In an era when reality was aestheticized as collectibles, Octave Mirbeau unleashed his fiction like a destructive machine, setting fire to stale material and discredited ideologies, burning them as fuel and expelling texts as clean emissions. In this first English-language overview of all the novels published under Mirbeau’s name, this study argues that Mirbeau is unique among his fin-de-siècle peers. Unlike the Decadents, whose art was a reliquary in which dead inspiration was preserved, Mirbeau disengaged himself from the corpses of past works. Abhorring tradition and complacency, Mirbeau elaborated a kinetics of fiction that made the novel into an agent of violent transformation.
Contrasting the Decadents’ aesthetic of elegant morbidity with Mirbeau’s vitalistic view of fiction, this volume shows Mirbeau modeling himself on the figure of the torture artist, cutting up his finished works, building novels to disassemble them, fitting them together in revolutionary ways. Creativity for Mirbeau fertilizes un jardin des supplices, a cemetery smoldering with decomposing texts that are resolved into their constituent parts and then reemerge in different guises. In Mirbeau’s writing, lives and art works are only transient aggregates of material, and creativity is immortalized through the perishing of old forms.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: Brook Bookstore On Demand, Napoli, NA, Italien
Zustand: new. Questo è un articolo print on demand. Bestandsnummer des Verkäufers 80123f62901f2974b8c1bafcaf1b1cfc
Anzahl: Mehr als 20 verfügbar
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9789042022379. Bestandsnummer des Verkäufers 2288282
Anzahl: 1 verfügbar
Anbieter: Rarewaves USA, HEBRON, KY, USA
Paperback. Zustand: New. In an era when reality was aestheticized as collectibles, Octave Mirbeau unleashed his fiction like a destructive machine, setting fire to stale material and discredited ideologies, burning them as fuel and expelling texts as clean emissions. In this first English-language overview of all the novels published under Mirbeau's name, this study argues that Mirbeau is unique among his fin-de-siècle peers. Unlike the Decadents, whose art was a reliquary in which dead inspiration was preserved, Mirbeau disengaged himself from the corpses of past works. Abhorring tradition and complacency, Mirbeau elaborated a kinetics of fiction that made the novel into an agent of violent transformation.Contrasting the Decadents' aesthetic of elegant morbidity with Mirbeau's vitalistic view of fiction, this volume shows Mirbeau modeling himself on the figure of the torture artist, cutting up his finished works, building novels to disassemble them, fitting them together in revolutionary ways. Creativity for Mirbeau fertilizes un jardin des supplices, a cemetery smoldering with decomposing texts that are resolved into their constituent parts and then reemerge in different guises. In Mirbeau's writing, lives and art works are only transient aggregates of material, and creativity is immortalized through the perishing of old forms. Bestandsnummer des Verkäufers LU-9789042022379
Anzahl: Mehr als 20 verfügbar
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Paperback. Zustand: Brand New. 252 pages. 8.80x6.00x0.60 inches. In Stock. This item is printed on demand. Bestandsnummer des Verkäufers __904202237X
Anzahl: 1 verfügbar
Anbieter: Rarewaves USA United, HEBRON, KY, USA
Paperback. Zustand: New. In an era when reality was aestheticized as collectibles, Octave Mirbeau unleashed his fiction like a destructive machine, setting fire to stale material and discredited ideologies, burning them as fuel and expelling texts as clean emissions. In this first English-language overview of all the novels published under Mirbeau's name, this study argues that Mirbeau is unique among his fin-de-siècle peers. Unlike the Decadents, whose art was a reliquary in which dead inspiration was preserved, Mirbeau disengaged himself from the corpses of past works. Abhorring tradition and complacency, Mirbeau elaborated a kinetics of fiction that made the novel into an agent of violent transformation.Contrasting the Decadents' aesthetic of elegant morbidity with Mirbeau's vitalistic view of fiction, this volume shows Mirbeau modeling himself on the figure of the torture artist, cutting up his finished works, building novels to disassemble them, fitting them together in revolutionary ways. Creativity for Mirbeau fertilizes un jardin des supplices, a cemetery smoldering with decomposing texts that are resolved into their constituent parts and then reemerge in different guises. In Mirbeau's writing, lives and art works are only transient aggregates of material, and creativity is immortalized through the perishing of old forms. Bestandsnummer des Verkäufers LU-9789042022379
Anzahl: Mehr als 20 verfügbar
Anbieter: moluna, Greven, Deutschland
Zustand: New. In an era when reality was aestheticized as collectibles, Octave Mirbeau unleashed his fiction like a destructive machine, setting fire to stale material and discredited ideologies, burning them as fuel and expelling texts as clean emissions. This work pres. Bestandsnummer des Verkäufers 5816276
Anzahl: Mehr als 20 verfügbar
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - In an era when reality was aestheticized as collectibles, Octave Mirbeau unleashed his fiction like a destructive machine, setting fire to stale material and discredited ideologies, burning them as fuel and expelling texts as clean emissions. In this first English-language overview of all the novels published under Mirbeau's name, this study argues that Mirbeau is unique among his fin-de-siècle peers. Unlike the Decadents, whose art was a reliquary in which dead inspiration was preserved, Mirbeau disengaged himself from the corpses of past works. Abhorring tradition and complacency, Mirbeau elaborated a kinetics of fiction that made the novel into an agent of violent transformation.Contrasting the Decadents' aesthetic of elegant morbidity with Mirbeau's vitalistic view of fiction, this volume shows Mirbeau modeling himself on the figure of the torture artist, cutting up his finished works, building novels to disassemble them, fitting them together in revolutionary ways. Creativity for Mirbeau fertilizes un jardin des supplices, a cemetery smoldering with decomposing texts that are resolved into their constituent parts and then reemerge in different guises. In Mirbeau's writing, lives and art works are only transient aggregates of material, and creativity is immortalized through the perishing of old forms. Bestandsnummer des Verkäufers 9789042022379
Anzahl: 2 verfügbar