Bear jordan (106 Ergebnisse)

- Hardcover
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Hardcover. Zustand: Fine. Connecting readers with great books since 1972! May contain remainder marks. We ship orders daily and Customer Service is our top priority.

- Hardcover
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Hardcover. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

- Hardcover
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Hardcover. Zustand: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark Oversized.

- Hardcover
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Zustand: New. 2015. hardcover. . Not a first edition copy. . . . Books ship from the US and Ireland.

- Hardcover
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Zustand: New. 2015. hardcover. . Not a first edition copy. . . .
Hanging Loose 91
Hershon, Robert; Lourie, Dick; Pawlak, Mark; Shreiber, Ron; Jarrett, Emmett; Anderson, Jack; Bear Don't Walk, Scott; Berg, Carl; Brook, Donna; Chevigny, Blue; Christopherson, Bill; Dacey, Philip; Davis, Jordan; Elliot, Harley; Godfrey, John; Gregory, Robert; Knox, Caroline; Lewis, Joel; Macdonald, Rob; May, Maya; Milan, Eduardo; Stewart, Steven J.; Miller, Michael; Obenzinger, Hilton; Ray, Nicca; Sanchez, Erika L.; Sirowitz, Hal; Towle, Tony; Wing, Avra; Zavatsky, Bill; Browning, Katherine; Carino, Josephine; Cole, Olivia; Coley, Mariah; Flum, Liza; Germinario, Lee; Krut, Kayla; Martin, Eliza; O'Brien, Michael; Stern, Jessica; Traurig, Arianne; Young, Rosetta; Zeavin, Hannah; et al
Sprache: Englisch
Verlag: Hanging Loose Press, Brooklyn, New York, 2007
- Softcover
- Erstausgabe
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In den WarenkorbSoft cover. Zustand: Fine. 1st Edition. ISSN # 0440-2316. From the collection of Robert Hershon.

- Softcover
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Paperback. Zustand: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

- Hardcover
Anbieter: Arundel Books, Seattle, WA, USAArundel Books
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Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Fine. 4to. - over 9¾ in. - 12 in. 144pp., including selected chronology, index of plates, and selected bibliography. Illustrated with 85 plates. A beautiful copy in Near Fine condition; the dust jacket is Fine. Essays include: The Salt Paper Print: Shaping Mexican Socio…-Political Climate, by Lisa Volpe; Obscure Histories: The Salted Paper Print in the United States, by Russell Lord; The Human and Natural Resources Revealed in Canadian Salted Paper Prints, by Jordan Bear.

- Softcover
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Paperback. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Natural Magic: Salted Paper Prints in North America
Davis, Keith F. (Introduction by); Volpe, Lisa, and Lord, Russell, and Bear, Jordan (Essays by)
Sprache: Englisch
Verlag: Santa Barbara Museum of Art; University of Washington Press, Santa Barbara, CA, and Seattle, WA, 2015
- Hardcover
- Erstausgabe
Anbieter: LEFT COAST BOOKS, Santa Maria, CA, USALEFT COAST BOOKS
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Hardcover. Zustand: NEW. Zustand des Schutzumschlags: NEW. 1st. Cloth, 144 pages, illustrations, portraits; 29 cm. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** "The salted paper print process and the daguerrotype were inve…nted, for all practical purposes, simultaneously. Though using different materials and methods (the salted paper print was patented, while daguerreotype was not) still both achieved the miracle of fixing an image from life within a substrate - in other words, they ushered in the medium of photography. This volume offers new views on the use and employment of the salted paper print in North America. The hope is that this publication will encourage investigation, for the history of photography has many areas of terra icognita yet to discover." - Publisher. *** CONTENTS: Introduction: the North American salted paper print, by Keith F. Davis; The salted paper print: shaping the Mexican socio-political climate, by Lisa Volpe; Obscure histories: the salted paper print in the United States, by Russell Lord; The human and natural resources revealed in Canadian salted paper prints, by Jordan Bear. Size: 4to. Collectible.

- Softcover
Anbieter: Powell's Bookstores Chicago, ABAA, Chicago, IL, USAPowell's Bookstores Chicago, ABAA
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Paperback. Pap. 8vo. 198 pp., illus. Minor shelf-wear, else a bright, clean copy.

