The art and artists of Harlem: Found Ways represent the place and its people, burnishing Harlem’s luster but never attempting to smooth its rough edges. The works in the exhibition span a variety of media to explore the invention of Harlem and, at the same time, reinvent it. Artists in the exhibition Harlem: Found Ways, at the Ethelbert Cooper Gallery of African & African American Art in Cambridge, MA, from 24 May to 15 July, 2017, included Dawoud Bey, Abigail DeVille, Glenn Ligon, Howard Tangye, Nari Ward, and Kehinde Wiley. The exhibition also included items from the Harlem Postcards project at The Studio Museum in Harlem.
This catalog features essays, including a foreword by Henry Louis Gates, Jr., that contemplate the uniquely layered urban landscape of Harlem, a city within a city. Vibrantly illustrated with objects from the exhibition, the catalog itself is an important resource for students of contemporary African American art and of the city.
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Vera Ingrid Grant is the Founding Director of the Ethelbert Cooper Gallery of African and African American Art at the Hutchins Center for African and African American Research, Harvard University.
Henry Louis Gates, Jr., is the author of numerous books and has written extensively on the history of race and anti-Black racism in the Enlightenment. His most recent works include Stony the Road and The Black Church. He is the Alphonse Fletcher University Professor and Director of the Hutchins Center for African and African American Research at Harvard University.
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Paperback. Zustand: New. The art and artists of Harlem: Found Ways represent the place and its people, burnishing Harlem's luster but never attempting to smooth its rough edges. The works in the exhibition span a variety of media to explore the invention of Harlem and, at the same time, reinvent it. Artists in the exhibition Harlem: Found Ways, at the Ethelbert Cooper Gallery of African and African American Art in Cambridge, MA, from 24 May to 15 July, 2017, included Dawoud Bey, Abigail DeVille, Glenn Ligon, Howard Tangye, Nari Ward, and Kehinde Wiley. The exhibition also included items from the Harlem Postcards project at The Studio Museum in Harlem.This catalog features essays, including a foreword by Henry Louis Gates, Jr., that contemplate the uniquely layered urban landscape of Harlem, a city within a city. Vibrantly illustrated with objects from the exhibition, the catalog itself is an important resource for students of contemporary African American art and of the city. Bestandsnummer des Verkäufers LU-9780674980969
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Paperback. Zustand: new. Paperback. The art and artists of Harlem: Found Ways represent the place and its people, burnishing Harlem's luster but never attempting to smooth its rough edges. The works in the exhibition span a variety of media to explore the invention of Harlem and, at the same time, reinvent it. Artists in the exhibition Harlem: Found Ways, at the Ethelbert Cooper Gallery of African & African American Art in Cambridge, MA, from 24 May to 15 July, 2017, included Dawoud Bey, Abigail DeVille, Glenn Ligon, Howard Tangye, Nari Ward, and Kehinde Wiley. The exhibition also included items from the Harlem Postcards project at The Studio Museum in Harlem.This catalog features essays, including a foreword by Henry Louis Gates, Jr., that contemplate the uniquely layered urban landscape of Harlem, a city within a city. Vibrantly illustrated with objects from the exhibition, the catalog itself is an important resource for students of contemporary African American art and of the city. Harlem: Found Ways burnishes Harlems luster but never attempts to smooth its rough edges. Multimedia works explore the invention of Harlem, and reinvent it. Vibrantly illustrated, the catalog features essays on the uniquely layered urban landscape and is an important resource for students of contemporary African American art and the city. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9780674980969
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Paperback. Blue and white wraps with blue and white lettering; French flaps; 111 pp.; richly illustrated, primarily in color. Published to accompany an exhibition held at the Ethelbert Cooper Gallery of African & American Art, Harvard University, Cambridge, MA, May 24 - July 15, 2017. Good+ (Wraps are lightly edgeworn/scuffed/smudged; textblock edges are lightly edgeworn/scuffed/smudged; private-ownership stamp on half-title; interior is clean; binding is solid.). Bestandsnummer des Verkäufers 197067
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