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In den WarenkorbPaperback. Zustand: New. When British rockers invaded the United States in the 1960s, youths responded by growing long hair and playing electrified music in suburban garages. Garage rock has grown from a hobby of the rebellious to a cultural statement: anything not mainstream, from alternative country to hardcore punk, can be included in the realm of contemporary garage rock. Issues of rebellion, clothing and hair styles, playing styles, nostalgia and "selling out" permeate the modern culture of garage rock. Pure rock from the '50s, '60s and '70s and older root styles such as swing and rockabilly have been reasserted in this form, leaving the confines of garages for clubs and other venues where fans' tastes are tuned to the underground. This study explores garage rock as it evolved alongside mainstream music and examines how it reflects notions of self though the assertion of individuality and rebellion in prosperous postmodern times. Using the Detroit music scene as the focus, the author presents two sections. The first section examines the creation of the scene, the importance of relationships to the past and the appearance used throughout. The second section analyzes the alliances and relationships to society that undergird contemporary garage rock. The author maintains garage rock has developed a place in American cultural history, and its continuation will be based on how the underground situates itself within postmodern society.
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: McFarland & Co Inc, Jefferson, NC, 2006
ISBN 10: 0786425644 ISBN 13: 9780786425648
Anbieter: Grand Eagle Retail, Bensenville, IL, USA
Paperback. Zustand: new. Paperback. When British rockers invaded the United States in the 1960s, youths responded by growing long hair and playing electrified music in suburban garages. Garage rock has grown from a hobby of the rebellious to a cultural statement: anything not mainstream, from alternative country to hardcore punk, can be included in the realm of contemporary garage rock. Issues of rebellion, clothing and hair styles, playing styles, nostalgia and "selling out" permeate the modern culture of garage rock. Pure rock from the '50s, '60s and '70s and older root styles such as swing and rockabilly have been reasserted in this form, leaving the confines of garages for clubs and other venues where fans' tastes are tuned to the underground. This study explores garage rock as it evolved alongside mainstream music and examines how it reflects notions of self though the assertion of individuality and rebellion in prosperous postmodern times. Using the Detroit music scene as the focus, the author presents two sections. The first section examines the creation of the scene, the importance of relationships to the past and the appearance used throughout. The second section analyzes the alliances and relationships to society that undergird contemporary garage rock. The author maintains garage rock has developed a place in American cultural history, and its continuation will be based on how the underground situates itself within postmodern society. Explores garage rock as it evolved alongside mainstream music, and examines how it reflects notions of self though the assertion of individuality and rebellion in prosperous post-modern times. This book states that garage rock has developed a place in American cultural history. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes Königreich
EUR 26,15
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In den WarenkorbZustand: New.
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In den WarenkorbPaperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.
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EUR 32,17
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In den WarenkorbZustand: New. In.
Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes Königreich
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In den WarenkorbZustand: As New. Unread book in perfect condition.
Sprache: Englisch
Verlag: McFarland & Company, Incorporated Publishers, 2006
ISBN 10: 0786425644 ISBN 13: 9780786425648
Anbieter: Books Puddle, New York, NY, USA
Zustand: New. pp. ix + 213.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
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In den WarenkorbPaperback. Zustand: Brand New. 213 pages. 8.75x6.00x0.50 inches. In Stock.
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In den WarenkorbSoft cover. Zustand: Very Good. Very good copy of this collection of serious writing on the world of extreme noise, with pieces on various themes ranging from 'heavy metal music in the caribbean setting' to 'throbbing gristle and audio extremes'. Slight rubbing to corners but otherwise an excellent copy.
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In den WarenkorbZustand: New.
Sprache: Englisch
Verlag: McFarland & Co Inc, Jefferson, NC, 2006
ISBN 10: 0786425644 ISBN 13: 9780786425648
Anbieter: AussieBookSeller, Truganina, VIC, Australien
Paperback. Zustand: new. Paperback. When British rockers invaded the United States in the 1960s, youths responded by growing long hair and playing electrified music in suburban garages. Garage rock has grown from a hobby of the rebellious to a cultural statement: anything not mainstream, from alternative country to hardcore punk, can be included in the realm of contemporary garage rock. Issues of rebellion, clothing and hair styles, playing styles, nostalgia and "selling out" permeate the modern culture of garage rock. Pure rock from the '50s, '60s and '70s and older root styles such as swing and rockabilly have been reasserted in this form, leaving the confines of garages for clubs and other venues where fans' tastes are tuned to the underground. This study explores garage rock as it evolved alongside mainstream music and examines how it reflects notions of self though the assertion of individuality and rebellion in prosperous postmodern times. Using the Detroit music scene as the focus, the author presents two sections. The first section examines the creation of the scene, the importance of relationships to the past and the appearance used throughout. The second section analyzes the alliances and relationships to society that undergird contemporary garage rock. The author maintains garage rock has developed a place in American cultural history, and its continuation will be based on how the underground situates itself within postmodern society. Explores garage rock as it evolved alongside mainstream music, and examines how it reflects notions of self though the assertion of individuality and rebellion in prosperous post-modern times. This book states that garage rock has developed a place in American cultural history. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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In den WarenkorbZustand: As New. Unread book in perfect condition.
