, lavishly published in 1740 by Reinier and Josua Ottens. Picart (1673-1733), the finest and most famous engraver of his time, worked mainly for the book market" (Roethlisberger). It is significant that Roethlisberger, in his massive catalogue of the work of Abraham Bloemaert and His Sons (Doornspijk, 1993), reproduces this second edition in its entirety. Abraham Bloemaert (1564-1651) was remarkably successful as a teacher not only of his four sons but also of the leading Dutch Caravaggisti (e.g., Terbrugghen and Honthorst) and virtually every Utrecht master. Besides Hendrik Goltzius, Abraham Bloemaert and his son Frederik were among the earliest to combine the chiaroscuro woodblock technique with the engraved and etched line (Hind). Unlike most drawing books "Bloemaert's drawing examples are not derived from other authors." (Bolton).Marbled boards rubbed, otherwise a fine copy. Roethlisberger no. 792 (reproduced and described as T1-T166). Bolten, Method and Practice: Dutch and Flemish Drawing Books 1600-1750 pp. 48-67 and passim (24 reproductions). Hollstein, Dutch and Flemish (F. Bloemaert) 36-155. Strauss, Chiaroscuro 346-65 (errors). Buchnummer des Verkäufers 143496

12.

Brabantia Sacra et Profana scenographice illustrata.(engraved title). Castella et Praetoria Nobilium Brabantiae et Coenobia celebriora ad vivum delineata et aes incisa. (typographical title). (First edition).

LE ROY Jakob - Jacques (1633 - 1719) - Wenceslas Hollar - Franciscus Ertinger - Lucas Vorsterman - Jakob Harrewyn (illustrators)
(Antwerpen, ., Belgium)
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Buchbeschreibung: Antverpiae (Antwerpen), Ex Typographia Henrici Thieullier, 1694, in-folio, 40 x 26,5 cm, engraved title (Abr. van Diepenbeke) + typographical title + viii pp + 68 leaves with 130 views of castles , one vignette and 1 coat of arms + half-title + 1 map (Brabant) + 1 plan (Antwerp) + 20 double page views + 3 single page views + 3 double and 2 single page engravings of funerary monuments . In all 153 views of castles or monasteries. 2 parts in one volume; Brabantia sacra et profana scenographice illustrata (on engraved title) ; idem, pars altera (on half-title bound before the maps and folding plates). Bound in modern brown half leather, sprinkled boards, raised gilt spine, some marginal tears expertly restored, margins of engraved title a bit browned, the outer margins of the double-page bird's eye view of Turnhout a bit cropped, but a fine copy of the rare first edition with the plates in strong impressions. See Bibliotheca Belgica Tome III pp. 842. First Antwerp edition. The text in our engraved frontispiece ''Brabantia Sacra et Profana scenographice illustrata'' is tipped on like the copy in the ''Stadsbibliotheek Antwerpen'' (see Bib. Bel. pp. 846 -2nd column). Apart from the 130 castle views, printed two on a page, which occur in all copies of this edition, our copy has the following maps and views printed on double or single page; Visscher map of Brabant, Plan of Antwerp, Cathedral tower of Antwerp (eng. Gilles Hendricx). Averbode, Bethlehem near Louvain, Castle Bouchout, Map of Breda, Sepulchral monument Breda, Castle Broechem, Carthusians Brussels, Carthusians Lier, Corsendonck, Tombstone Van Kuye, another sepulchral monument of a couple (signed Ertinger 1676). Facade of the Antwerp Jesuit Church, Castle Groenhoven, Pretorium Hovorst, Huldenberg, Castle Leeuwae (?), Castle Loupoigne, Tower of Saint-Rombout (Holler 1649), Sint-Michiel Antwerpen, Capucijnen Brussels, Franciscan Friars Antwerp, Castle Elewijt (2 plates), Tervueren, Turnhout, Tongerloo, Schaerbeek, Groenendaal. The Gallo-Brabantia map present in most copies of this edition is lacking.§. Buchnummer des Verkäufers 29302

