Adler evan (12 Ergebnisse)
- Hardcover
Anbieter: Lakeside Books, Benton Harbor, MI, USALakeside Books
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EUR 27,34
EUR 3,42 VersandVersand innerhalb von USAAnzahl: 4 verfügbar
Zustand: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.
- Softcover
Anbieter: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandKennys Bookshop and Art Galleries Ltd.
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EUR 43,91
EUR 9,50 VersandVersand von Irland nach USAAnzahl: 20 verfügbar
Zustand: New. 2026. paperback. . . . . . Suckow, Will (illustrator).
- Hardcover
Anbieter: Books From California, Simi Valley, CA, USABooks From California
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenZustand: Gebraucht - Sehr gut
EUR 53,07
EUR 4,27 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
hardcover. Zustand: Fine. Suckow, Will (illustrator).
Dr. Cluck's Backyard Chickens
Adler, Dr. Evan (Author)/ Pitesky, Dr. Maurice (Author)/ Suckow, Will (Illustrator)
- Softcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 46,80
EUR 11,69 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 2 verfügbar
Paperback. Zustand: Brand New. 228 pages. 11.00x8.50x1.50 inches. In Stock. Suckow, Will (illustrator).
- Hardcover
Anbieter: Grand Eagle Retail, Bensenville, IL, USAGrand Eagle Retail
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 60,99
Versand gratisVersand innerhalb von USAAnzahl: 1 verfügbar
Hardcover. Zustand: new. Hardcover. A colorful, insider portrait of 70s surf culture, with a foreword by Pulitzer Prizewinning author William FinneganIf you were there, even just for some of itHawaii, California, surfing, the 70sthe memories and stories will flow freely from these photographs. Jeff Divine was there for all of it…, and these images have been culled from an enormous personal archive. Divine was shooting for Surfer, the monthly magazine that was the bible of the scene. His photos from this archive show the precommercialized era in surfing when the hippie influence still held sway. Surfers had their own slang-infused language and were deep into a world of Mother Ocean, wilderness and a culture that mainstream society spurned. Surfboards were handmade in family garages, often made for a specific kind of wave or speed, for paddling, ease of turning, and featured all kinds of psychedelic designs. Some were even hollowed out to smuggle hash from Morocco.The color and black-and-white photographs collected here, taken throughout California on the coastlines at Baja, Dana Point, Laguna Beach, La Jolla, Malibu, San Clemente and Oahu, give a vivid image of this close-knit culture and the incredible athletic feats of its heroes and heroines.Raised in La Jolla, California, Jeff Divine (born 1950) started photographing the surfing world in 1966. He held jobs as photo editor for 35 years with Surfer magazine and Surfers Journal. His works have been displayed worldwide in museums and galleries, as well as in books, magazines and media. In 2019 he was inducted into the Huntington Beach Surfing Walk of Fame for his contribution to surf culture in a career lasting 50 years. A colorful, insider portrait of 70s surf culture, with a foreword by Pulitzer Prizewinning author William Finnegan Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Hardcover
Anbieter: Rarewaves USA, HEBRON, KY, USARarewaves USA
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 61,00
Versand gratisVersand innerhalb von USAAnzahl: Mehr als 20 verfügbar
Hardback. Zustand: New. A colorful, insider portrait of '70s surf culture, with a foreword by Pulitzer Prize-winning author William FinneganIf you were there, even just for some of it-Hawaii, California, surfing, the '70s-the memories and stories will flow freely from these photographs. Jeff Divine was there for all of it, and t…hese images have been culled from an enormous personal archive. Divine was shooting for Surfer, the monthly magazine that was the bible of the scene. His photos from this archive show the precommercialized era in surfing when the hippie influence still held sway. Surfers had their own slang-infused language and were deep into a world of Mother Ocean, wilderness and a culture that mainstream society spurned. Surfboards were handmade in family garages, often made for a specific kind of wave or speed, for paddling, ease of turning, and featured all kinds of psychedelic designs. Some were even hollowed out to smuggle hash from Morocco.The color and black-and-white photographs collected here, taken throughout California on the coastlines at Baja, Dana Point, Laguna Beach, La Jolla, Malibu, San Clemente and Oahu, give a vivid image of this close-knit culture and the incredible athletic feats of its heroes and heroines.Raised in La Jolla, California, Jeff Divine (born 1950) started photographing the surfing world in 1966. He held jobs as photo editor for 35 years with Surfer magazine and Surfer's Journal. His works have been displayed worldwide in museums and galleries, as well as in books, magazines and media. In 2019 he was inducted into the Huntington Beach Surfing Walk of Fame for his contribution to surf culture in a career lasting 50 years.
