ISBN: 9789058677341 - new paths: aspects of music theory and aesthetics in the age of romanticism (collected writings of the orpheus institute) (17 Ergebnisse)

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Paperback. Zustand: New. In New Paths, five renowned scholars discuss a variety of topics related to Romanticism, focusing especially on the years 1800-1840. In a much-needed historical and critical overview of the concept of organicism, John Neubauer ranges from its origins in Enlightenment biology to its aftermath in postmodernism. Janet Schmalfeldt shows that not only Beethoven's op.47 should be called the Bridgetower rather than the Kreutzer Sonata but also that this makes a difference as to its meaning. Scott Burnham explains extreme contrasts between emotional and mechanical types of music in late Beethoven as stagings of the limits of human subjectivity. Jim Samson discusses Chopin's little-known musical upbringing in Warsaw, arguing that his grounding in eighteenth-century aesthetics (as opposed to theory) has thus far been neglected. Finally, Susan Youens's case study of Franz Lachner's Heine songs sheds light on radical experimentation by a so-called epigone in the period between Schubert and Schumann's miracle song year.Contributors: Scott Burnham, Princeton University; John Neubauer, University of Amsterdam; Jim Samson, Royal Holloway, University of London; Janet Schmalfeldt, Tufts University; Susan Youens, University of Notre Dame.…

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New Paths : Aspects of Music Theory and Aesthetics in the Age of Romanticism
Neubauer, John; Schmalfeldt, Janet; Burnham, Scott; Youens, Susan; Samson, Jim
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New Paths : Aspects of Music Theory and Aesthetics in the Age of Romanticism
Neubauer, John; Schmalfeldt, Janet; Burnham, Scott; Youens, Susan; Samson, Jim
- Softcover
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New Paths: Aspects of Music Theory and Aesthetics in the Age of Romanticism
Neubauer, John/ Schmalfeldt, Janet/ Burnham, Scott/ Youens, Susan/ Samson, Jim
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Paperback. Zustand: Brand New. 1st edition. 200 pages. French language. 9.00x6.25x0.25 inches. In Stock.

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Paperback. Zustand: new. Paperback. In New Paths, five renowned scholars discuss a variety of topics related to Romanticism, focusing especially on the years 1800-1840. In a much-needed historical and critical overview of the concept of organicism, John Neubauer ranges from its origins in Enlightenment biology to its aftermath in postmodernism. Janet Schmalfeldt shows that not only Beethoven's op.47 should be called the Bridgetower rather than the Kreutzer Sonata but also that this makes a difference as to its meaning. Scott Burnham explains extreme contrasts between emotional and mechanical types of music in late Beethoven as stagings of the limits of human subjectivity. Jim Samson discusses Chopin's little-known musical upbringing in Warsaw, arguing that his grounding in eighteenth-century aesthetics (as opposed to theory) has thus far been neglected. Finally, Susan Youens's case study of Franz Lachner's Heine songs sheds light on radical experimentation by a so-called epigone in the period between Schubert and Schumann's miracle song year.Contributors: Scott Burnham, Princeton University; John Neubauer, University of Amsterdam; Jim Samson, Royal Holloway, University of London; Janet Schmalfeldt, Tufts University; Susan Youens, University of Notre Dame In New Paths, five renowned scholars discuss a variety of topics related to Romanticism, focusing especially on the years 1800-1840. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN:9789058677341.

New Paths : Aspects of Music Theory and Aesthetics in the Age of Romanticism
Neubauer, John; Schmalfeldt, Janet; Burnham, Scott; Youens, Susan; Samson, Jim
- Softcover
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New Paths : Aspects of Music Theory and Aesthetics in the Age of Romanticism
Neubauer, John; Schmalfeldt, Janet; Burnham, Scott; Youens, Susan; Samson, Jim
- Softcover
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New Paths: Aspects of Music Theory and Aesthetics in the Age of Romanticism
Neubauer, John/ Schmalfeldt, Janet/ Burnham, Scott/ Youens, Susan/ Samson, Jim
- Softcover
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Paperback. Zustand: Brand New. 1st edition. 200 pages. French language. 9.00x6.25x0.25 inches. In Stock.

