Winner of the Ralph J. Gleason Music Book Award, Rock & Roll Hall of Fame
Winner of the American Book Award, Before Columbus Foundation
Winner of the PEN Oakland–Josephine Miles Award
Winner of the MAAH Stone Book Award
A Pitchfork Best Music Book of the Year
A Rolling Stone Best Music Book of the Year
A Boston Globe Summer Read
“Brooks traces all kinds of lines…inviting voices to talk to one another, seeing what different perspectives can offer, opening up new ways of looking and listening.”
―New York Times
“A wide-ranging study of Black female artists, from elders like Bessie Smith and Ethel Waters to Beyoncé and Janelle Monáe…Connecting the sonic worlds of Black female mythmakers and truth-tellers.”
―Rolling Stone
“A gloriously polyphonic book.”
―Margo Jefferson, author of Negroland
How is it possible that iconic artists like Aretha Franklin and Beyoncé can be both at the center and on the fringe of the culture industry? Daphne Brooks explores more than a century of music archives to bring to life the critics, collectors, and listeners who have shaped our perceptions of Black women both on stage and in the recording studio.
Liner Notes for the Revolution offers a startling new perspective, informed by the overlooked contributions of other Black women artists. We discover Zora Neale Hurston as a sound archivist and performer, Lorraine Hansberry as a queer feminist critic of modern culture, and Pauline Hopkins as America’s first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism in this long overdue celebration of Black women musicians as radical intellectuals.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Daphne A. Brooks is author of Jeff Buckley’s Grace and Bodies in Dissent, winner of the Errol Hill Award for outstanding scholarship in African American performance studies. The William R. Kenan Jr. Professor of African American Studies and Professor of Theater Studies, American Studies, and Women’s, Gender, and Sexuality Studies at Yale University, Brooks has written liner notes to accompany the recordings of Aretha Franklin, Tammi Terrell, and Prince, as well as stories for the New York Times, The Guardian, The Nation, and Pitchfork.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: Andrew's Books, San Diego, CA, USA
Soft cover. Zustand: Fine. No Jacket. 1st Edition. Soft-cover first printing in black illustrated wraps has minor shelf-wear, tight, bright, and unmarked. Bestandsnummer des Verkäufers 009913
Anbieter: Lakeside Books, Benton Harbor, MI, USA
Zustand: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books! Bestandsnummer des Verkäufers OTF-S-9780674292208
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: New. Bestandsnummer des Verkäufers 44755095-n
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: As New. Unread book in perfect condition. Bestandsnummer des Verkäufers 44755095
Anbieter: Grand Eagle Retail, Bensenville, IL, USA
Paperback. Zustand: new. Paperback. Winner of the Ralph J. Gleason Music Book Award, Rock & Roll Hall of FameWinner of the American Book Award, Before Columbus FoundationWinner of the PEN OaklandJosephine Miles AwardWinner of the MAAH Stone Book AwardA Pitchfork Best Music Book of the YearA Rolling Stone Best Music Book of the YearA Boston Globe Summer Read"Brooks traces all kinds of lines inviting voices to talk to one another, seeing what different perspectives can offer, opening up new ways of looking and listening."-New York Times"A wide-ranging study of Black female artists, from elders like Bessie Smith and Ethel Waters to Beyonce and Janelle Monae Connecting the sonic worlds of Black female mythmakers and truth-tellers."-Rolling Stone"A gloriously polyphonic book."-Margo Jefferson, author of NegrolandHow is it possible that iconic artists like Aretha Franklin and Beyonce can be both at the center and on the fringe of the culture industry? Daphne Brooks explores more than a century of music archives to bring to life the critics, collectors, and listeners who have shaped our perceptions of Black women both on stage and in the recording studio.Liner Notes for the Revolution offers a startling new perspective, informed by the overlooked contributions of other Black women artists. We discover Zora Neale Hurston as a sound archivist and performer, Lorraine Hansberry as a queer feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism in this long overdue celebration of Black women musicians as radical intellectuals. Liner Notes for the Revolution offers a startling new perspective on Black women musicians from Bessie Smith to Beyonce. Informed by the overlooked contributions of women who wrote about the blues, rock, and pop, Daphne A. Brooks argues that acclaimed entertainers have also been radical intellectuals, challenging the culture industry to catch up. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9780674292208
Anbieter: Rarewaves USA, OSWEGO, IL, USA
Paperback. Zustand: New. Winner of the Ralph J. Gleason Music Book Award, Rock and Roll Hall of FameWinner of the American Book Award, Before Columbus FoundationWinner of the PEN Oakland-Josephine Miles AwardWinner of the MAAH Stone Book AwardA Pitchfork Best Music Book of the YearA Rolling Stone Best Music Book of the YearA Boston Globe Summer Read"Brooks traces all kinds of lines.inviting voices to talk to one another, seeing what different perspectives can offer, opening up new ways of looking and listening."-New York Times"A wide-ranging study of Black female artists, from elders like Bessie Smith and Ethel Waters to Beyoncé and Janelle Monáe.Connecting the sonic worlds of Black female mythmakers and truth-tellers."-Rolling Stone"A gloriously polyphonic book."-Margo Jefferson, author of NegrolandHow is it possible that iconic artists like Aretha Franklin and Beyoncé can be both at the center and on the fringe of the culture industry? Daphne Brooks explores more than a century of music archives to bring to life the critics, collectors, and listeners who have shaped our perceptions of Black women both on stage and in the recording studio.Liner Notes for the Revolution offers a startling new perspective, informed by the overlooked contributions of other Black women artists. We discover Zora Neale Hurston as a sound archivist and performer, Lorraine Hansberry as a queer feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism in this long overdue celebration of Black women musicians as radical intellectuals. Bestandsnummer des Verkäufers LU-9780674292208
Anbieter: PBShop.store US, Wood Dale, IL, USA
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Bestandsnummer des Verkäufers WH-9780674292208
Anbieter: BargainBookStores, Grand Rapids, MI, USA
Paperback or Softback. Zustand: New. Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound. Book. Bestandsnummer des Verkäufers BBS-9780674292208
Anbieter: Midtown Scholar Bookstore, Harrisburg, PA, USA
paperback. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized. Bestandsnummer des Verkäufers M0674292200Z3
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Bestandsnummer des Verkäufers WH-9780674292208
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