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Buchbeschreibung Zustand: VeryGood. May contain minor wear. Used books may not contain supplements such as access codes, CDs, etc. Every item ships the same or next business day with tracking number emailed to you. Bestandsnummer des Verkäufers 3U1IBA0039KK_ns
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Buchbeschreibung Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.4. Bestandsnummer des Verkäufers G0674548035I3N00
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Buchbeschreibung Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.4. Bestandsnummer des Verkäufers G0674548035I3N00
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Buchbeschreibung Paperback. Zustand: Very Good. First Edition. Text and images unmarked. The wrapper shows some light handling. 8vo. 256pp. Bestandsnummer des Verkäufers NOWrubMS
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Buchbeschreibung Paper Back. Zustand: Very Good. Gently used; Covers mildly worn from handling; Spine un-creased; Pages free of markings; An excellent copy. Bestandsnummer des Verkäufers 291980
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Buchbeschreibung Zustand: Very Good. Zustand des Schutzumschlags: None. 256 pages, illustrated throughout in b&w. Light shelf-wear and scuffing to wrappers, else a clean, tight copy. Record # 463168. Bestandsnummer des Verkäufers 463168
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Buchbeschreibung Paperback. Zustand: Fine. 256 pages, illustrations (some colour); 24 cm. Tight, clean copy. "A sense of stillness and silence pervades Manet's painting. His flattened, sometimes fragmented forms appear to exist absentmindedly in a world removed from speech. It is this silence that James Rubin explores in a book that shows us Manet as we see him--naturally, in pictures that articulated their own purely visual terms. In such a sense, this book is about the restoration of the visual to its primacy in art through Manet's painting. While insisting that Manet's pictures must be given the first and final say in any interpretation, Rubin uses contradictory views of the painter's works--from the present and past--as a context for approaching them. Applying J. L. Austin's notion of the performative, which bridges the gap between language and action or between the painted image and its social effect, Rubin goes beyond past theorists to describe the curious ways in which Manet's paintings act upon us. With these ideas as his guide, he takes us through Manet's work, pointing out the element that are distinctive and consistent, particularly the painter's reliance on a pattern of gazes and the 'unique state of undecidability' that this strategy produces. Rubin also examines Manet's relatioship to three of the leading critics of his day--Baudelaire, Zola, and Mallarm --giving special attention to Mallarm 's appreciation, and eventual use in his poetry, of the paradox between immersion and externality in Manet's oeuvre. Finally, the book uses the image of the bouquet to exemplify Manet's creative poetics through an exploration of his still life. Filled with revealing insights into Manet's achievevment, this sensitive, informed, and clearly written book goes a long way toward explaining why Manet's paintings continue to fascinate and elude us more than one hundred years after the artist's death. / James H. Rubin is Professor of Art History, State University of New York, Stony Brook." - Publisher. Size: 8vo. Bestandsnummer des Verkäufers 124963
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