Sprache: Englisch
Verlag: Princeton University Art Museum, 2015
ISBN 10: 0300207859 ISBN 13: 9780300207859
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: Princeton University Art Museum, 2015
ISBN 10: 0300207859 ISBN 13: 9780300207859
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Sprache: Englisch
Verlag: Princeton University Art Museum, 2015
ISBN 10: 0300207859 ISBN 13: 9780300207859
Anbieter: Books From California, Simi Valley, CA, USA
hardcover. Zustand: Good.
Verlag: Princeton University Art Museum 2014, 2014
Erstausgabe
Hardcover First Printing. First Edition. Illustrated paper-covered boards. Fine.
Sprache: Englisch
Verlag: Renaissance Society at the University of Chicago, The, 2013
ISBN 10: 0941548600 ISBN 13: 9780941548601
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Sprache: Englisch
Verlag: University of Chicago press, 2013
ISBN 10: 0941548600 ISBN 13: 9780941548601
Anbieter: INDOO, Avenel, NJ, USA
Zustand: New. Brand New.
Sprache: Englisch
Verlag: Yale University Press, New Haven, 2014
ISBN 10: 0300207859 ISBN 13: 9780300207859
Anbieter: Argosy Book Store, ABAA, ILAB, New York, NY, USA
Signiert
hardcover. Zustand: near fine. Illustrated in color and black and white. 272 pages. 4to, cloth backed pictorial covers. New Haven: Yale University Press, (2014). A near fine copy. Initialed by all three authors on title page.
Sprache: Englisch
Verlag: Museum of Contemporary Photography, Columbia College Chicago, 2018
ISBN 10: 0965888789 ISBN 13: 9780965888783
Anbieter: Museum Exchange, New York, NY, USA
Erstausgabe
Hardcover. Zustand: Good. 1st Edition. Published on the occasion of the exhibition The Many Hats of Ralph Arnold: Art, Identity & Politics and Echoes: Reframing Collage, presented by the Museum of Contemporary Photography, Columbia College Chicago October 11-December 21, 2018.
Zustand: New.
Zustand: As New. Unread book in perfect condition.
Verlag: The Arts Club of Chicago, Chicago, IL, 2017
ISBN 10: 1891925482 ISBN 13: 9781891925481
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
Erstausgabe
Zustand des Schutzumschlags: dj. First Edition. First edition. Softcover. 24 pages. Exhibition catalog for a show that ran May 19 through August 5, 2017. Features text by Janine A. Mileaf and Greg Foster-Rice. Includes several illustrations. A fine copy in string tied wrappers in a very near fine printed acetate dust jacket that has some very slight rubbing. Uncommon.
Zustand: New.
EUR 42,79
Anzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 196 pages. 10.25x8.00x0.87 inches. In Stock.
Sprache: Englisch
Verlag: Renaissance Society at the University of Chicago, US, 2013
ISBN 10: 0941548600 ISBN 13: 9780941548601
Anbieter: Rarewaves.com USA, London, LONDO, Vereinigtes Königreich
EUR 58,13
Anzahl: 3 verfügbar
In den WarenkorbHardback. Zustand: New. Taking its title from Ralph Ellison's Invisible Man, exhibition Black Is, Black Ain't (April 20 - June 8, 2008) explored a shift in the rhetoric of race from an earlier emphasis on inclusion to a present moment where racial identity is being simultaneously rejected and retained. Curated by the Renaissance Society's Associate Curator and Education Director Hamza Walker, the exhibition brought together works by twenty-seven black and non-black artists whose work collectively examines a moment where the cultural production of so-called "blackness" is concurrent with efforts to make race socially and politically irrelevant. The publication features essays by Huey Copeland, Darby English, Greg Foster-Rice, Amy M. Mooney, Kymberly N. Pinder, Krista Thompson, Hamza Walker, and Kenneth Warrren.
Anbieter: Antiquariat UEBUE, Zürich, Schweiz
Erstausgabe
Softcover. Zustand: Sehr gut. 1. Auflage. Z : 16 x 22 cm, 112 pages, 24 color and 8 b/w illustrations - This book features Pousttchi s new photographic installation at Nivola Museum in Orani on the Italian island of Sardinia. She chose the Metropolitan Life Building on 1 Madison Avenue in Manhattan as her subject for this piece. Criticized for its blatant Italian references at the time of its completion in 1909 and the world s tallest structure until 1913 the building displays a hybrid identity, recalling cultural and temporal-spatial dislocations between the Old and the New World, Renaissance and Modernism.