- Hardcover
Anbieter: Fleur Fine Books, Port Neches, TX, USAFleur Fine Books
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HARDCOVER. Zustand: New. University of washington Press. New. Univ of Washington Pr 2015 Hardcover. Still in original shrink wrap. Book Condition: New . 2015. HARDCOVER.

- Hardcover
Anbieter: Visual Studies Workshop Bookstore, Rochester, NY, USAVisual Studies Workshop Bookstore
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Hardcover. Zustand: Very Good. Jordan Bear explores how photographic trickery in the 1850s and 1860s participated in the fashioning of the modern subject. Used hardcover book with dust jacket in very good condition. The interior is clean and free of markings.

- Softcover
Anbieter: Black Gull Books (P.B.F.A.), St Leonard's on Sea, Vereinigtes KönigreichBlack Gull Books (P.B.F.A.)
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Paperback. Zustand: As New.

Natural Magic : Salted Paper Prints in North America
Volpe, Lisa; Lord, Russell; Bear, Jordan; Feinberg, Larry J. (FRW); Davis, Keith F. (INT)
- Hardcover
Anbieter: GreatBookPrices, Columbia, MD, USAGreatBookPrices
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Zustand: As New. Unread book in perfect condition.

- Softcover
Anbieter: ThriftBooks-Dallas, Dallas, TX, USAThriftBooks-Dallas
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Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

- Hardcover
Anbieter: Tim's Used Books Provincetown Mass., Provincetown, MA, USATim's Used Books Provincetown Mass.
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Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Extra clean copy! No marks in text. Not a library book. Ships in a cardboard enclosure. Tim's Used Books, open shop in Provincetown, Massachusetts, since 1991.

- Softcover
Anbieter: Rivendell Books Ltd., Barrie, ON, KanadaRivendell Books Ltd.
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Softcover. Zustand: Very Good. What Was History Painting and What Is It Now? One small bump at bottom of front cover; two very small dents at head of spine.

Natural Magic : Salted Paper Prints in North America
Volpe, Lisa; Lord, Russell; Bear, Jordan; Feinberg, Larry J. (FRW); Davis, Keith F. (INT)
- Hardcover
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Zustand: New.

- Hardcover
Anbieter: Rarewaves USA, HEBRON, KY, USARarewaves USA
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Hardback. Zustand: New. The salted paper print process and the daguerreotype were invented, for all practical purposes, simultaneously. Though using different materials and methods (the salted paper print was patented, while daguerreotype was not) still both achieved the miracle of fixing an image from life within a substrate-in… other words, they ushered in the medium of photography. The uses of each form of photography varied greatly. In Europe the salted paper print was valued for its aesthetic qualities?the massing of light and the softening of detail-while in North America, the salted paper print was valued for its portability and reproducibility. At the same time, the three evolving regions that comprised North America-Canada, the United States and Mexico-faced quite different realities and challenges than those in Europe (primarily France and Britain). In North America artistic merit was less of a priority, as each emerging nation faced vast, untamed territories, as well as social and political tumult. These were countries in the making-defining borders, struggling to create identities, and establishing metropolitan areas and transportation networks, while the scions on the other side of the Atlantic cast a leisurely eye to their artistic, architectural, and colonial heritage for subject matter. Scant research has been done on the use of the salted paper print in North America during its brief period of use (approximately 1847-1865); physical prints are often found in obscure collections and locations, and they are, as is true for most works on paper from that period, exceedingly fragile. This volume, with essays by three up and coming 19th-century scholars, offers new views on the use and employment of the salted paper print in North America. The hope is that this publication will encourage investigation, for the history of photography has many areas of terra incognita yet to discover.
Weitere BilderSprache: Englisch
Verlag: Canadian Photography Institute of the National Gallery of Canada, 2018
- Hardcover
Anbieter: Moe's Books, Berkeley, CA, USAMoe's Books
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EUR 39,91
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Hardcover. Zustand: Very good. Excellent condition. Binding is tight. Inside is clean and unmarked.