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Buchbeschreibung: t'Aamsterdam: Nicolaus Visscher, 1719., 1719. 3 works in one volume. Folio (14 4/8 x 9 2/8 inches). Additional engraved title-page by A. van der Laan after A. de Lairesse, fine engraved map of the river Vecht showing stately homes from Utrecht to Myden, 100 fine engraved vignettes of stately homes and grounds on 51 leaves by Daniel Stoopendaal. Original speckled calf, the spine in eight compartments with seven raised bands, red morocco lettering-piece in the second, the others decorated with fine gilt tools (extremities a bit rubbed). [BOUND WITH]: BROUERIUS van NIDEK, Matthaeus (1677-1743). Het Zegenpralend Kennemerland. Te Amsterdam: Andries en Hendrik de Leth, [1730]. Folio. 2 additional engraved title-pages, fine folding engraved map of Kennemerland, 102 fine engraved vignettes on 50 leaves. RADEMAKER, Abraham (1675-1735). Alle de voornaamste Gesigten van de Wydberoemde Steeden Alkmaar, Delft en Dordregt, Geleegen in de Provintie van Holland. Te Amsterdam: Leonardus Schenk, 1736. 67 fine engraved vignettes on 34 leaves. All three first editions, second issue of "De Zegepraalende Vecht " with four extra plates depicting the house of Driemond. Together these three works provide a comprehensive view of Dutch architecture at the end of the golden age of the empire. The detailed engravings are of stately homes, parks, and towns. Best known as a landscape artist, Le Bruyn travelled widely from a young age to Vienna, on to Rome then to Smyrna, Constantinople, Egypt, Jerusalem, Syria, Lebanon, and Turkey. Everywhere he went Le Bruyn depicted the scenes around him, he was especially interested in places of antiquity or historic interest, and his are the first images of the interior of a pyramids and Jerusalem to be widely available to a Westerners. "I want to offer accurate pictures of those cities, towns, and buildings that I have visited," he wrote, "and without recklessness I can claim to have done something that no one has done before" (reported by the New York Society Library). After an eight-years in Venice, Le Bruyn returned to The Hague in 1693 to publish his first book, "Reizen.door de vermaardste Deelen van Klein Asia." Delft, 1698. For more information about this book, or a warm welcome to see it and other books in our library at 72nd Street, NYC, please contact Kate Hunter, M.A. Oxon, in the Rare Book Department. Buchnummer des Verkäufers 72lib35

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Buchbeschreibung: Argentorati [Strassburg]: Officina Libraria Editoris, 1670., 1670. 2 works in one volume (6 4/8 x 4 inches). Letterpress title-page printed in red and black with fine engraved vignette publisher's device, index printed in red and black. Early vellum over paste-boards, yapp fore-edges, title in manuscript on the spine. Provenance: with the ink library stamp of Fürstlich Solms-Lich'sche Bibliothek on the title-page of the first work. THE FIRST BIBLIOGRAPHY OF CARTOGRAPHY EXCEPTIONALLY RARE FIRST AND ONLY EDITION OF Paulli's "Orbis terraqueus", the first bibliography of cartography. A bookseller, Simon Paulli records maps in atlases and separately printed by country and by the major publishers of the sixteenth and seventeenth centuries, including Blaeu, Jansonius, Visscher, Hondius, and Ortelius, in addition to those appearing in local topographical works, coasting pilots and maritime atlases. Maps relating to America appear between pages 113 and 118. [Bound after]: KNITTEL, Kaspar. Cosmographia elementaris. Propositionibus Physico-Mathematicis. Nurenberg: Endter, 1674. Sabin 59224. For more information about this book, or a warm welcome to see it and other books in our library at 72nd Street, NYC, please contact Kate Hunter, M.A. Oxon, in the Rare Book Department. Buchnummer des Verkäufers 000349

Buchbeschreibung: Folio (400 x 255 mm). Mit Kupfertitel, nach Johann Jakob Arhardt gestochen von Peter Aubry, 6 doppelblattgrossen Karten (davon eine Weltkarte 'Orbis terrrarum typus de integro in plurimis') und 16 Kupfertafeln von Johann Carl Joseph Störchlin. Typographischer Titel in Rot und Schwarz. [20] Bl. (inkl. Kupfertitel), 48 S., [2] Bl. (Biblischer Kalender von Andreas Hyperius), 680 S., Zwischentitel (Die Propheten), 320, 104 S. (Apokryphen), 422 S. (Neues Testament), 1 Bl. (Bericht an den Buchbinder). Dunkelbrauner Lederband d. Z. über Holzdeckeln (420 x 280 mm), Rücken über 6 erhabenen Bünden, Deckel mit getriebenen Messingbeschlägen (Mittelstück und je vier Eckbeschläge), mit 2 intakten Messingschliessen, Doubluren aus violettem Brokatpapier, ziselierter Goldschnitt (Rückenkopf und -fuss beschädigt). Basel, Emanuel und Johann Rudolf Thurneysen, 1729. Schönes und komplettes Exemplar der 'Tossanus-Bibel', die zu den am aufwändigsten gestalteten und gedruckten illustrierten Prachtbibeln des Basler Thurneysen Verlags zählt. Basel profilierte sich sich nach dem Dreissigjährigen Krieg neben Strassburg, Frankfurt am Main sowie Nürnberg als eines der Zentren des Bibeldrucks. Sowohl im ausgehenden 17. wie auch im Verlauf des 18. Jahrhunderts verliessen nicht wenige gewichtige Bibelausgaben die Basler Druckerpressen. Die vorliegende Edition der Gebrüder Emanuel und Rudolf Thurneysen folgt in ihrer Textredaktion überraschenderweise nicht der neun Jahre zuvor im selben Verlag von den beiden einheimischen Pfarrern Friedrich Battier und Theodor Gernler edierten Version der Luther-Bibel (die sogenannte 'Thurneysen-Bibel'), sondern vielmehr der von dem Heidelberger Kontroversaltheologen Paul Toussain [latinisiert Paulus Tossanus (1572-1634)] veröffentlichten Bearbeitung. Die Glossen und Auslegungen Toussains gehen auf dessen 1617 in Heidelberg veröffentlichte Bearbeitung und Kommentierung der Luther-Bibel zurück. Toussain war der Sohn des reformierten Theologen Daniel Toussain. Nach dem Theologiestudium in Heidelberg, Altdorf, Genf und Leiden sowie anschliessenden Rektoraten in Deventer und Amsterdam erwarb Paul toussain 1599 in Basel den theologischen Doktorgrad. Danach wirkte er in verschiedenen Pfarrämtern in Frankenthal und Heidelberg, wo er seit 1613 nebenbei auch noch Dogmatik lehrte. Als Delegierter der Kurpfalz nahm er 1618 auch an der Synode der reformierten Gemeinden der Niederlande in Dordrecht teil. Für seine Bibeledition von 1617 griff Toussain auf die Uebersetzungen der Luther-, der Genfer- sowie der Zürcher-Bibel zurück, deren Texte er miteinander verglich, um so hinter die eigentliche Bedeutung des Bibeltextes zu gelangen. Sein Beitrag besteht denn auch vor allem in der Auslegung und neuen Glossierung im Sinne reformierter Glaubenshaltung. Das Abendmahl ist demnach Gedächtnisfeier und Brot und Wein versteht er als heilige Wahrzeichen (Siegel) für Leib und Blut Christi. Die Textversion des dritten und vierten Buchs Esra sowie des dritten und vierten Buchs der Makkabäer - von Martin Luther selbst nicht in den Corpus der biblischen Texte aufgenommen - folgt der Uebertragung durch Daniel Cramer (1568-1637), Pastor an der Marienkirche in Stettin. Weiteren Anteil an den revidierten Texten hatten Giovanni Diodati, Johann Schönauer, Bonaventura von Brunn, Peter Werenfelss, Theodor Wohlleb und Daniel Schönauer. Das Vorwort des Zürcher Theologen und Professors für Ethik und Naturrecht am Carolinum, Johann Jakob Ulrich (1683-1731), datiert vom 4. Dezember 1728. Nebst der prächtigen Weltkarte nach Nicolas Visscher, finden sich eine weitere doppelblattgrosse "Erklärung, oder geographische Beschreibung' des zwischen Euphrat und Tigris lokalisierten 'Paradieses', die Reiseroute und "Beschreibung der viertzig-jährigen Reise der Kinder Jsrael, eine Regionalkarte von Israel (Beschreibung des jüdischen Landes), von Aegypten und Kleinasien (Anatolien - 'Erklärung der Land-Tafel, über die Reisen der Apostel') und eine doppelblattgrosse Ansicht in Voge. Buchnummer des Verkäufers B349609

