ISBN: 9781137529381 - the state of post-cinema: tracing the moving image in the age of digital dissemination (24 Ergebnisse)

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Zustand: New. Editor(s): Hagener, Malte; Hediger, Vinzenz; Strohmaier, Alena. Num Pages: 233 pages, 15 colour illustrations, biography. BIC Classification: JFD. Category: (G) General (US: Trade). Dimension: 210 x 148. Weight in Grams: 457. . 2016. Hardback. . . . .

Hardback. Zustand: New. 1st ed. 2016. This book approaches the topic of the state of post-cinema from a new direction. The authors explore how film has left the cinema as a fixed site and institution and now appears ubiquitous - in the museum and on the street, on planes and cars and new digital communication platforms of various kinds. The authors investigate how film has become more than cinema, no longer a medium that is based on the photochemical recording and replay of movement. Most often, the state of post-cinema is conceptualized from the "high end" of the most advanced technology; discussions focus on performance capture and digital 3-D, 4-K projection and industrial light and magic. Here, the authors' approach is focused on the "low-end" circulation of filmic images. This includes informal networks of exchange and transaction, such as p2p-networks, video platforms and so called "piracy" with a special focus on the Middle East and North Africa, where political and social transformations makenew forms of circulation and presentation particularly visible.…

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Zustand: New. Addresses&nbspcirculations of the moving image in the global experimental cinema undergroundRaises&nbspimportant questions surrounding the economic and legal aspects of image circulation in an age of digital dissemination.

Zustand: New. Editor(s): Hagener, Malte; Hediger, Vinzenz; Strohmaier, Alena. Num Pages: 233 pages, 15 colour illustrations, biography. BIC Classification: JFD. Category: (G) General (US: Trade). Dimension: 210 x 148. Weight in Grams: 457. . 2016. Hardback. . . . . Books ship from the US and Ireland.…

Hardcover. Zustand: Brand New. 233 pages. 8.50x6.00x0.75 inches. In Stock.

Hardback. Zustand: New. 1st ed. 2016. This book approaches the topic of the state of post-cinema from a new direction. The authors explore how film has left the cinema as a fixed site and institution and now appears ubiquitous - in the museum and on the street, on planes and cars and new digital communication platforms of various kinds. The authors investigate how film has become more than cinema, no longer a medium that is based on the photochemical recording and replay of movement. Most often, the state of post-cinema is conceptualized from the "high end" of the most advanced technology; discussions focus on performance capture and digital 3-D, 4-K projection and industrial light and magic. Here, the authors' approach is focused on the "low-end" circulation of filmic images. This includes informal networks of exchange and transaction, such as p2p-networks, video platforms and so called "piracy" with a special focus on the Middle East and North Africa, where political and social transformations makenew forms of circulation and presentation particularly visible.…

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Buch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book approaches the topic of the state of post-cinema from a new direction. The authors explore how film has left the cinema as a fixed site and institution and now appearsubiquitous - in the museum and on the street, on planes and cars and new digital communication platforms of various kinds. The authors investigate how film has becomemore than cinema, no longer a medium that is based on the photochemical recording and replay of movement.Most often, the state of post-cinema is conceptualized from the 'high end' of the most advanced technology; discussions focus on performance capture and digital 3-D, 4-K projection and industrial light & magic. Here, the authors' approach is focused on the 'low-end' circulation of filmic images. This includes informal networks of exchange and transaction, such as p2p-networks, video platforms and so called 'piracy' with a special focus on the Middle East and North Africa, where political and social transformations makenew forms of circulation and presentation particularly visible. 252 pp. Englisch.…

Hardcover. Zustand: Brand New. 233 pages. 8.50x6.00x0.75 inches. In Stock. This item is printed on demand.

Hardback. Zustand: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Buch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book approaches the topic of the state of post-cinema from a new direction. The authors explore how film has left the cinema as a fixed site and institution and now appearsubiquitous - in the museum and on the street, on planes and cars and new digital communication platforms of various kinds. The authors investigate how film has becomemore than cinema, no longer a medium that is based on the photochemical recording and replay of movement.Most often, the state of post-cinema is conceptualized from the 'high end' of the most advanced technology; discussions focus on performance capture and digital 3-D, 4-K projection and industrial light & magic. Here, the authors' approach is focused on the 'low-end' circulation of filmic images. This includes informal networks of exchange and transaction, such as p2p-networks, video platforms and so called 'piracy' with a special focus on the Middle East and North Africa, where political and social transformations makenew forms of circulation and presentation particularly visible.…

Buch. Zustand: Neu. The State of Post-Cinema | Tracing the Moving Image in the Age of Digital Dissemination | Malte Hagener (u. a.) | Buch | xvii | Englisch | 2016 | Palgrave Macmillan | EAN 9781137529381 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu Print on Demand. …

Buch. Zustand: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Acknowledgments.- Introduction.- Like Water: On the Reconfigurations of the Cinema in the Age of Digital Networks (Malte Hagener, Vinzenz Hediger, Alena Strohmaier).- I. Informal Economies: Promises and Threats of Dissemination Technologies.- Venice to Go: Digital Circulation and the Value of Cultural In/difference in Film (Vinzenz Hediger).- Arab Storytelling in the Digital Age: From Musalsalat to Web Drama (Alexandra Buccianti).- Mapping the Circulation of Films by Women Filmmakers with Maghrebi Funding (Patricia Caillé).- II. Informal Networks: National-Regional-Global Nexus.- The Good Pirates: Moroccan Cinema in the Age of Digital Reproduction (Jamal Bahmad).- Watching the Forbidden: Reception of Banned Films in Iran (Zeydabadi-Nejad).- Why Sories Matter: Jafar Panahi and the Contours of Cinema (Alena Strohmaier).- Informal Translation, Post-Cinema and Global Media Flows (Tessa Dwyer and Ramon Lobato).- III. Informal Aesthetics: Reshaping Cine-Cultures.- Post-Cinematic Distribution Flows. Alternative Content, Sports Films and the (In)stability of the Multiplex Market (Florian Hoof).- Distributing Moving Image Art After Digitization (Erika Balsom).- Cinephilia and Film Culture in the Age of Digital Networks (Malte Hagener).- The Secret Lives of Images (Marc Siegel).- Interview with Kevin B. Lee.- IndexSpringer-Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 252 pp. Englisch.…

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