- Softcover
Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 53,87
EUR 8,99 VersandVersand innerhalb von USAAnzahl: 20 verfügbar
Zustand: New. 2026. paperback. . . . . . Books ship from the US and Ireland. Suckow, Will (illustrator).
- Hardcover
Anbieter: moluna, Greven, Deutschlandmoluna
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EUR 40,25
EUR 48,99 VersandVersand von Deutschland nach USAAnzahl: 1 verfügbar
Gebunden. Zustand: New. KlappentextA colorful, insider portrait of 70s surf culture, with a foreword by Pulitzer Prize-winning author William FinneganIf you were there, even just for some of it--Hawaii, California, surfing, the 70s-.
- Hardcover
Anbieter: AussieBookSeller, Truganina, VIC, AustralienAussieBookSeller
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 67,46
EUR 31,69 VersandVersand von Australien nach USAAnzahl: 1 verfügbar
Hardcover. Zustand: new. Hardcover. A colorful, insider portrait of 70s surf culture, with a foreword by Pulitzer Prizewinning author William FinneganIf you were there, even just for some of itHawaii, California, surfing, the 70sthe memories and stories will flow freely from these photographs. Jeff Divine was there for all of it…, and these images have been culled from an enormous personal archive. Divine was shooting for Surfer, the monthly magazine that was the bible of the scene. His photos from this archive show the precommercialized era in surfing when the hippie influence still held sway. Surfers had their own slang-infused language and were deep into a world of Mother Ocean, wilderness and a culture that mainstream society spurned. Surfboards were handmade in family garages, often made for a specific kind of wave or speed, for paddling, ease of turning, and featured all kinds of psychedelic designs. Some were even hollowed out to smuggle hash from Morocco.The color and black-and-white photographs collected here, taken throughout California on the coastlines at Baja, Dana Point, Laguna Beach, La Jolla, Malibu, San Clemente and Oahu, give a vivid image of this close-knit culture and the incredible athletic feats of its heroes and heroines.Raised in La Jolla, California, Jeff Divine (born 1950) started photographing the surfing world in 1966. He held jobs as photo editor for 35 years with Surfer magazine and Surfers Journal. His works have been displayed worldwide in museums and galleries, as well as in books, magazines and media. In 2019 he was inducted into the Huntington Beach Surfing Walk of Fame for his contribution to surf culture in a career lasting 50 years. A colorful, insider portrait of 70s surf culture, with a foreword by Pulitzer Prizewinning author William Finnegan Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
- Hardcover
Anbieter: Rarewaves USA United, HEBRON, KY, USARarewaves USA United
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 68,44
EUR 42,83 VersandVersand innerhalb von USAAnzahl: Mehr als 20 verfügbar
Hardback. Zustand: New. A colorful, insider portrait of '70s surf culture, with a foreword by Pulitzer Prize-winning author William FinneganIf you were there, even just for some of it-Hawaii, California, surfing, the '70s-the memories and stories will flow freely from these photographs. Jeff Divine was there for all of it, and t…hese images have been culled from an enormous personal archive. Divine was shooting for Surfer, the monthly magazine that was the bible of the scene. His photos from this archive show the precommercialized era in surfing when the hippie influence still held sway. Surfers had their own slang-infused language and were deep into a world of Mother Ocean, wilderness and a culture that mainstream society spurned. Surfboards were handmade in family garages, often made for a specific kind of wave or speed, for paddling, ease of turning, and featured all kinds of psychedelic designs. Some were even hollowed out to smuggle hash from Morocco.The color and black-and-white photographs collected here, taken throughout California on the coastlines at Baja, Dana Point, Laguna Beach, La Jolla, Malibu, San Clemente and Oahu, give a vivid image of this close-knit culture and the incredible athletic feats of its heroes and heroines.Raised in La Jolla, California, Jeff Divine (born 1950) started photographing the surfing world in 1966. He held jobs as photo editor for 35 years with Surfer magazine and Surfer's Journal. His works have been displayed worldwide in museums and galleries, as well as in books, magazines and media. In 2019 he was inducted into the Huntington Beach Surfing Walk of Fame for his contribution to surf culture in a career lasting 50 years.