Buchbeschreibung: Rome, Amsterdam et Rome, s.e., 1620-1629; 3 suites reliées en un volume in-8 oblong, 52 ff. + 26 ff. + 24 ff., plein daim de l'époque, dos muet à nerfs, filet d'encadrement sur les plats, armes non identifiées sur les plats (accidents aux coiffes et aux coins, coupes frottées). Recueil factice de trois suites de gravures italiennes du début du XVIIe siècle, extrêmement rares. La première suite, par Mercati, est composée d'un titre gravé, d'un feuillet de dédicace gravé, et de 50 feuillets de planches (numérotés de 3 à 52, les pages de titre et de dédicace étant comptées comme ff. 1 et 2, sans être numérotées); les deux premiers feuillets présentent des traces anciennes de restauration grossière à la bande adhésive, des marques de pliures et des manques de papier en marges du premier feuillet ; les planches 3 et 4 présentent des traces de pliures (planche 3 avec manque de papier dans la marge) ; les planches 6, 7, 8, 10, 11, 15, 16, 17 et 36 présentent des traces de mouillures claires avec atteinte aux gravures, aux coins supérieurs gauches ; l'ensemble des marges des planches comporte des rousseurs ou des traces de mouillure sans atteinte aux gravures. Ces vues, dédiées au grand-duc de Toscane Ferdinand II à l'occasion de son voyage à Rome, constituent un itinéraire élégiaque dans les ruines de la Rome ancienne. La suite suivante, par Guilliam van Nieuwelandt, est constituée d'un titre gravé et de 25 gravures sur cuivre, numérotées de 1 à 26 (la gravure n°10 étant absente). Toutes les planches (98 x 153 mm environ) ont été découpées, parfois rognées un peu court, et contrecollées dans le recueil. Référence : Nagler XI, p. 339, nos. 1-26 ; Hollstein (Nieulandt) 50-75, Hollstein (C. J. Visscher) 169-194III. La datation de cette suite gravée de Nieuwelandt est sujette à controverse : certains la donnent en 1618, d'autres en 1628 ; le doute vient du fait que la date gravée de la page de titre est difficilement lisible. La troisième et dernière suite, par Francesco Villamena, est composée d'un titre gravé, d'un avis au lecteur et de 22 gravures numérotées. Comme pour la suite de Nieuwelandt, toutes les planches (122 x 86 mm environ) ont été découpées, parfois rognées un peu court, et contrecollées dans le recueil. Une main ancienne a copié l'une des planches du troisième recueil en regard du sujet, a griffonné une remarque sous l'une des planche de la deuxième série, et a esquissé quelques sujets. Bel ensemble, malgré les défauts signalés, de près d'une centaine de gravures du début du XVIIe, désirable en raison de sa grande rareté. 1620. Buchnummer des Verkäufers 201301032