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In den WarenkorbPaperback. Zustand: New. When British rockers invaded the United States in the 1960s, youths responded by growing long hair and playing electrified music in suburban garages. Garage rock has grown from a hobby of the rebellious to a cultural statement: anything not mainstream, from alternative country to hardcore punk, can be included in the realm of contemporary garage rock. Issues of rebellion, clothing and hair styles, playing styles, nostalgia and "selling out" permeate the modern culture of garage rock. Pure rock from the '50s, '60s and '70s and older root styles such as swing and rockabilly have been reasserted in this form, leaving the confines of garages for clubs and other venues where fans' tastes are tuned to the underground. This study explores garage rock as it evolved alongside mainstream music and examines how it reflects notions of self though the assertion of individuality and rebellion in prosperous postmodern times. Using the Detroit music scene as the focus, the author presents two sections. The first section examines the creation of the scene, the importance of relationships to the past and the appearance used throughout. The second section analyzes the alliances and relationships to society that undergird contemporary garage rock. The author maintains garage rock has developed a place in American cultural history, and its continuation will be based on how the underground situates itself within postmodern society.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 92,13
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. reprint edition. 212 pages. 8.75x6.00x0.75 inches. In Stock.
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EUR 125,82
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In den WarenkorbZustand: New.
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In den WarenkorbZustand: New. In English.
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EUR 133,28
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In den WarenkorbZustand: As New. Unread book in perfect condition.
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In den WarenkorbZustand: New.
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In den WarenkorbZustand: As New. Unread book in perfect condition.
Sprache: Englisch
Verlag: Bloomsbury Publishing Plc, US, 2014
ISBN 10: 0739176056 ISBN 13: 9780739176054
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In den WarenkorbHardback. Zustand: New. Hardcore, Punk, and Other Junk: Aggressive Sounds in Contemporary Music, edited by Eric James Abbey and Colin Helb,is a collection of writings on music that is considered aggressive throughout the world. From local underground bands in Detroit, Michigan to bands in Puerto Rico or across Europe, this book demonstrates the importance of aggressive music in our society. While other volumes seek to denigrate or put down this type of music, Hardcore, Punk, and Other Junk forces the audience to re-read and re-listen to it. This category of music includes all forms that could be considered offensive and/or move the audience to become aggressive in some way. The politics and values of punk are discussed alongside the emerging popularity of metal and extreme hardcore music. Hardcore, Punk, and Other Junk is an important contribution to the newest discussions on aggressive music throughout the world.
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In den WarenkorbHardcover. Zustand: Brand New. 212 pages. 9.50x6.25x1.00 inches. In Stock.
Sprache: Englisch
Verlag: Bloomsbury Publishing Plc, US, 2014
ISBN 10: 0739176056 ISBN 13: 9780739176054
Anbieter: Rarewaves.com UK, London, Vereinigtes Königreich
EUR 143,85
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In den WarenkorbHardback. Zustand: New. Hardcore, Punk, and Other Junk: Aggressive Sounds in Contemporary Music, edited by Eric James Abbey and Colin Helb,is a collection of writings on music that is considered aggressive throughout the world. From local underground bands in Detroit, Michigan to bands in Puerto Rico or across Europe, this book demonstrates the importance of aggressive music in our society. While other volumes seek to denigrate or put down this type of music, Hardcore, Punk, and Other Junk forces the audience to re-read and re-listen to it. This category of music includes all forms that could be considered offensive and/or move the audience to become aggressive in some way. The politics and values of punk are discussed alongside the emerging popularity of metal and extreme hardcore music. Hardcore, Punk, and Other Junk is an important contribution to the newest discussions on aggressive music throughout the world.
Sprache: Englisch
Verlag: McFarland & Company, Incorporated Publishers, 2006
ISBN 10: 0786425644 ISBN 13: 9780786425648
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 52,88
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In den WarenkorbZustand: New. Print on Demand pp. ix + 213.
Sprache: Englisch
Verlag: McFarland & Company, Incorporated Publishers, 2006
ISBN 10: 0786425644 ISBN 13: 9780786425648
Anbieter: Biblios, Frankfurt am main, HESSE, Deutschland
Zustand: New. PRINT ON DEMAND pp. ix + 213.
Anbieter: moluna, Greven, Deutschland
EUR 42,64
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In den WarenkorbZustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Explores garage rock as it evolved alongside mainstream music, and examines how it reflects notions of self though the assertion of individuality and rebellion in prosperous post-modern times. This book states that garage rock has developed a place in Ameri.