9780935640861 - Kara Walker: My Complement, My Enemy, My Oppressor, My Love (19 Ergebnisse)

Hardcover. Zustand: Near Fine. No Jacket. 1st Edition. In brown cloth. No jacket.

Hardcover. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Zustand: Very Good. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Hardcover.

Hardcover. Zustand: very good. First edition. Small quarto. (10" x 7") Brown cloth. 418pp. Exhibition catalogue. February 17-May 13, 2007. Small stain to back cover.

Hardcover. Zustand: Very good. No jacket. Missing the obi, or blly band.

hardcover. Zustand: near fine. no jacket. 6 3/4 x 9 3/4 " 418 pages. "Dear you hypocritical fucking Twerp, Id just like to thank you for taking hold of my life and raising my hopes for the future." (from the front cover of the book). gift in scription, not from the author, on page facing title page. shipping will b extra for this heavy book, please inquire.

Hardcover. Light chocolate cloth, 418 pp., many color & BW illus., 5 fold-outs. Issued in conjunction with a series of 2007-2008 exhiibitions of artwork rendered by American artist Kara Walker (b. 1969). This volume goes well beyond the typical format and approach of a single-artist exhibition catalogue. The variety of essays and visuals provided here is representative of Walker's diverse and creative outlets. A must-have for Walker fans . and a publication that should be considered as a stellar example of a contemporary artist monograph. VG (Is missing an original paper title band from front cover; otherwise crisp and clean.).

First Edition. First edition. Hardcover. 418 pages. Published in conjunction a traveling exhibition that ran February 17 through May 13, 2007 at the Walker Art Center tand then traveled to New York and Los Angeles for additional dates. Features texts by Sander L. Gilman, Thomas McEvilley, Yasmil Raymond, Robert Storr, Philippe Vergne, and Kevin Young. Includes numerous black and white and some color illustrations. A clean and tight near fine copy in cloth boards. No dust jacket as issued and lacking the wraparound band.

Hardcover. Zustand: Very Good. No Jacket. 1st Edition. Ex-library hardback book (418 pages)illustrated with color and black and white photogrpahs/reproductions. Missing vertical band over boards. On back board several outlines of small labels - number blacked over on rear free endpaper. No other markings. INTERNATIONAL SHIPPING MAY REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 (LL-Base2-BS-12-R-TS-Down) rareviewbooks.

Hardcover. Zustand: new. New Copy. Customer Service Guaranteed.

Hard Cover. Zustand: Very Good. No Jacket. A clean, unmarked book with a tight binding. Full brown cloth boards. Lacks the paper strip that serves as a cover. 6 3/4"w x 9 3/4"h. 418 pages. Catalog published for the travelling exhibition of 2007-2008. "Deploying an acidic sense of humor, Walker examines the dialectics of pleasure and danger, guilt and fulfillment, desire and fear, race and class. This landmark publication, which is sure to win international design awards, accompanies Walker's first major American museum survey. It features critical essays by Philippe Vergne, Sander L. Gilman, Thomas McEvilley, Robert Storr and Kevin Young, as well as an illustrated lexicon of recurring themes and motifs in the artist's most influential installations by Yasmil Raymond, more than 200 full-color images, an extensive exhibition history and bibliography." [Publisher].

Hardcover. Zustand: As New. 1st Edition. Stated First Edition Catalog for Walker Art Museum Show.

Vergne, Philippe (organisor) et al. KARA WALKER: My Complement, My Enemy, My Oppressor, My Love. 418 pp., hundreds of color and b&w illustrations. 8vo, cloth. Minneapolis, Walker Art Center, 2007. During the course of the last decade, Kara Walker has become one of the most complex and prolific artists of her generation. Published to accompany her first American major museum survey, this title encompasses Walker's work from cut-paper silhouettes to her more recent film animation. The authors explore the many facets of her work, examining the variety of techniques she uses to represent and play off of stereotypes of the antebellum American South.