- Hardcover
Anbieter: HR1 Books, Hereford, Vereinigtes KönigreichHR1 Books
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hardcover. Zustand: New. Same / next day dispatch (Monday - Friday).

Queer Lens : A History of Photography
Martineau , Paul (EDT); Linkof, Ryan (EDT); Bear, Jordan (CON); Gonzales-Day, Ken (CON); Johnson, Alexis Bard (CON)
- Hardcover
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Zustand: New.

- Softcover
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Paperback. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Weitere BilderSprache: Englisch
Verlag: Canadian Photography Institute of the National Gallery of Canada, Ottawa, 2018
- Hardcover
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Hardcover. Zustand: VG. White boards with photograph. 335 pages. Illustrations. Issued also in French under the same title./ Includes bibliographical references (pages 330-333) and index./ "Oscar G. Rejlander: Artist Photographer" : October 19, 20-18-February 3, 2019, The National Gallery of Canada, Ottawa, Ontario, Canada. "Osc…ar G. Rejlander: Artist Photographer" : March 12-June 9, 2019, The J. Paul Getty Museum, Los Angeles, California, United States./ Co-published by: 5 Continents Editions.

- Softcover
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Zustand: New.

- Softcover
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Paperback. Zustand: new. Paperback. The before-and-after trope in photography has long paired images to represent change: whether affirmatively, as in the results of makeovers, social reforms or medical interventions, or negatively, in the destruction of the environment by the impacts of war or natural disasters. This interdisci…plinary, multi-authored volume examines the central but almost unspoken position of before-and-after photography found in a wide range of contexts from the 19th century through to the present. Packed with case studies that explore the conceptual implications of these images, the book's rich language of evidence, documentation and persuasion present both historical material and the work of practicing photographers who have deployed and challenged the conventions of the before-and-after pairing. Touching on issues including sexuality, race, environmental change and criminality, Before-and-After Photography examines major topics of current debate in the critique of photography in an accessible way to allow students and scholars to explore the rich conceptual issues around photography's relationship with time and imagination. The before-and-after trope in photography has long paired images to represent change: whether affirmatively, as in the results of makeovers, social reforms or medical interventions, or negatively, in the destruction of the environment by the impacts of war or natural disasters. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Queer Lens : A History of Photography
Martineau , Paul (EDT); Linkof, Ryan (EDT); Bear, Jordan (CON); Gonzales-Day, Ken (CON); Johnson, Alexis Bard (CON)
- Hardcover
Anbieter: GreatBookPrices, Columbia, MD, USAGreatBookPrices
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Zustand: As New. Unread book in perfect condition.

- Hardcover
Anbieter: Rarewaves.com USA, London, LONDO, Vereinigtes KönigreichRarewaves.com USA
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EUR 51,35
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Hardback. Zustand: New. The salted paper print process and the daguerreotype were invented, for all practical purposes, simultaneously. Though using different materials and methods (the salted paper print was patented, while daguerreotype was not) still both achieved the miracle of fixing an image from life within a substrate-in… other words, they ushered in the medium of photography.The uses of each form of photography varied greatly. In Europe the salted paper print was valued for its aesthetic qualities?the massing of light and the softening of detail-while in North America, the salted paper print was valued for its portability and reproducibility. At the same time, the three evolving regions that comprised North America-Canada, the United States and Mexico-faced quite different realities and challenges than those in Europe (primarily France and Britain). In North America artistic merit was less of a priority, as each emerging nation faced vast, untamed territories, as well as social and political tumult. These were countries in the making-defining borders, struggling to create identities, and establishing metropolitan areas and transportation networks, while the scions on the other side of the Atlantic cast a leisurely eye to their artistic, architectural, and colonial heritage for subject matter. Scant research has been done on the use of the salted paper print in North America during its brief period of use (approximately 1847-1865); physical prints are often found in obscure collections and locations, and they are, as is true for most works on paper from that period, exceedingly fragile. This volume, with essays by three up and coming 19th-century scholars, offers new views on the use and employment of the salted paper print in North America. The hope is that this publication will encourage investigation, for the history of photography has many areas of terra incognita yet to discover.