EUR 52,46
Anzahl: 3 verfügbar
In den WarenkorbZustand: New.
Zustand: New.
Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes Königreich
EUR 48,59
Anzahl: 4 verfügbar
In den WarenkorbZustand: New.
Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes Königreich
EUR 52,99
Anzahl: 4 verfügbar
In den WarenkorbZustand: As New. Unread book in perfect condition.
Hardcover. Zustand: Very Good. No Jacket. various (illustrator). This copy has a faint bump to the bottom edge of the front board, otherwise appears as near new. Very litle rubbing or wear. of the covers. Interior text is clean and tight in binding, no ownership or other markings. Illustrtations remain sharp. Due to the size of the book, it will require additional shipping.
Zustand: New.
Sprache: Englisch
Verlag: Renaissance Society at the University of Chicago, US, 2013
ISBN 10: 0941548600 ISBN 13: 9780941548601
Anbieter: Rarewaves.com UK, London, Vereinigtes Königreich
EUR 54,20
Anzahl: 3 verfügbar
In den WarenkorbHardback. Zustand: New. Taking its title from Ralph Ellison's Invisible Man, exhibition Black Is, Black Ain't (April 20 - June 8, 2008) explored a shift in the rhetoric of race from an earlier emphasis on inclusion to a present moment where racial identity is being simultaneously rejected and retained. Curated by the Renaissance Society's Associate Curator and Education Director Hamza Walker, the exhibition brought together works by twenty-seven black and non-black artists whose work collectively examines a moment where the cultural production of so-called "blackness" is concurrent with efforts to make race socially and politically irrelevant. The publication features essays by Huey Copeland, Darby English, Greg Foster-Rice, Amy M. Mooney, Kymberly N. Pinder, Krista Thompson, Hamza Walker, and Kenneth Warrren.
Sprache: Englisch
Verlag: Center for American Places, Columbia College, Chicago, 2010
ISBN 10: 1935195093 ISBN 13: 9781935195092
Anbieter: Ethan Daniel Books, Toronto, ON, Kanada
Hardcover. Zustand: Very Good. Collection of essays exploring the meaning and continuing influence of the 1975 New Topographics photography exhibition. Eight essays and an introduction. Illustrated with black-and-white reproductions. Minor edge wear to dust jacket. Otherwise a clean, unmarked copy. 237 pages. s166.
Sprache: Englisch
Verlag: Center for American Places, 2011
ISBN 10: 1935195093 ISBN 13: 9781935195092
Anbieter: Mispah books, Redhill, SURRE, Vereinigtes Königreich
EUR 1.054,18
Anzahl: 1 verfügbar
In den Warenkorbhardcover. Zustand: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.
Sprache: Englisch
Verlag: Center for American Places, Chicago, Il, 2011
ISBN 10: 1935195093 ISBN 13: 9781935195092
Anbieter: Riverside Books and Prints, Cold Spring, NY, USA
Erstausgabe
Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. 1st Edition. Center for American Places, 2011. Condition: As New.Dust Jacket: As New. book. In 1975 the exhibition New Topographics: Photographs of a Man-Altered Landscape crystallized a new view of the American West: the sublime American vistas of Ansel Adams were replaced and subverted by images of a landscape inundated with banal symbols of humanity. Organized by William Jenkins for the George Eastman House in Rochester, New York, New Topographics showcased such photographers as Robert Adams, Lewis Baltz, Joe Deal, Frank Gohlke. Their pictures, illustrating the vernacular, human-made world of contemporary America, punctured the myth of the pristine, wild American landscapeand definitively changed the course of landscape photography. Reframing the New Topographics offers the first substantive analysis of this shift and the continuing influence of an exhibition that not only reshaped the look and subject matter of landscape photography, but also foreshadowed environmentalisms expansion beyond the mere preservation of wilderness. The essays in this anthology will add an important new dimension to the studies of art history and visual culture.
Erscheinungsdatum: 2010
Anbieter: Anywhere Out of the World, Manchester, Vereinigtes Königreich
EUR 166,39
Anzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Very Good. Hardcover. Dust jacket shows some wear at the edges and is creased along the top. Very good condition.