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Buchbeschreibung: Anvers ( Antwerpen ), Aux dépens de l'Auteur, 1790, in-folio album, 40 x 28,5 cm, engraved title + engraved dedication + 32 engraved plates (all but one portraits) + (1)lf (manuscript index) + 3 portraits loosely inserted. Bound in contemporary brown half roan, marbled covers, smooth spine with very simple gilt decoration. Upper inner joint a bit weak, with the usual slight stains and some thumbmarks, but a fine copy. Rare portrait album of the leading figures of the Brabant Revolution of 1787; the Southern Low Countries rising against the Austrian Habsburg empire. This collection of portraits is the masterpiece of the director of the Antwerp Academy of Fine Arts, the Antwerp painter André Bernard de Quertenmond. Due to the breathtaking succession of political regimes at the end of the 18th century in present-day Belgium the projected number of portraits (80) was never realised. Our copy contains 31 portraits, many of them avant-la-lettre. Among the engravers were Augustin de Saint-Aubin , J. Chevillet , P.J. Rutten, Nicolas Dandeleau, Ernst Karl Thelott. The names of the sitters as bound in; Frankenberg , Nelis , van Eupen , d'Ognies Grimberghe , Wouters abbé de Parck , Jean Joseph comte van der Noot , Maras abbé de Grimberghe , duc d'Ursel , Marquis de Chasteler , Abbaye de Villers (vacante) , Cloquet abbé de Villers , Charles Bernard Comte van de Werve , Egide de Jonghe , Charles comte de Nassau , Louis Englebert d'Arenberg , Corneille Mens , Antoine van Wamel , Hermans Abbas Tongerloënsis , Henri de Locquenghien , Honoré de Visscher baron d'Hove , Philippe comte de Limminghe , Robert d'Udekem , Henri Verassel , Marquis de Wemmel , Baron de Baudequin , Jean Vanderlinden d'Hoogvorst, Philippe comte van der Meere , abbé d' Heylissem , le marquis d'Ittre , Jean Coloma , Abbé Feller , Josephus Garnier. The portraits of Wouters , Van de Werve and baron de Baudequin are, among others, avant la lettre. Loosely inserted are three imprints of these portraits ''après la lettre'' with a very noticeable difference of imprint quality. (See article on Quertenmond in the ''Biographie Nationale''. See at length article of Prof. Jan Rogiers - KUL - in Ex Officina 1988).§. Buchnummer des Verkäufers 32495

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Buchbeschreibung: Chez Louys & Daniel Elzevier, Amsterdam, 1669. Hardcover. Buchzustand: Very Good. 4 parts in one volume. Elephant folio (385 x 260 x 130mm). Collation: first part: [lxxxiv], 732pp., (paginated 366), 3 folding maps; second part: [iv], 324pp. (paginated 162); third part: [iv], 404pp. (paginated 202), 2 folding maps; fourth part: 140pp. (paginated 70). Signatures: *(4); a-e(6); f(8); A-Z(6); Aa-Zz(6); Aaa-Ppp(6); A-Z(6); Aa-Cc(6); Dd(8); *(2); A-Z(6); Aa-Kk(6); Ll(4); A-L(6); M(4). Engraved frontispiece (363 x 226mm) signed N. Berchem Invent." & Matham [sic] Sculp" depicting two female figures holding "La Sainte Bible;" together with two cherubs, one holding the Ten Commandments and "Le Saint Evangile;" the latter with his foot on a skull. This spectacular frontispiece combines the works from three profound engravers of Dutch 17th century publishing activities. There are numerous engraved illustrations throughout the text, plus five added maps and plans. Four of these (Paradis terrestre (facing p. 3, part 1), Voyages des Israelites (facing p. 86, part 1), Pais de Canaan (facing p. 1 part 3), Voyages des Apotres (facing p. 68, part 3) were designed specifically for this edition by N. Berchem; the first three were executed by A. Blotelingh and the last mentioned by I. de Visscher. The fifth inserted engraving is an unsigned map of Jerusalem (facing p. 247, part 1), plus the Temple and Temple furniture, and was copied from the Polyglot Bible printed in London in 1655-57. (see Chambers, Bibliography of French Bibles II; Seventeenth Century French Language.p. 482 ff.) Woodcut printer’s device on title of Minerva, an owl and olive tree with proverbial legend "Ne extra oleas" (Nothing but the olive). Contemporary vellum, spliced or splitting in some areas otherwise holding up well, a robust volume. La Sainte Bible printed by Louis and Daniel Elzevier of Amsterdam, has been called "without exception the most splendid French Bible ever printed" (Bibl. Sussexiana). However, Brunet, echoed by Graesse, calls is "très remarquable par sa belle éxecution typographique; mais la correction en a eté peu soignée, et les notes ne sont pas estimées." A magnificent but not very correct edition. According to the catalogue of 1675 it was printed in four sizes of type, Imperial, France Real, Veluws Real and Grand Mediaen. It was one of the few large-format productions of the Elzevier presses, better known for their small Port-Royal New Testaments. The two printmakers who engraved Berchem’s designs for the Bible maps, Abraham Blooteling (1640-1690) and Jan de Visscher (1632-1692), were highly respected artists who lived and worked in Amsterdam. These engravers must have been acquainted, and had probably studied together in the workshop of Cornelis Visscher. Both most likely were selected, or at least approved, by Berchem as engravers of the map prints. Four of the five maps within the 1669 La Sainte Bible are ornamented with illustrations engraved from models by Berchem. Designs on the fifth map may also be by Berchem. Buchnummer des Verkäufers KK6561

19.

