Based on an exhibition of the same title, this book focus on self-confident, non-conformist feminist positions, and points out that new role models and strategies are being requested. * * In her essay, Amelia Jones contests the notion of a current post-feminism and, using the example of Pipilotti Rist's works, develops a model of parafeminism. Refering to Mary Beth Edelson and Annie Sprinkle, Maria Elena Buszek compares two generations and their respective strategies, and Katy Deepwell questions the role of female artists within art history. Mercedes Bunz looks at femininism in relation to flexibilized capitalism and diagnoses a new form of oppression. The exhibition's curator, Heike Munder, presents a survey of the exhibition's different positions and makes an appeal for new role models. * * With contributions by artists such as Anat Ben-David, Patty Chang, Mary Beth Edelson, Cosey Fanni Tutti, Manon, Yoko Ono, Pipilotti Rist, Katharina Sieverding, Annie Sprinkle, and Mathilde ter Heijne. * * Published with the Migros Museum für Gegenwartskunst, Zurich. * * Awarded in the competition "The most beautiful Swiss books."
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Anbieter: Grey Matter Books, Hadley, MA, USA
Hardcover. Zustand: Very Good. No Jacket. Text and images are unmarked; pages are bright. Binding is sturdy. Covers show just a little wear around the corners. No dust jacket. Bestandsnummer des Verkäufers 066942
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Anbieter: ANARTIST, New York, NY, USA
Hardcover without dustjacket as issued with title band, 320 pages; in English and German; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra. Bestandsnummer des Verkäufers ItHeMi65
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Anbieter: S.Carter, NEWPORT, Vereinigtes Königreich
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Anbieter: Antiquariat UEBUE, Zürich, Schweiz
Hardcover. Zustand: Sehr gut. 1. Auflage. Z . 16,5 x 23,5 cm, 320 pages, 60 colour & 20 b/w illustrations - This book focus on self-confident, non-conformist feminist positions, and points out that new role models and strategies are being requested. In her essay, Amelia Jones contests the notion of a current post-feminism and, using the example of Pipilotti Rist's works, develops a model of parafeminism. Refering to Mary Beth Edelson and Annie Sprinkle, Maria Elena Buszek compares two generations and their respective strategies, and Katy Deepwell questions the role of female artists within art history. Mercedes Bunz looks at femininism in relation to flexibilized capitalism and diagnoses a new form of oppression. The exhibition's curator, Heike Munder, presents a survey of the exhibition's different positions and makes an appeal for new role models. Bestandsnummer des Verkäufers ABE-1592816064773
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Anbieter: Chaucer Bookshop ABA ILAB, Canterbury, Vereinigtes Königreich
FIRST EDITION 8vo. hardback. 314pp. profusely illustrated in colour and b/w, with fold out plates. Text in German and English. A clean copy with no previous owners' markings or inscriptions. A VERY GOOD COPY. (Shelf 8) ISBN: 9783905770537 PLEASE NOTE: Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.** Pictures available upon request.** Visit our homepage for our shop opening hours. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct. Bestandsnummer des Verkäufers 53220
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Anbieter: BWS BKS, Ferndale, NY, USA
Hardcover. Zustand: New. *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- 320 pp. With 74 ills. (31 col. , 10 foldout). 24 x 15 cm. -- with a bonus offer--; This text-heavy exhibition catalogue focuses on self-confident, nonconformist Feminist positions, pointing out that new role models and strategies are being requested. Essayist Amelia Jones contests the notion of a current Postfeminism and, using the example of Pipilotti Rist's works, develops a model of Parafeminism. Refering to Mary Beth Edelson and Annie Sprinkle, Maria Elena Buszek compares two generations and their respective strategies. Katy Deepwell questions the role of female artists within art history. Mercedes Bunz looks at feminism in relation to flexibilized capitalism and diagnoses a new form of oppression. And exhibition curator Heike Munder presents a survey of the exhibition's different positions, making an appeal for new role models. Bestandsnummer des Verkäufers 77404
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