Verlag: University of Nebraska Press
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- Softcover
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Taschenbuch. Zustand: Neu. Neuware - In New Paths, five renowned scholars discuss a variety of topics related to Romanticism, focusing especially on the years 1800-1840. In a much-needed historical and critical overview of the concept of organicism, John Neubauer ranges from its origins in Enlightenment biology to its aftermath in postmodernism. Janet Schmalfeldt shows that not only Beethoven's op.47 should be called the Bridgetower rather than the Kreutzer Sonata but also that this makes a difference as to its meaning. Scott Burnham explains extreme contrasts between emotional and mechanical types of music in late Beethoven as stagings of the limits of human subjectivity. Jim Samson discusses Chopin's little-known musical upbringing in Warsaw, arguing that his grounding in eighteenth-century aesthetics (as opposed to theory) has thus far been neglected. Finally, Susan Youens's case study of Franz Lachner's Heine songs sheds light on radical experimentation by a so-called epigone in the period between Schubert and Schumann's miracle song year.Contributors: Scott Burnham, Princeton University; John Neubauer, University of Amsterdam; Jim Samson, Royal Holloway, University of London; Janet Schmalfeldt, Tufts University; Susan Youens, University of Notre Dame.…

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Kartoniert / Broschiert. Zustand: New. Klappentextrnrn New Paths , the seventh volume in the Writings of the Orpheus Institute, is a result of the third International Orpheus Academy for Music Theory. Five renowned scholars discuss a variety of topics related to romanticism, focusing.

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Paperback. Zustand: new. Paperback. In New Paths, five renowned scholars discuss a variety of topics related to Romanticism, focusing especially on the years 1800-1840. In a much-needed historical and critical overview of the concept of organicism, John Neubauer ranges from its origins in Enlightenment biology to its aftermath in postmodernism. Janet Schmalfeldt shows that not only Beethoven's op.47 should be called the Bridgetower rather than the Kreutzer Sonata but also that this makes a difference as to its meaning. Scott Burnham explains extreme contrasts between emotional and mechanical types of music in late Beethoven as stagings of the limits of human subjectivity. Jim Samson discusses Chopin's little-known musical upbringing in Warsaw, arguing that his grounding in eighteenth-century aesthetics (as opposed to theory) has thus far been neglected. Finally, Susan Youens's case study of Franz Lachner's Heine songs sheds light on radical experimentation by a so-called epigone in the period between Schubert and Schumann's miracle song year.Contributors: Scott Burnham, Princeton University; John Neubauer, University of Amsterdam; Jim Samson, Royal Holloway, University of London; Janet Schmalfeldt, Tufts University; Susan Youens, University of Notre Dame In New Paths, five renowned scholars discuss a variety of topics related to Romanticism, focusing especially on the years 1800-1840. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

- Softcover
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Paperback. Zustand: New. In New Paths, five renowned scholars discuss a variety of topics related to Romanticism, focusing especially on the years 1800-1840. In a much-needed historical and critical overview of the concept of organicism, John Neubauer ranges from its origins in Enlightenment biology to its aftermath in postmodernism. Janet Schmalfeldt shows that not only Beethoven's op.47 should be called the Bridgetower rather than the Kreutzer Sonata but also that this makes a difference as to its meaning. Scott Burnham explains extreme contrasts between emotional and mechanical types of music in late Beethoven as stagings of the limits of human subjectivity. Jim Samson discusses Chopin's little-known musical upbringing in Warsaw, arguing that his grounding in eighteenth-century aesthetics (as opposed to theory) has thus far been neglected. Finally, Susan Youens's case study of Franz Lachner's Heine songs sheds light on radical experimentation by a so-called epigone in the period between Schubert and Schumann's miracle song year.Contributors: Scott Burnham, Princeton University; John Neubauer, University of Amsterdam; Jim Samson, Royal Holloway, University of London; Janet Schmalfeldt, Tufts University; Susan Youens, University of Notre Dame.…

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Taschenbuch. Zustand: Neu. NEW PATHS | Darla Crispin | Taschenbuch | Collected Writings of the Orpheus Institute | Kartoniert / Broschiert | Englisch | 2009 | LEUVEN UNIV PR | EAN 9789058677341 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu. …