Adam lauder (39 Ergebnisse)

Zustand: like_new. Appears unused. Pictures available upon request. Individually inspected by Shadow. Thanks for supporting an independent bookseller.

softcover. Zustand: very good. Good to Very good condition. Minor wear. Binding tight, pages clean. Pictures available upon request. . nd.

Softcover. Zustand: Fine. STiff crisp unmarked book, about new.; 10.70 X 8.90 X 0.70 inches; 220 pages.

1st edn. 8vo. Original gilt lettered black cloth (Fine), dustwrapper (Fine). Pp. x + 289, illus with coloured plates and b&w photos (no insciptions).

Paperback. Zustand: New. BRAND NEW. Still Sealed in Publishers Shrinkwrap.

Hardcover. 8vo. pp: x, 289. Original publisher's black boards with gilt lettering at spine in original publisher's colour illustrated dust jacket. Illustrated in black and white and colour.ISBN: 9780228010869 Clean and unread copy in bright dust jacket. As new.

Hardcover. Zustand: Brand New. 228 pages. 11.38x9.00x1.12 inches. In Stock.

2017. (4to paperback) Very good plus. 171pp. Notes, color photographs and illustrations, contributors. "McLuhan and the arts is a well-trodden theme yet surprisingly still fertile ground for original scholarship and research-creation. Milestones include excavations by Richard Cavell and Elena Lamberti of the aesthetic sources of McLuhan's media analyses in the literature and visual arts of his time as well as his influence on a range of contemporary artistic projects, from happenings to installation art" - from the text. Book about Marshall McLuhan. Contributors include Kenneth R. Allan, Adina Balint, Judy Berland, May Chew, Gary Genosko, Jessica Jacobson-Konefall, Alexander Kuskis, Elena Lamberti, Tom McGlynn, Mohammad Salemy, Daina Warren. (Ideas, Contemporary Art, Essays, Literary Theory, Periodicals, Visual Arts).…

Hardcover. Zustand: Brand New. 228 pages. 11.38x9.00x1.12 inches. In Stock.

Hardcover. Zustand: Brand New. 228 pages. 11.38x9.00x1.12 inches. In Stock.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. Like new; text clean and tight; like new dust jacket; Mcgill-Queen's/Beaverbrook Canadian Foundation Studies In Art History; 8vo 8" - 9" tall; 392 pages.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Hardback. Zustand: New. Through a series of focused and interconnected case studies, Out of School explores the long history of information art associated with the Toronto School of Communication. It highlights the perspectives of artists inspired by the speculations of Marshall McLuhan and colleagues as well as the philosophical underpinnings of the Toronto School's ideas about information. Using pre-Internet media such as telex and the telecopier, the artists explored in this book materialized visionary concepts of information without the aid of computers. Harbingers of contemporary digital culture, Bertram Brooker, N.E. Thing Co., Robert Smithson, Wyndham Lewis, General Idea, and other artists approached information as something embodied, sensorial, and social. Art historian Adam Lauder recontextualizes this qualitative philosophy of information in relation to quantitative discourses and methodologies, which these creative figures make visible - sometimes inadvertently or satirically - through artworks that operate at the interface between art and business. While exploring how utopian information ontologies struggled to account for markers of identity and difference, including Indigeneity, gender, and sexual diversity, this book also highlights instances when information art was able to carve out spaces of agency and resistance. Offering an essential reassessment of the legacies of the Toronto School of Communication, Out of School broadens the network of practitioners connected to the school to include visual artists active both within and beyond Canada. In doing so, it proposes that artists made significant contributions to theory in their own right.…

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New.

Hardback. Zustand: New. New copy - Usually dispatched within 4 working days.

Zustand: New.

Hardback. Zustand: New. New copy - Usually dispatched within 4 working days.

Zustand: New.

Zustand: New.

Zustand: New. 2023. Hardcover. . . . . .

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Hardcover. Zustand: Brand New. 378 pages. 9.25x6.50x1.25 inches. In Stock.

Hardback. Zustand: New. Through a series of focused and interconnected case studies, Out of School explores the long history of information art associated with the Toronto School of Communication. It highlights the perspectives of artists inspired by the speculations of Marshall McLuhan and colleagues as well as the philosophical underpinnings of the Toronto School's ideas about information. Using pre-Internet media such as telex and the telecopier, the artists explored in this book materialized visionary concepts of information without the aid of computers. Harbingers of contemporary digital culture, Bertram Brooker, N.E. Thing Co., Robert Smithson, Wyndham Lewis, General Idea, and other artists approached information as something embodied, sensorial, and social. Art historian Adam Lauder recontextualizes this qualitative philosophy of information in relation to quantitative discourses and methodologies, which these creative figures make visible - sometimes inadvertently or satirically - through artworks that operate at the interface between art and business. While exploring how utopian information ontologies struggled to account for markers of identity and difference, including Indigeneity, gender, and sexual diversity, this book also highlights instances when information art was able to carve out spaces of agency and resistance. Offering an essential reassessment of the legacies of the Toronto School of Communication, Out of School broadens the network of practitioners connected to the school to include visual artists active both within and beyond Canada. In doing so, it proposes that artists made significant contributions to theory in their own right.…