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Erscheinungsdatum: 2001
ISBN 10: 0198160151ISBN 13: 9780198160151
Anbieter: Lacey Books Ltd, Cirencester, Vereinigtes Königreich
Buch
Hardcover. Zustand: Very Good. 2001 OUP hardcover edition. Light reading wear else very good condition.
Verlag: OUP Oxford, 2001
ISBN 10: 0198160151ISBN 13: 9780198160151
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
Buch Print-on-Demand
Zustand: New. PRINT ON DEMAND Book; New; Fast Shipping from the UK. No. book.
Verlag: Oxford University Press, USA, 2001
ISBN 10: 0198160151ISBN 13: 9780198160151
Anbieter: PBShop.store US, Wood Dale, IL, USA
Buch Print-on-Demand
HRD. Zustand: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Verlag: Oxford University Press, USA, 2001
ISBN 10: 0198160151ISBN 13: 9780198160151
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
Buch Print-on-Demand
HRD. Zustand: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Verlag: Oxford University Press, Oxford, 2001
ISBN 10: 0198160151ISBN 13: 9780198160151
Anbieter: AussieBookSeller, Truganina, VIC, Australien
Buch
Hardcover. Zustand: new. Hardcover. The immense success of the Italian romance or chivalric epic between the mid-fourteenth century and the sixteenth century constitutes a striking paradox. The flowering of the genre, between the composition of Boccaccio's Teseida and the Orlando Furioso of Ariosto occurred in precisely the same period as the emergence of Humanism and the revival of classical culture and literature based on re-readings of ancient texts. The two cultural phenomenon -of medieval, vernacular narratives and the imitation of classical texts, veneration for classical antiquity - seem antithetical. Through an analysis of aspects of both the cultural context and major literary texts, thisbook shows that the traditional distinction of popular versus elite culture cannot be maintained. The study reveals a process of syncretism and symbiosis through which the romance epic adapted to the challenges posed by the classical revival, absorbing and rewriting elements of classical texts into the tradition of the matter of France and the matter of Britain to create a new 'matter of Italy' - texts which appealed to all levels of society. The romance or chivalric epic was the most popular form of literature in Renaissance Italy. This book shows how it owed its appeal to a successful fusion of traditional, medieval tales of Charlemagne and Arthur with the newer cultural themes developed by the revival of interest in classical antiquity which constitutes the key to Renaissance culture. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Verlag: Oxford University Press, 2001
ISBN 10: 0198160151ISBN 13: 9780198160151
Anbieter: Lucky's Textbooks, Dallas, TX, USA
Buch
Zustand: New.
Verlag: Oxford University Press, Oxford, 2001
ISBN 10: 0198160151ISBN 13: 9780198160151
Anbieter: Grand Eagle Retail, Wilmington, DE, USA
Buch
Hardcover. Zustand: new. Hardcover. The immense success of the Italian romance or chivalric epic between the mid-fourteenth century and the sixteenth century constitutes a striking paradox. The flowering of the genre, between the composition of Boccaccio's Teseida and the Orlando Furioso of Ariosto occurred in precisely the same period as the emergence of Humanism and the revival of classical culture and literature based on re-readings of ancient texts. The two cultural phenomenon -of medieval, vernacular narratives and the imitation of classical texts, veneration for classical antiquity - seem antithetical. Through an analysis of aspects of both the cultural context and major literary texts, thisbook shows that the traditional distinction of popular versus elite culture cannot be maintained. The study reveals a process of syncretism and symbiosis through which the romance epic adapted to the challenges posed by the classical revival, absorbing and rewriting elements of classical texts into the tradition of the matter of France and the matter of Britain to create a new 'matter of Italy' - texts which appealed to all levels of society. The romance or chivalric epic was the most popular form of literature in Renaissance Italy. This book shows how it owed its appeal to a successful fusion of traditional, medieval tales of Charlemagne and Arthur with the newer cultural themes developed by the revival of interest in classical antiquity which constitutes the key to Renaissance culture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Verlag: Oxford University Press, 2001
ISBN 10: 0198160151ISBN 13: 9780198160151
Anbieter: Iridium_Books, DH, SE, Spanien
Buch
Zustand: Used - Good.
Verlag: Oxford University Press, 2001
ISBN 10: 0198160151ISBN 13: 9780198160151
Anbieter: Iridium_Books, DH, SE, Spanien
Buch
Hardback. Zustand: Muy Bueno / Very Good.