New Paths: Aspects of Music Theory and Aesthetics in the Age of Romanticism (Collected Writings of the Orpheus Institute) - Softcover

Softcover

ISBN 10: 9058677346 ISBN 13: 9789058677341

Verlag: Leuven University Press, 2009

Inhaltsangabe

In New Paths, five renowned scholars discuss a variety of topics related to Romanticism, focusing especially on the years 1800-1840. In a much-needed historical and critical overview of the concept of organicism, John Neubauer ranges from its origins in Enlightenment biology to its aftermath in postmodernism. Janet Schmalfeldt shows that not only Beethoven's op.47 should be called the Bridgetower rather than the Kreutzer Sonata but also that this makes a difference as to its meaning. Scott Burnham explains extreme contrasts between emotional and mechanical types of music in late Beethoven as stagings of the limits of human subjectivity. Jim Samson discusses Chopin's little-known musical upbringing in Warsaw, arguing that his grounding in eighteenth-century aesthetics (as opposed to theory) has thus far been neglected. Finally, Susan Youens's case study of Franz Lachner's Heine songs sheds light on radical experimentation by a so-called epigone in the period between Schubert and Schumann's miracle song year.

Contributors: Scott Burnham, Princeton University; John Neubauer, University of Amsterdam; Jim Samson, Royal Holloway, University of London; Janet Schmalfeldt, Tufts University; Susan Youens, University of Notre Dame

Über diesen Titel

Über die Autorin bzw. den Autor

Darla Crispin is Senior Research Fellow at Orpheus Research Centre in Music (ORCiM, Belgium).

Von der hinteren Coverseite

'New Paths', the seventh volume in the Writings of the Orpheus Institute, is a result of the third International Orpheus Academy for Music Theory. Five renowned scholars discuss a variety of topics related to romanticism, focusing especially on the years 1800–1840. In a much-needed historical and critical overview of the concept of organicism, John Neubauer ranges from its origins in Enlightenment biology to its aftermath in postmodernism.Janet Schmalfeldt shows that Beethoven’s op.47 not only should be called the Bridgetower rather than the Kreutzer Sonata, but also that this makes a difference as to its meaning. Extreme contrasts between emotional and mechanical types of music in late Beethoven are explainedby Scott Burnham as stagings of the limits of human subjectivity. Jim Samson discusses Chopin’s little-known musical upbringing in Warsaw, arguing that his grounding in eighteenth-century aesthetics (as opposed to theory) has thus far been neglected. Finally, Susan Youens’ case study of Franz Lachner’s Heine songs sheds new light on radical experimentation by a so-called epigone in the period between Schubert and Schumann’s miracle song year. With contributions by: Scott Burnham, John Neubauer, Jim Samson, Janet Schmalfeldt, Susan Youens.

Details zur Ausgabe

• Verlag: Leuven University Press
• Erscheinungsdatum: 2009
• Sprache: Englisch
• ISBN 10: 9058677346
• ISBN 13: 9789058677341
• Einband: Taschenbuch
• Anzahl der Seiten: 133
• Herausgeber: Crispin Darla
• Kontakt zum Hersteller: Nicht verfügbar
• Verantwortliche Person: GPSR Kontakt; gpsr@libri.de; ; Europaallee 1; Bad Hersfeld; 36244; Deutschland