Minneapolis: Walker Art Center, 2/17/07-5/13/07
New York: Whitney Museum of American Art, 11/11/07-2/3/07
Los Angeles: UCLA Hammer Museum, 2/17/08-5/11/08
Kara Walker is among the most complex and prolific American artists of her generation. Over the past decade, she has gained international recognition for her room-sized tableaux, which depict historical narratives haunted by sexuality, violence and subjugation and are made using the paradoxically genteel eighteenth-century art of cut-paper silhouettes. Set in the antebellum American South, Walker's compositions play off of stereotypes to portray, often grotesquely, life on the plantation, where masters, mistresses and slave men, women and children enact a subverted version of the past in an attempt to reconfigure their status and representation. Over the years, the artist has used drawing, painting, colored-light projections, writing, shadow puppetry, and, most recently, film animation to narrate her tales of romance, sadism, oppression and liberation. Her scenarios thwart conventional readings of a cohesive national history and expose the collective, and ongoing, psychological injury caused by the tragic legacy of slavery. Deploying an acidic sense of humor, Walker examines the dialectics of pleasure and danger, guilt and fulfillment, desire and fear, race and class. This landmark publication, which is sure to win international design awards, accompanies Walker's first major American museum survey. It features critical essays by Philippe Vergne, Sander L. Gilman, Thomas McEvilley, Robert Storr and Kevin Young, as well as an illustrated lexicon of recurring themes and motifs in the artist's most influential installations by Yasmil Raymond, more than 200 full-color images, an extensive exhibition history and bibliography, and a 36-page insert by the artist.
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hardcover. Zustand: Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority! Bestandsnummer des Verkäufers S_408170614
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Anbieter: The Book Corner, Beaverton, OR, USA
hardcover. Zustand: Good. Hardback. No dust jacket. Cover edges and corners in good shape. Spine is tight. Pages are clean, no markings, notes or stains. Ships from Friends bookstore to benefit Beaverton (Oregon) library. Bestandsnummer des Verkäufers mon0000057148
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Anbieter: Jay W. Nelson, Bookseller, IOBA, Austin, MN, USA
Hardcover. Zustand: Near Fine. No Jacket. 1st Edition. In brown cloth. No jacket. Bestandsnummer des Verkäufers 124268
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Anbieter: Chequamegon Books, Washburn, WI, USA
hardcover. Zustand: near fine. no jacket. 6 3/4 x 9 3/4 " 418 pages. "Dear you hypocritical fucking Twerp, Id just like to thank you for taking hold of my life and raising my hopes for the future." (from the front cover of the book). gift in scription, not from the author, on page facing title page. shipping will b extra for this heavy book, please inquire. Bestandsnummer des Verkäufers 124844
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Anbieter: Mullen Books, ABAA, Marietta, PA, USA
Hardcover. Light chocolate cloth, 418 pp., many color & BW illus., 5 fold-outs. Issued in conjunction with a series of 2007-2008 exhiibitions of artwork rendered by American artist Kara Walker (b. 1969). This volume goes well beyond the typical format and approach of a single-artist exhibition catalogue. The variety of essays and visuals provided here is representative of Walker's diverse and creative outlets. A must-have for Walker fans . and a publication that should be considered as a stellar example of a contemporary artist monograph. VG (Is missing an original paper title band from front cover; otherwise crisp and clean.). Bestandsnummer des Verkäufers 147157
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Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
First edition. Hardcover. 418 pages. Published in conjunction a traveling exhibition that ran February 17 through May 13, 2007 at the Walker Art Center tand then traveled to New York and Los Angeles for additional dates. Features texts by Sander L. Gilman, Thomas McEvilley, Yasmil Raymond, Robert Storr, Philippe Vergne, and Kevin Young. Includes numerous black and white and some color illustrations. A clean and tight near fine copy in cloth boards. No dust jacket as issued and lacking the wraparound band. Bestandsnummer des Verkäufers 185621
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Hardcover. Zustand: Very Good. No Jacket. 1st Edition. Ex-library hardback book (418 pages)illustrated with color and black and white photogrpahs/reproductions. Missing vertical band over boards. On back board several outlines of small labels - number blacked over on rear free endpaper. No other markings. INTERNATIONAL SHIPPING MAY REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 (LL-Base2-BS-12-R-TS-Down) rareviewbooks. Bestandsnummer des Verkäufers RVB12122103
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Anbieter: Black's Fine Books & Manuscripts, Toronto, ON, Kanada
Hardcover. First Edition, First Printing. pp. xii, 418. 8vo. Publisher's light-brown cloth over boards, stamped lettering, and illustration to the spine, and boards. Richly illustrated in black-and-white, and colour throughout. No detectable flaws to the extremities, contents equally without blemish with bright, clean, and unmarked pages and firm, sound binding; fine. See OCLC #427525640. Catalog of an exhibition at the Walker Art Center, Minn., Minnesota, Feb. 17-May 13, 2007; Whitney Museum of American Art, NY, NY , Nov. 11, 2007-Feb. 3, 2008; UCLA Hammer Museum, Los Angeles, Calif., Feb. 17-May 11, 2008. Bestandsnummer des Verkäufers 5321
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