Isbn: 9783905770537 - it's time for action: about feminism (6 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. Text and images are unmarked; pages are bright. Binding is sturdy. Covers show just a little wear around the corners. No dust jacket.

Hardcover without dustjacket as issued with title band, 320 pages; in English and German; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Zustand: Near Fine. 1st Edition. FIRST PRINTING.NEAR FIEN HARDBACK WITH DECOARTED BOARDS.room.

FIRST EDITION 8vo. hardback. 314pp. profusely illustrated in colour and b/w, with fold out plates. Text in German and English. A clean copy with no previous owners' markings or inscriptions. A VERY GOOD COPY. (Shelf 8) ISBN: 9783905770537 PLEASE NOTE: Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.** Pictures available upon request.** Visit our homepage for our shop opening hours. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct. …

Hardcover. Zustand: New. This text-heavy exhibition catalogue focuses on self-confident, nonconformist Feminist positions, pointing out that new role models and strategies are being requested. Essayist Amelia Jones contests the notion of a current Postfeminism and, using the example of Pipilotti Rist's works, develops a model of Parafeminism. Refering to Mary Beth Edelson and Annie Sprinkle, Maria Elena Buszek compares two generations and their respective strategies. Katy Deepwell questions the role of female artists within art history. Mercedes Bunz looks at feminism in relation to flexibilized capitalism and diagnoses a new form of oppression. And exhibition curator Heike Munder presents a survey of the exhibition's different positions, making an appeal for new role models.…

Hardcover. Zustand: Sehr gut. 1. Auflage. Z : 320 pages, 60 colour & 20 b/w illustrations - This book focus on self-confident, non-conformist feminist positions, and points out that new role models and strategies are being requested. In her essay, Amelia Jones contests the notion of a current post-feminism and, using the example of Pipilotti Rist's works, develops a model of parafeminism. Refering to Mary Beth Edelson and Annie Sprinkle, Maria Elena Buszek compares two generations and their respective strategies, and Katy Deepwell questions the role of female artists within art history. Mercedes Bunz looks at femininism in relation to flexibilized capitalism and diagnoses a new form of oppression. The exhibition's curator, Heike Munder, presents a survey of the exhibition's different positions and makes an appeal for new role models.…