This groundbreaking work explores Søren Kierkegaard as a pioneering figure in performance theory, revealing how his philosophical approach anticipated contemporary performance studies concepts.
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Leo Cabranes-Grant is a Professor in the Departments of Theater and Dance and Spanish and Portuguese at the University of California, Santa Barbara, USA.
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Hardcover. Zustand: new. Hardcover. This groundbreaking work explores Soren Kierkegaard as a pioneering figure in Performance Theory, revealing how his philosophical approach anticipated contemporary Performance Studies concepts.The book examines Kierkegaard's use of pseudonyms and dialectical discourse to create a performative philosophy where thinking and doing intertwine. Chapters analyze his insights on actors' conflicted identities, the relationship between behavior and consciousness, and everyday life as scripted performance. The author draws compelling connections between Kierkegaard's 19th-century ideas and modern Performance Theory concepts developed by Richard Schechner, Diana Taylor, Peggy Phelan, and Rebecca Schneider. Through careful analysis of primary texts and historical context, the book demonstrates how Kierkegaard's dramatistic approach to existence established foundational concepts that continue to influence our understanding of performance.This book will appeal to scholars and students in philosophy, Performance Studies, and theater history. This volume will also appeal to anyone interested in the intersection of existential thought and Performance Theory. This groundbreaking work explores Soren Kierkegaard as a pioneering figure in performance theory, revealing how his philosophical approach anticipated contemporary performance studies concepts. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781041119470
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Hardcover. Zustand: new. Hardcover. This groundbreaking work explores Soren Kierkegaard as a pioneering figure in Performance Theory, revealing how his philosophical approach anticipated contemporary Performance Studies concepts.The book examines Kierkegaard's use of pseudonyms and dialectical discourse to create a performative philosophy where thinking and doing intertwine. Chapters analyze his insights on actors' conflicted identities, the relationship between behavior and consciousness, and everyday life as scripted performance. The author draws compelling connections between Kierkegaard's 19th-century ideas and modern Performance Theory concepts developed by Richard Schechner, Diana Taylor, Peggy Phelan, and Rebecca Schneider. Through careful analysis of primary texts and historical context, the book demonstrates how Kierkegaard's dramatistic approach to existence established foundational concepts that continue to influence our understanding of performance.This book will appeal to scholars and students in philosophy, Performance Studies, and theater history. This volume will also appeal to anyone interested in the intersection of existential thought and Performance Theory. This groundbreaking work explores Soren Kierkegaard as a pioneering figure in performance theory, revealing how his philosophical approach anticipated contemporary performance studies concepts. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Bestandsnummer des Verkäufers 9781041119470
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