The State of Post-Cinema: Tracing the Moving Image in the Age of Digital Dissemination - Hardcover

Hardcover

ISBN 10: 1137529385 ISBN 13: 9781137529381

Verlag: Palgrave Macmillan, 2016

Inhaltsangabe

This book approaches the topic of the state of post-cinema from a new direction. The authors explore how film has left the cinema as a fixed site and institution and now appears ubiquitous - in the museum and on the street, on planes and cars and new digital communication platforms of various kinds. The authors investigate how film has become more than cinema, no longer a medium that is based on the photochemical recording and replay of movement. Most often, the state of post-cinema is conceptualized from the "high end" of the most advanced technology; discussions focus on performance capture and digital 3-D, 4-K projection and industrial light & magic. Here, the authors' approach is focused on the "low-end" circulation of filmic images. This includes informal networks of exchange and transaction, such as p2p-networks, video platforms and so called “piracy” with a special focus on the Middle East and North Africa, where political and social transformations makenew forms of circulation and presentation particularly visible.

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Über die Autorin bzw. den Autor

Malte Hagener is professor for film at Philipps-Universität Marburg. Recent publications include Moving Forward, Looking Back: The European Avant-garde and the Invention of Film Culture (2007), Film Theory: An Introduction through the Senses(2010, with T. Elseasser) and The Emergence of Film Culture (2014, as editor).

Vinzenz Hediger is a professor of cinema studies at Gothe Universität Frankfurt. He is the founding editor of the Zeitschrift für Medienwissenschaft and one of the co-founders of the European Network of Cinema Studies (NECS).

Alena Strohmaieris a Research Fellow in the BMBF research network "Re-Configurations". She is currently a member of the NECS Steering Committee and in the editorial team of META Journal.

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This book approaches the topic of the state of post-cinema from a new direction. The authors explore how film has left the cinema as a fixed site and institution and now appears ubiquitous - in the museum and on the street, on planes and cars and new digital communication platforms of various kinds. The authors investigate how film has become more than cinema, no longer a medium that is based on the photochemical recording and replay of movement. Most often, the state of post-cinema is conceptualized from the "high end" of the most advanced technology; discussions usually focus on performance capture and digital 3-D, 4-K projection and industrial light & magic. Here, the authors' approach is focused on the "low-end" of the circulation of filmic images. This includes informal networks of exchange and transaction, such as p2p-networks, video platforms, so called “piracy” with a special focus on the Middle East and North Africa, where political and social transformations make new forms of circulation and presentation particularly visible.

Details zur Ausgabe

• Verlag: Palgrave Macmillan
• Erscheinungsdatum: 2016
• Sprache: Englisch
• ISBN 10: 1137529385
• ISBN 13: 9781137529381
• Einband: Gebundene Ausgabe
• Auflage: 1
• Anzahl der Seiten: 250
• Herausgeber: Hagener Malte, Hediger Vinzenz, Strohmaier Alena
• Kontakt zum Hersteller: Springer Nature Customer Service Center GmbH; ProductSafety@springernature.com; ; Europaplatz 3,69115 Heidelberg, Germany; Heidelberg; Deutschland