The salted paper print process and the daguerreotype were invented, for all practical purposes, simultaneously. Though using different materials and methods (the salted paper print was patented, while daguerreotype was not) still both achieved the miracle of fixing an image from life within a substrate―in other words, they ushered in the medium of photography.
The uses of each form of photography varied greatly. In Europe the salted paper print was valued for its aesthetic qualities―the massing of light and the softening of detail―while in North America, the salted paper print was valued for its portability and reproducibility. At the same time, the three evolving regions that comprised North America―Canada, the United States and Mexico―faced quite different realities and challenges than those in Europe (primarily France and Britain). In North America artistic merit was less of a priority, as each emerging nation faced vast, untamed territories, as well as social and political tumult. These were countries in the making―defining borders, struggling to create identities, and establishing metropolitan areas and transportation networks, while the scions on the other side of the Atlantic cast a leisurely eye to their artistic, architectural, and colonial heritage for subject matter.
Scant research has been done on the use of the salted paper print in North America during its brief period of use (approximately 1847–1865); physical prints are often found in obscure collections and locations, and they are, as is true for most works on paper from that period, exceedingly fragile.
This volume, with essays by three up and coming 19th-century scholars, offers new views on the use and employment of the salted paper print in North America. The hope is that this publication will encourage investigation, for the history of photography has many areas of terra incognita yet to discover.
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Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
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Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Fine. 4to. - over 9¾ in. - 12 in. 144pp., including selected chronology, index of plates, and selected bibliography. Illustrated with 85 plates. A beautiful copy in Near Fine condition; the dust jacket is Fine. Essays include: The Salt Paper Print: Shaping Mexican Socio-Political Climate, by Lisa Volpe; Obscure Histories: The Salted Paper Print in the United States, by Russell Lord; The Human and Natural Resources Revealed in Canadian Salted Paper Prints, by Jordan Bear. Bestandsnummer des Verkäufers 643807
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Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: very good. Unmarked text. Factory sealed. Unclipped dust jacket Beautifully illustrated. Essays by Keith F. Davis, Lisa Volpe, Russell Lord, Jordan Bear, and others. Sections on Mexico, the United States, and Canada. Chronology, Biographies. Bibliography. 144p. The salted paper print process and the daguerreotype were invented, for all practical purposes, simultaneously. Prior to this volume, scant research existed on the salted paper print in North America. The essays in this volume offer views on the use and materials of these prints as they ushered in the medium of photography. Bestandsnummer des Verkäufers 30667
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Hardcover. Zustand: NEW. Zustand des Schutzumschlags: NEW. 1st. Cloth, 144 pages, illustrations, portraits; 29 cm. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** "The salted paper print process and the daguerrotype were invented, for all practical purposes, simultaneously. Though using different materials and methods (the salted paper print was patented, while daguerreotype was not) still both achieved the miracle of fixing an image from life within a substrate - in other words, they ushered in the medium of photography. This volume offers new views on the use and employment of the salted paper print in North America. The hope is that this publication will encourage investigation, for the history of photography has many areas of terra icognita yet to discover." - Publisher. *** CONTENTS: Introduction: the North American salted paper print, by Keith F. Davis; The salted paper print: shaping the Mexican socio-political climate, by Lisa Volpe; Obscure histories: the salted paper print in the United States, by Russell Lord; The human and natural resources revealed in Canadian salted paper prints, by Jordan Bear. Size: 4to. Collectible. Bestandsnummer des Verkäufers 108217