Weitere BilderJerde: 40 Years of Placemaking 1977-2017
Text: Jamie Brisick / Design: Tom Adler & Evan Backes / Archiv-E
Verlag: Jerde, 2017
- Hardcover
Anbieter: Boyd Used & Rare Books, Portland, OR, USABoyd Used & Rare Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenVerbandsmitglied: CBA
Zustand: Gebraucht - Gut bis sehr gut
EUR 264,68
EUR 6,00 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
Hardcover. Zustand: Near Fine. Near Fine. Hardcover. White papered boards over cloth, in vellum-like plastic sleeve. Shows very light handling. Interior is clean and unmarked. Profusely illustrated with vibrant color photographs and architectural renderings. 329 pages. 11 x 10 inches. No institutional copies located on OCLC. Rar…e. A visual collection of 54 architectural projects designed by the Jerde Partenership, an international architectural firm founded by Jon Jerde in 1977. Each is presented in multiple views accompanied by brief commentary. Jerde is widely recognized for their indoor/outdoor multi-level, multi-building complexes, innovative ''place-making,'' and the re-visioning of shopping malls and city centers. Jerde has a portfolio that includes Universal CityWalk, the 1984 Los Angeles Olympics, Mall of America, Horton Plaza in San Diego, and the Bellagio hotel complex and Fremont Street Experience in Las Vegas. About a third of Jerde's projects are in Asia, including Canal City Hakata in Fukuoka, Japan. In addition to their Los Angeles headquarters, Jerde today has offices in Shanghai, Hong Kong, Singapore, Seoul, and Mexico City.
Weitere BilderThe Birds (Archive of three original title card maquettes for the 1963 film)
[Film] [Art] Harold Adler (letterer); Alfred Hitchcock (director); Daphne Du Maurier (story); Evan Hunter (screenwriter); Tippi Hedren, Suzanne Pleshette, Rod Taylor (starring)
Verlag: Universal Pictures, Universal City, CA, 1986
- Manuskript//Papierbasiertes Sammlerstück
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USARoyal Books, Inc., ABAA
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht
EUR 3.970,18
EUR 8,57 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
In den WarenkorbArchive of three title card maquettes hand lettered by Harold Adler for the 1963 film. Also included are two fascinating autograph letters, both elaborately designed and executed in a calligraphic style, from Adler to author, illustrator, and editor Fridolf Johnson relating to Adler's work with Hitchcock. Harold Adler was a call…igrapher who created hand lettered titles on over 100 films, worked frequently with Alfred Hitchcock, and was a favorite of legendary title sequence designers Saul Bass and Pablo Ferro. In addition to "The Birds" (1963), his credits include "Comanche!" (1956), "The Man with the Golden Arm" (1955), "The Seven Year Itch" (1955), "Carmen Jones" (1954), "Psycho" (1960), "In the Heat of the Night" (1967), and "Justine" (1969). In 2012, an exhibition of Adler's work was organized by noted typographer and design historian Jill Bell at the American Advertising Federation, Kansas City. In the first letter, dated May 16, 1986, Adler describes, after touching on other topics, meeting Hitchcock and then presenting him with layout ideas for the titles. He then goes into detail regarding his answer to a question about the techniques of artist Eric Gill, stating that Hitchcock "was amazed" by this answer, and after that would "request 'to be sure to bring that nice you[ng] man along" (meaning Adler) whenever he had a job for Adler's firm. The second letter, dated June 10th, 1986, focuses almost exclusively on Adler's work on "The Birds," going into some detail regarding both the creative and technical processes of producing hand lettered titles for films. He also describes Hitchcock as "an unusual person to work with. He was a master at what he did, knew what he wanted [and] smoked the finest cigars." He then concludes the letter with some brief remarks on how his approach to title lettering evolved over the course of his career. The letters themselves are works of art, executed in a variety of inks in Adler's detailed penmanship, with Johnson's name on each in particular receiving full calligraphic treatment. Also included are draft title cards for the film, stylistically similar to each other, but much different from the titles used in the finished film. Two of the cards are marked as "camera ready" in manuscript colored pencil, with titles executed in white paint on black board. The third card, photo stat on black paper, which accompanied the June 10th letter, has been annotated by Adler on both the recto and verso, explaining the in more detail the technical process of putting the lettering on film. Overall, a significant collection of material illuminating a little explored aspect of film design, with a direct and significant connection to a seminal work by a director known for personally overseeing all aspects of production. Each letter 19 x 24 inches, single leaf, rectos only. May 16th letter folded twice for mailing, June 10th letter folded. Two long diagonal creases to the May 16th letter, else both are Fine. Original mailing envelope for the May 16th letter included. "Camera ready" title cards 22 x 14 inches. Lightly rubbed and about Near Fine. Third card 18 x 4 inches. Near Fine. National Film Registry. Clover, Men, Women, and Chainsaws. Godard, Histoires du cinema.