Hardcover. Zustand: New in publisher's shrink wrap. First edition. Lg. 8vo. Light brown cloth, stamped in dark brown on covers and spine. Publisher's vertical paper band on front cover. Illustrated with more than 200 full-color images. About the exhibition: "The first full-scale American museum survey of the work of artist Kara Walker premieres at the Walker Art Center February 17May 13, 2007. Organized by Philippe Vergne, Deputy Director and Chief Curator, and Yasmil Raymond, Assistant Curator, at the Walker, in close collaboration with the artist, Kara Walker: My Complement, My Enemy, My Oppressor, My Love features works ranging from her signature black-paper silhouettes to film animations to more than 100 works on paper. After its presentation at the Walker, the exhibition will travel to the ARC/Musee d'art moderne de la ville de Paris (June 20 September 9, 2007), the Whitney Museum of American Art, New York (October 11, 2007February 3, 2008), and the Hammer Museum, Los Angeles (February 17May 11, 2008). Kara Walker is among the most complex and prolific American artists of her generation. Over the past decade, she has gained national and international recognition for her room-size tableaux depicting historical narratives haunted by sexuality, violence, and subjugation but made using the genteel 18th-century art of cut-paper silhouettes. Set in the American South before the Civil War, Walker's compositions play off stereotypes to portray, often grotesquely, life on the plantation, where masters and mistresses and slave men, women, and children enact a subverted version of the past in an attempt to reconfigure their status and representation. Over the years the artist has used drawing, painting, colored-light projections, writing, shadow puppetry, and, most recently, film animation to narrate her tales of romance, sadism, oppression, and liberation. Walker's scenarios thwart conventional readings of a cohesive national history and expose the collective, and ongoing, psychological injury caused by the tragic legacy of slavery. Her work leads viewers through an aesthetic experience that evokes a critical understanding of the past and proposes an examination of contemporary racial and gender stereotypes." - Publisher.

hardcover. Zustand: New. In shrink wrap. Looks like an interesting title!

432 pp.; 25 x 17 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held February 17 - May 13, 2007. Traveled to the ARC/Musee d'art moderne de la ville de Paris, Paris, France, June 20 - September 9, 2007; the Whitney Museum of American Art, New York, October 11, 2007 - February 3, 2008; the Hammer Museum, Los Angeles, March 2 - June 8, 2008 and the Museum of Modern Art, Fort Worth, July 6 - October 19, 2008. "Deploying an acidic sense of humor, Walker examines the dialectics of pleasure and danger, guilt and fulfillment, desire and fear, race and class. This landmark publication, which is sure to win international design awards, accompanies Walker's first major American museum survey. It features critical essays by Philippe Vergne, Sander L. Gilman, Thomas McEvilley, Robert Storr and Kevin Young, as well as an illustrated lexicon of recurring themes and motifs in the artist's most influential installations by Yasmil Raymond, more than 200 full-color images, an extensive exhibition history and bibliography, and a 36-page insert by the artist." -- publisher's statement. Fine. In publisher's issued shrink wrap. Due to large size and weight additional shipping charges may be required for international orders.

Hardcover. Zustand: New.

hardcover. Zustand: new.

Hardcover. First Edition, First Printing. pp. xii, 418. 8vo. Publisher's light-brown cloth over boards, stamped lettering, and illustration to the spine, and boards. Richly illustrated in black-and-white, and colour throughout. No detectable flaws to the extremities, contents equally without blemish with bright, clean, and unmarked pages and firm, sound binding; fine. See OCLC #427525640. Catalog of an exhibition at the Walker Art Center, Minn., Minnesota, Feb. 17-May 13, 2007; Whitney Museum of American Art, NY, NY , Nov. 11, 2007-Feb. 3, 2008; UCLA Hammer Museum, Los Angeles, Calif., Feb. 17-May 11, 2008.