Koren-Bloemen, Nederlandsche Gedichten van.in XIX Boecken. [EERSTE druk; FIRST edition].

HUYGENS, Constantin (sic!) (1596-1687),
(BREDEVOORT, 0, Netherlands)
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Buchbeschreibung: 's Graven-Hage, Adriaen Vlack, met Privilegie vande Heeren Staten van Hollant ende West-Friesland, 1658. Stout 4°., original calfbacked boards. [1, blank], engraved and embellished title print (verso blank), ti.-p. printed in red and black with engraved vignette (verso with table of contents)[2]pp. of explanation to title print;[18], 1355; [1, blank]pp. Portrait of author (engraved by C. de Visscher after Christiaan Huygens; recte with extract from Privilege), large engraved plan of author's Countryseat "Hofwijck", with legenda at tail, decorative engraved initials, explanatory notes to poems at tail margins, author's supplementary note, explanatory glossary. Original copy of the FIRST edition published with the collected poems, including the famous epigrams, by Constantijn Huygens, famous author and poet, diplomat and scientist of the Dutch Golden Age, a true "Homo Universalis". Very good and clean copy. Rare. (spine skilfully rebacked with original spine laid-down, covers a bit soiled, top-margin a bit trimmed, a very clean copy inside). Buchnummer des Verkäufers 51233

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Buchbeschreibung: Asd., Nicolaus Visscher, n.d. [1682]., 1682. (XXII)+81+(5)+79+(1 blank)+(8) pp. With engraved plan and 40 engr. plates by Swidde after Sebastien Le Clerc. Hardcover. Modern marbled paper over boards. Good. (Title sl. browned/stained, top corner clipped, few pages a bit frayed/torn in top edges, light marginal waterst. in a few pages/plts.). * Dutch reprint of the description of the designs for fountains at the Versailles Labyrinth. Original French prose descriptions by Charles Perrault and fables in verse by I. de Benserade, with translations into English by J. Morisson, German by A. Muller and Dutch by A. Jansen van der Goes. Buchnummer des Verkäufers 58053

21.

Biblia, Dat is De gantsche H. Schrifture, vervattende alle de Canonijcke Boecken des Ouden en des Nieuwen Testaments, Door Laft der Hoogh-Mog: Heeren Staten Generael. uyt D.M. Luthers Hoogduitse Bybel

DUTCH LUTHER BIBLE – LUTHER, Martin (1483-1546) – VISSCHER, Adolf, trans. (1644-1701) – HOOGHE, Romeyn de, illus. (1645-1708).
(New York, NY, U.S.A.)
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Buchbeschreibung: Jacob Lindenberg, Amsterdam, 1702. Hardcover. Buchzustand: Very Good. Large folio (380 x 245mm). Engraved title page with figures of Moses and Christ above oval portrait of Martin Luther enclosed in frame of putti topped with swan, all in architectural setting incised with vignettes of Moses receiving the Law, Christ’s Last Supper and Baptism, mounted by Apocalyptic Lamb holding open book inscribed with Psalm 40:8-9 and John 5:39. Pagination: [24], 1-278, 112, 70, 132 (misnumbering common but appears complete). Added pictorial engraved title pages for Old and New Testament. Integral portrait of Adolf Visscher by Jonas Suyderhoef (repaired at lower right corner); 4 double-page engraved maps by Romeyn de Hooghe of 1) Orbis per Creationem (World at the time of Creation); 2) Palestine and the Levant; 3) Map of the Mediterranean showing Greece, Cyprus and Anatolia; 4) Map of the Mediterranean for the Travels of St. Paul; all extra engraved with biblical vignettes or tabernacle implements. Extensively illustrated throughout with 63 full-page and 13 half-page engraved plates, nearly all of the full-page plates are with 2 images in vignette form by de Hooghe, beginning almost all Bible books, including Books of Prophets and Apocrypha. Printed in Dutch in double column. Printed marginalia. Few engraved or woodcut tailpieces. Period diced calf over beveled wooden boards embossed with central interlaced lozenge, brass corner pieces and hinges, but lacking clasps; (edges slightly chipped at beginning, overall toned with age some stains, some of the maps trimmed close but otherwise clean, joints splitting affecting some internal leaves, spine with minor loss, overall a historical volume with great appeal). An immense biblical tome five inches thick from cover to cover, beautifully bound, probably for a church or religious institution. Deaccessioned from the Pacific School of Religion, but with no markings other than the pictorial bookplate of John Howell, "Where there is no vision, the people perish" to front pastedown. Adolph Visscher’s Dutch translation of the Luther Bible in period binding. In 1648 Adolph Visscher of the Lutheran Church in Amsterdam revised a previous Mennonite translation of Luther’s German Bible. This became the standard Bible or "State Bible" (Statenbijbel) of Dutch Lutherans. This 1702 printing is a revision of Visscher’s Bible translation, which was in use, occasionally revised, until 1951. Illustrated throughout with engravings by Romeyn de Hooghe of the Rubens School, the engravings represent some of the most significant for the Dutch book illustrator. This suite of illustrations was bound in a number of different translations and editions of the Bible during this period. Progress in the knowledge of biblical languages as well as the development of biblical refutation increased the demand for new versions of the Dutch Bible – In fact, a Keur translation of the "States Bible" appeared this same year. This is a historical state of Visscher’s Dutch "States translation," also known as the Lindenberg edition, which was in fact a universally accepted Protestant Bible, this volume maintaining the four original maps, some of the finest to appear in 18th century bibles. Buchnummer des Verkäufers D9150

