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Verlag: Center for Black Music Research Columbia Coll, 1992
ISBN 10: 0929911032ISBN 13: 9780929911038
Anbieter: Ergodebooks, Houston, TX, USA
Buch
Paperback. Zustand: Good.
Verlag: Berkeley/Columbia College, Chicago: University of California Press/Center for Black Music Research, 2001, Berkeley/Columbia College, Chicago, 2001
ISBN 10: 0520215230ISBN 13: 9780520215238
Anbieter: Virg Viner, Books, Minneapolis, MN, USA
Buch Erstausgabe
Hard Cover. Zustand: Near Fine. First Printing. Hard Cover. Near Fine/Near Fine. First Printing. 8vo - over 7¾" - 9¾" tall. The author sets the record straight on the two periods (1917-1922 and 1940-1941) that Jelly Roll Morton spent on the West Coast. In addition to checking and rechecking his sources, correcting mistakes in scholarly accounts and situating eyewitness narratives within the histories of New Orleans and Los Angeles, Pastras offers a fresh interpretation of the life and work of Jelly Roll. 246 pages including index. Great copy.
Verlag: University of California Press; Chicago, Center for Black Music Research, Columbia College, Berkeley, Etc., 2001
ISBN 10: 0520229835ISBN 13: 9780520229839
Anbieter: Hackenberg Booksellers ABAA, El Cerrito, CA, USA
Buch
xvi, 290p., b/w illus., stiff wrappers (Music of the African diaspora, 3).
Verlag: Centre For Black Music Research Columbia College Chicago, Chicago, 1999
Anbieter: Lime Works: Books Art Music Ephemera Used and Rare, Toronto, ON, Kanada
Buch Erstausgabe
Soft cover. Zustand: Near Fine. 1st Edition. 133 p. Sound clean unmarked copy. X11.
Verlag: Columbia College Center for Black Music Research, 1995
Anbieter: Zubal-Books, Since 1961, Cleveland, OH, USA
Zustand: Good. *Price HAS BEEN REDUCED by 10% until Monday, April 29 (sale item)* Volumes 1-3, partly bound, minor library markings else text clean & bindings tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.
Verlag: University of California Press / Center for Black Music Research, Berkeley / Columbia College Chicago, 2001
ISBN 10: 0520215230ISBN 13: 9780520215238
Anbieter: exlibris24 Versandantiquariat, Freiburg im Breisgau, Deutschland
Buch
Hardcover. Zustand: Gut. Zustand des Schutzumschlags: Mit Schutzumschlag. Schutzumschlag etwas gebrauchsspurig und am Rücken etwas lichtverblasst - ansonsten sauberes und gutes Exemplar. XXIV, 246 Seiten. Mit einigen schwarzweißen Abbildungen im Text. Halbleineneinband mit Schutzumschlag. 270 Seiten. 570 Gramm. 24x16cm. Englisch. VERLAGSINFO: When Ferdinand »Jelly Roll« Morton sat at the piano in the Library of Congress in May of 1938 to begin his monumental series of interviews with Alan Lomax, he spoke of his years on the West Coast with the nostalgia of a man recalling a golden age, a lost Eden. He had arrived in Los Angeles more than twenty years earlier, but he recounted his losses as vividly as though they had occurred just recently.The greatest loss was his separation from Anita Gonzales, by his own account »the only woman I ever loved« to whom he left almost all of his royalties in his will. In »Dead Man Blues«, Phil Pastras sets the record straight on the two periods (1917-1923 and 1940-1941) that Jelly Roll Morton spent on the West Coast. In addition to rechecking sources, correcting mistakes in scholarly accounts, and situating eyewitness narratives within the histories of New Orleans or Los Angeles, Pastras offers a fresh interpretation of the life and work of Morton, one of the most important and influential early practitioners of jazz. Pastras discovery of a previously unknown collection of memorabilia - including a 58-page scrapbook compiled by Morton himself - sheds new light on Morton's personal and artistic development, as well as on the crucial role played by Anita Gonzales. In a rich, fast-moving, and fascinating narrative, Pastras traces Morton's artistic development as a pianist, composer, and bandleader. Among many other topics, Pastras discusses the complexities of racial identity for Morton and his circle, his belief in voodoo, his relationships with women, his style of performance, and his roots in black musical traditions. Not only does »Dead Man Blues« restore to the historical record invaluable information about one of the great innovators of jazz, it also brings to life one of the most colorful and fascinating periods of musical transformation on the West Coast. Alle Preise inkl. MwSt.
Verlag: Columbia College/Center for Black, 2004
ISBN 10: 0929911113ISBN 13: 9780929911113
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Buch
Paperback. Zustand: Brand New. 165 pages. 9.75x7.00x0.75 inches. In Stock.