In 1975 the exhibition New Topographics: Photographs of a Man-Altered Landscape crystallized a new view of the American West: the sublime “American” vistas of Ansel Adams were replaced and subverted by images of a landscape inundated with banal symbols of humanity. Organized by William Jenkins for the George Eastman House in Rochester, New York, New Topographics showcased such photographers as Robert Adams, Lewis Baltz, Joe Deal, Frank Gohlke. Their pictures, illustrating the vernacular, human-made world of contemporary America, punctured the myth of the pristine, wild American landscape—and definitively changed the course of landscape photography.
Reframing the New Topographics offers the first substantive analysis of this shift and the continuing influence of an exhibition that not only reshaped the look and subject matter of landscape photography, but also foreshadowed environmentalism’s expansion beyond the mere preservation of wilderness. The essays in this anthology will add an important new dimension to the studies of art history and visual culture.
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Greg Foster-Rice is professor of art history in the photography department at Columbia College Chicago. John Rohrbach is the senior curator of photographs at the Amon Carter Museum of American Art in Fort Worth, Texas.
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Anbieter: Ethan Daniel Books, Toronto, ON, Kanada
Hardcover. Zustand: Very Good. Collection of essays exploring the meaning and continuing influence of the 1975 New Topographics photography exhibition. Eight essays and an introduction. Illustrated with black-and-white reproductions. Minor edge wear to dust jacket. Otherwise a clean, unmarked copy. 237 pages. s166. Bestandsnummer des Verkäufers EDB05992
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Anbieter: Riverside Books and Prints, Cold Spring, NY, USA
Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. 1st Edition. Center for American Places, 2011. Condition: As New.Dust Jacket: As New. book. In 1975 the exhibition New Topographics: Photographs of a Man-Altered Landscape crystallized a new view of the American West: the sublime American vistas of Ansel Adams were replaced and subverted by images of a landscape inundated with banal symbols of humanity. Organized by William Jenkins for the George Eastman House in Rochester, New York, New Topographics showcased such photographers as Robert Adams, Lewis Baltz, Joe Deal, Frank Gohlke. Their pictures, illustrating the vernacular, human-made world of contemporary America, punctured the myth of the pristine, wild American landscapeand definitively changed the course of landscape photography. Reframing the New Topographics offers the first substantive analysis of this shift and the continuing influence of an exhibition that not only reshaped the look and subject matter of landscape photography, but also foreshadowed environmentalisms expansion beyond the mere preservation of wilderness. The essays in this anthology will add an important new dimension to the studies of art history and visual culture. Bestandsnummer des Verkäufers 007053
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Anbieter: Mispah books, Redhill, SURRE, Vereinigtes Königreich
hardcover. Zustand: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book. Bestandsnummer des Verkäufers ERICA82919351950935
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