Buchbeschreibung: A Amsterdam, Chez Louys & Daniel Elzevier, 1669.4 parties en 2 tomes grand in-folio : titre-frontispice gravé, page de titre, 40 ff. non chiffrés, 367 ff. chiffrés// faux-titre, un f. , 162 ff. chiffrés, un f. , 70 ff. chiffrés, deuxième page de titre, un f. , 202 ff. chiffrés ; illustrés de 4 cartes et d'un plan de Jerusalem gravés sur double page (en bon état intérieur, à noter : une restauration ancienne sur un feuillet, un petit trou de ver sur la marge inférieure des 80 premiers feuillets, quelques piqûres passim le texte du tome I, quelques menus travaux de vers dans la pliure de quelques feuillets, quelques rares cernes de mouillures anciennes). en deux volumes plein veau brun, dos orné à nerfs, pièces de titre et de tomaison maroquin rouge, triple filet doré autour des plats, tranches dorées (coiffes arrachées suivies d'accrocs, mors fendus pour partie, frottements sur les plats, avec manque de peau sur plusieurs coins, et à l'extrémité de plusieurs nerfs, reliure de l'époque). Nonobstant ses défauts de reliure signalés, notre exemplaire demeure en tout à fait bon état général et bien complet des QUATRE BELLES CARTES & du PLAN DE JERUSALEM gravés sur pages doubles. "Version de Genève (texte de Charenton-Paris) révisée par Samuel Desmarets, avec de nombreuses notes en marge et en bas de p. Contient les Apocryphes, y compris Maccabées 3. Le N. T. a une p. de titre propre. Marque à la Minerve aux titres. Front. gr. par T. Matham ; cartes gr. par A. Blotelingh et J. Visscher, d'après N. Berchem. Ref. Bibles Paris, 494 - Chambers 1389 - Darlow & Moule 3761." (Catalogue général de la BnF) - Cachet du Petit Séminaire de Bergerac. DES PHOTOGRAPHIES NUMERIQUES SONT DISPONIBLES PAR E-MAIL SUR SIMPLE DEMANDE - DIGITAL PHOTOGRAPHS MAY BE AVAILABLE ON REQUEST. Buchnummer des Verkäufers 3545

23.

Ornemens à la mode. Inventé et Gravé par du Cerceau.

ANDROUET DU CERCEAU Paul (1630-1710) - Nicolas VISSCHER ( publisher )
(Antwerpen, ., Belgium)
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Buchbeschreibung: S.l.s.d. (Amsterdam, 1680 ?), Ex formis Nicolai Visscher, oblong in-4°, 20 x 30 cm, 10 numbered engraved pages including the title page (complete). Modern half leather with sprinkled boards, some pages slightly stained or with pencil lines dividing the pages in squares, a good copy. Rare 17th century book on decoration and ornament. Not in Katalog Berliner Ornamentstichsammlung. Guilmard 87, 26 (only 6 leaves). We could trace only a few complete copies; e.g. in an American library (Northwestern University, Illinois); and in the British Museum Libraries.§. Buchnummer des Verkäufers 1129

24.
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Buchbeschreibung: Amstelaedami/Lugd. Bat./Ultrajecti Apud R. & G. Wetstenios Sam. Luchtmans Jacobum Broedelet M.D.CC.XXVI. [Amsterdam, 1726]. Special copy with academic presentation leaf & arms of city of Amsterdam on binding., 1726. Hardcover. Buchzustand: Very Good. No Jacket. 1st Edition. Folio, two volumes; size of bindings: 10 ¼ in. x 16 ¼ in. x 3 in. (thick), a special printed page in this copy, with engraved arms (by J. Goeree/J. Baptist) and name & date, added in ink: Abrahamus Visscher/Otto Arntzenius, I.U.D. [1 April, 1763]. Half-title; elaborate, and finely engraved frontispiece/titlepage by Gunst; printed titlepage in red and black with woodcut device; [4]pp., pp. 1-28, [28]pp., pp. 1-982; with two engraved plates of coins/medals at page 17 & 26 of first numbered section (these show the front & back of 41 pieces), small engraved map of Sinus Arabici pars, on p. 112. Volume 2: half-title; pp. 1-520; pp. 1-481; [63]pp. of indexes, etc., small engraved map at p. 327, small woodcut of candlestick/menorah, at p. 415. Bound in full, old vellum, gilt, over boards, with seven raised bands on spine, and small gilt arms in compartments, gilt bands across spine, richly gilt borders on covers, framing a larger gilt armorial design (the city of Amsterdam, according to an inked note on the endpaper of the first volume); headbands; lacking the silk ties. Former owner's printed book labels on the front paste-downs of each volume. The front outer hinges show splitting to the vellum, dusting to the cover surfaces. Some staining to book edges/margins, a little age-related tanning; but the interior is generally, clean and crisp. This appears to be a copy that was specially bound and awarded to a student in 1763: "Ingenuum magnaeque spei Adolescentem, {Abrahmum de Visscher,} Spatio literario a Carceribus ad Metam feliciter & cum laude decurso, Hoc honorificae missionis monumento lubentes ornant ex decreto, in frequenti virorum doctissimorum consessu, Amplissimi Dd. Coss. & Scholarchae Amstelaedamenses. [engraved arms] Quod testor {Otto Arntzenius, J.U.D.} Gymnasi publici Amstelaedamensis Rector. Promotione verna, {D. I. April [-]LX III}" [1763; {-} = inked inscriptions]. "[-]it must not be forgotten that this work contains the readings of two MSS. contained in the Leyden library, and some observations of Vossius and Cocceus found in the margin of a copy of the editio princeps. It has also a collation of a MS. Belonging to Frederick Rotsgard, formerly secretary of state to the King of Denmark; a great collector of books, and whose library was sold by auction in London, A.D. 1727. Fine copies of this edition bring a considerable price; and those on large paper are of unusual occurrence." Dibdin, Classics, 1827; Vol. 2, p. 133. (Greek text with Latin). Weight: 22 lbs. Postage may be extra on this item. Buchnummer des Verkäufers ABE-544983909

25.

ETHIC AMUSEMENTS - BOUND WITH AESOP AT COURT OR THE LABYRINTH OF VERSAILLES

BELLAMY DANIEL AND VISSCHER NICOLAUS
Anbieter: Hawkridge Books
(Sheffield, YORKS, United Kingdom)
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Buchbeschreibung: LONDON W. FADEN, 1768. A FINE COPY RECENTLY REBOUND IN HALF LEATHER USING ORIGINAL MARBLED BOARDS, NEW ENDPAPERS. REVISED BY HIS SON D. BELLAMY, M.A. CHAPLAIN OF PETERSHAM AND KEW, IN SURREY. SOME FOXING BUT INTERNALLY VERY GOOD. ETHIC AMUSEMENTS COMPRISES: THE COMFORTS OF PHILOSOPHY IN 5 BOOKS; FAMILY PARTY; COURT OF BEAUTY; THE YOUNG EAGLE; THE PROJECTOR; GRATITUDE; DAMON AND DELIA. THE 'LABYRINTH' IS BOUND BETWEEN GRATITUDE AND THE YOUNG EAGLE, WITH ALL PAGES NUMBERED CONSECUTIVELY. THE LABYRINTH HAS 42 PLATES (TITLE PAGE, THE MAZE, THE ENTRANCE, AND 39 OF THE FOUNTAINS). IN ADDITION, ETHIC AMUSEMENTS HAS A TILE PAGE, 2 FULL PLATES AND 4 IN THE TEXT. TITLE PAGE IS FOXED, THEREAFTER VERY CLEAN AND CRISP, IN A HANDSOME BINDING. A SCARCE ITEM. Buchnummer des Verkäufers 27482

26.
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Buchbeschreibung: W & A White & J Visscher: Albany, NY -43, 1842. 12 x 9.5, cloth, Part I: introduction, 188 pp, 2 plates of Croton Aqueduct, Mammalia, 142 pp, 33 engraved b/w, index. Part II: Birds, 380 pp, 141 color plates, index. Part III: Reptiles and Amphibia, text, 415 pp, index. Part IV: Reptiles and Amphibia, plates, 23 engraved b/w plates of reptiles and amphibia, 79 engraved b/w plates of fishes, index. Parts V- VI: Mollusca and Crustacea, 271 pp, 70 pp, 40 polychrome plates of Mollusca , 13 polychrome plates of Crustacea, index. Original gilt and blindstamp decorated black cloth, ex lib, spine labels and book plates, no edge stamps, spine ends and forecorners worn, spine detached, and a few plates loose to Part II, otherwise hinges sound, good sound set. FIRST ED. Buchnummer des Verkäufers 96-7275

27.

Het Nieuwe Testament. Het Boek der Psalmen. Kerk-Boek.

BIBLE. Dutch, 1778
(New York, NY, U.S.A.)
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Buchbeschreibung: 1778. [BIBLE, N.T. Dutch (Visscher) 1778]. Het Nieuwe Testament. Het Boek der Psalmen. Kerk-Boek. Three volumes in one. [vi], 384; 361; pp. 61-84, 25-92. With 2 engraved title-pages and 30 full-page engraved plates of Biblical scenes. 12mo., 142 x 80 mm, superbly bound in contemporary Dutch red morocco, elaborately gilt with flowers, cornucopia, and spears, seven raised bands on spine, compartments gilt with small tools, edges gilt and gauffered, decorated endpapers. Amsterdam: H. Brandt, D. onder de Linden, P. Schouten, J. de Groot, en R. Arrenberg, n.d. [ca. 1778]. A beautiful Dutch binding in fine condition, exuberantly gilt with small and large tools. The text of the New Testament was translated into Dutch by Adolf Visscher (1605-1652) from the German of Martin Luther. This edition was prepared by Ericus Fredericus Alberti (1723-1788) and Johannes Klap (1733-1790), both of whom signed the verso of the title-page of the New Testament and also the title-page of the Luther Metrical Psalms (not the Reformed, or States General, Version). Bound together with Hymns, the Book of Common Prayer, Catechism, and the Augsburg Confession in Dutch. In splendid state. Scarce: copies are located only at American Philosophical Society and British Library. PROVENANCE: E[dwin] Crawshaw (fl. 1889), a Liverpool teacher who is known to have collected incunables and medieval MSS (two are now in the Bodleian, one at the University of Leicester, and one in Yale) with his ex-libris. Not in Darlow and Moule. Buchnummer des Verkäufers 112585

28.
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Buchbeschreibung: [c.1671], Amsterdam, 1671. Map. 43.5 x 54.5 cm. Beautiful contemporary hand coloring. Map has had a small professional repair just to the right of 'La Roca Partida'. Otherwise map is sharp and bright in a decorative gilt frame. A handsome and important map that was copied many times. Dedicated to Cornelius Witson, his arms are shown on a shield supported by angels and a female figure holding aloft a cross, a falling devil at her feet. Title on a stone block with two snakes above and figures of natives either side, one a chief under an umbrella. The St Laurence is shown entering a large lake open at its western end. - R.V. Tooley 29. Buchnummer des Verkäufers 15160

29.
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Buchbeschreibung: London, HMSO, 1898., 1898. Large folio. Title, leaf of explanation, list of maps + 48 (of 51) maps (incl. 11 col. double-page, 1 b/w double-page, 25 col., 10 b/w maps, and a list of plantations and owners in Essequibo in 1748). Hardcover. Or. red half morocco, marbled endpapers. Good. (Spine ends & corners sl. dam./rubbed, front cover sl. stained; title a bit creased; ink mark before each map mentioned on list of maps, few maps with some red pencil or blue ink marks, underlinings). * Reproductions of maps dated between 1599 and 1898, by Hondius, De Laet, W. Blaeu, Jansson, Sanson, Nic. Visscher, Storm van 's Gravesande (3 maps & list of plantations), Hartsinck, Delisle, Popper, Robert de Vaugondy, Schomburgk (7 of 9 maps), and many others. - Missing maps are nrs. 16, 44 & 45: Amérique Méridionale by d'Anville (1748), and the first map of the limits of British Guiana (two sheets) of Schomburgk (1841). - Size of the atlas is 72 x 57 cm, weight 9 kg. Buchnummer des Verkäufers 59073

30.

The Fine Arts Quarterly Review, Vol.1 May-October 1963, Vol.II, no.8, Jan, 1867-June 1867.

FINE ARTS QUARTERLY REVIEW.
Anbieter: Roe and Moore
(London, United Kingdom)
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Buchbeschreibung: Chapman and Hall., London, 1863. Hardcover. Buchzustand: Good. First edition. 8vo. All published. Bound in 5 volumes qtr. green leather, gilt-lettered. Ex-library copies, with stamps etc. Haevily worn, dampstaining to first quarter of last volume, several covers detached. Vol.1; essay on English Painting in 1862 by Tom Taylor; The Early History of The Royal Academy by S.Redgrave; A Catalogue of the Works of Cornelius Visscher by Wiliam Smith; The Salon of 1863 by Hamerton; plate removed page 272/3; Art Exhibitions in London by W.M.Rossetti; William Mulready with a lithograph portrait. Vol.II; The Camirus Vase by C.T.Newton, Modern Etching in France by Hamerton; Horace Vernet, His Life and Works; Who was Francesco di Bologna ? by A. Panizzi; The Reaction from Pre-Raphaelitism by Hamerton; Paul Delaroche, The Fine Art in India etc; large colour lithograph frontis, folding and laid on silk; original etching 'Chemin des Roches' by Adolphe Appianand an original etching 'La Rue des Toiles, Bourges' by Charles Meryon ( both heavily browned). Vol.III, essays on Gustave Doré; The Life and Work of William Blake by W.F.Rae, Eugene Delacroix by M.C.H.; Picture-Regeneration by C.Bonner, Review of the Salon of 1864. Vol.IV; Essays on Sir Joshua Reynolds, Sir Charles Eastlake; 'About Etching'; Walton's Chromolithographs of Alpine Scenery; staining to lower right corner throughout, most notable on the plates. Vol.V. Mr Seymour Haden's Etchings by Palgrave, with two original etchings by Haden;; Justi's Life of Winckelmann; The Chromolithograph of Leonardo's "Last Supper"; Descamps by M.C.H.; Sunshine by R.T; The International Society of Fine Arts by W.M.Rossetti. Buchnummer des Verkäufers 018579

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