agnes brusle (24 Ergebnisse)

Soft cover. Zustand: Very Good. Pages clean and unmarked. A few have a mildly bent corner. Magazine's exterior is also completely clean. Slight wear to edges of covers and spine. The lower left corner of the back cover is creased. A couple of other cover corners are just slightly bent. Very little wear otherwise. The magazine will be packed with a backing card, bubble-wrapped and shipped in a sturdy, flat box to ensure safe transit. This issue includes: "At Christie's"; "Old Master Paintings Soar at Christie's New York"; "I must do a tremendous lot of drawings."; "Faberge's Pine Cone Egg" by Peter Collingridge; "The Kazan Collection of Faberge"; "Imperial Taste" by Anthony Lin; "The Unparalleled Huaxia Imperial Palace" by Jiang Shunyuan; "Delights Beyond Expression" by John Hardy; "One Hundred House Sales"; "A Sporting Life"; "A Castle Sale"; "The Parry Collection: Oak from Wales" by Dr. Bill Cotton; "The Parry Collection: A Passion for Walnut" by Peter Holmes; "Mies van der Rohe and Philip Johnson" by Nancy A. McClelland; "The Shimmering Fish of Falize Freres" by Nicola Redway; "The Bronze Deer of Cordoba" by Deborah Freeman; "Shackleton's Antarctica" by Nicholas Lambourn; "Journeying to the World of Beatrix Potter" by Justin G. Schiller; "John Gould, Bird Man" by Tom Lamb; "A Redoute Discovery: 'Plantes de Tournefort'" by Agnes Brusle; "Exceptional Motor Cars" by David Gooding; "The Lou Manzi Collection" by Andrew Claridge; "Christie's European Auction News"; "Christie's American Auction News"; "Christie's Asian Auction News"; "Spink News"; "Spink Singapore"; "Christie's Forthcoming Sales--New York, London, Amsterdam, Rome, New York East, London South Kensington"; "Christie's International Sales Calendar" and "Christie's Offices Worldwide".

Zustand: Neuf.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9789042027510.

État de NEUF / New condition 412-90266 '9782841372669 29/10/2012 Jérôme Millon Broché.

hardcover. Zustand: New. 1st.

Zustand: New.

Hardcover. Zustand: new. Hardcover. The present volume of essays, Emblemata Sacra. The Rhetoric and Hermeneutics of Illustrated Sacred Discourse, follows a conference that took place in January 2005 in Leuven and Louvain-la-Neuve, thanks to the close collaboration between the Katholieke Universiteit Leuven (Literature Department) and the Universite Catholique de Louvain (the research group 'Figures et formes de la spiritualite dans la litterature et les expressions artistiques'). The 38 essays have been organised in seven sections. The first section ('Historical and methodological issues') presents methodological bases for the study of emblematics and spiritual images, as well as the elements necessary for the Christian contextualisation of the corpus. The second section ('Exegesis of the Scriptures and the Creation'), complementary to the first section, is devoted to exegetical processes developed in different contexts and seeks to emphasise the correspondence between the exegesis of Sacred Scripture and the exegesis of the Creation, which are the two central symbolisms in Christianity. The third section ('The image in absentia') focuses on the most critical aspect of the encounter between the Word and the Image, in the form of a paradoxical iconoclastic image, already mentioned in the first section. The fourth section ('Rhetoric and poetics of the image') exposes the mutual exchanges between the word of the images and the images of the word. The last three sections all deal with the uses of figures in determined contexts. Thus, the fifth section ('The image performance') explores staged, incarnated, and exhibited figures, while the sixth section ('Circulation of images among different faiths') gathers studies about different confessional contexts in which spiritual images are used to support and feed the polemics, and the seventh section ('The efficient image') opens up the chronology toward the 19th century and then to our own time. This volume of essays follows a conference that took place in January 2005 in Leuven and Louvain-la-Neuve, thanks to the close collaboration between the Katholieke Universiteit Leuven (Literature Department) and the Universite Catholique de Louvain (the research group 'Figures et formes de la spiritualite dans la litterature et les expressions artistiques'). Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Zustand: As New. Unread book in perfect condition.

Zustand: New. 2007. Bilingual. hardcover. . . . . .

Hardcover. 652pp. Contributions in French with a few in English. Would be brand new except for owner's address label and inked date / published without dust jacket.

Zustand: New. 2007. Bilingual. hardcover. . . . . . Books ship from the US and Ireland.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

8vo., pp.xi,155+unpaginated facsimile, black cloth lettered in ochre, b/w illustrations of the 52 emblems + full facsimile; ownership gift inscription to upper margin of front free endpaper, else a fresh and near-fine copy, in vg unclipped dust-jacket, which is a little rubbed to edges and is now in a protective cover.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Hardcover. Zustand: new. Hardcover. The present volume of essays, Emblemata Sacra. The Rhetoric and Hermeneutics of Illustrated Sacred Discourse, follows a conference that took place in January 2005 in Leuven and Louvain-la-Neuve, thanks to the close collaboration between the Katholieke Universiteit Leuven (Literature Department) and the Universite Catholique de Louvain (the research group 'Figures et formes de la spiritualite dans la litterature et les expressions artistiques'). The 38 essays have been organised in seven sections. The first section ('Historical and methodological issues') presents methodological bases for the study of emblematics and spiritual images, as well as the elements necessary for the Christian contextualisation of the corpus. The second section ('Exegesis of the Scriptures and the Creation'), complementary to the first section, is devoted to exegetical processes developed in different contexts and seeks to emphasise the correspondence between the exegesis of Sacred Scripture and the exegesis of the Creation, which are the two central symbolisms in Christianity. The third section ('The image in absentia') focuses on the most critical aspect of the encounter between the Word and the Image, in the form of a paradoxical iconoclastic image, already mentioned in the first section. The fourth section ('Rhetoric and poetics of the image') exposes the mutual exchanges between the word of the images and the images of the word. The last three sections all deal with the uses of figures in determined contexts. Thus, the fifth section ('The image performance') explores staged, incarnated, and exhibited figures, while the sixth section ('Circulation of images among different faiths') gathers studies about different confessional contexts in which spiritual images are used to support and feed the polemics, and the seventh section ('The efficient image') opens up the chronology toward the 19th century and then to our own time. This volume of essays follows a conference that took place in January 2005 in Leuven and Louvain-la-Neuve, thanks to the close collaboration between the Katholieke Universiteit Leuven (Literature Department) and the Universite Catholique de Louvain (the research group 'Figures et formes de la spiritualite dans la litterature et les expressions artistiques'). Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Soft cover. Zustand: Near Fine. Softcover. Clean, tight and unmarked. Illustrated. Index. A sound and handsome copy, very neat.

Paperback, 108 p., 216 x 280 mm, Illustrations:44 b/w, Latin, French. *NEW . ISBN 9782503569666. Le peintre Otto Vaenius (Leyde 1556 ? Bruxelles 1629) n?a longtemps été connu que comme le maître de Rubens. Depuis quelques décennies, le regain des études emblématiques a remis à l?honneur ses recueils à succès : Emblemata Horatiana, Amorum Emblemata et Amoris Divini Emblemata. Mais certains de ses ouvrages plus confidentiels restent encore largement méconnus. Tel est le cas des Physicae et theologicae conclusiones (1621), un petit opuscule d?une vingtaine de pages publié dans des circonstances mystérieuses, qui se propose rien moins que de résoudre « par des notes et des figures » le problème de la prédestination et du libre arbitre ? un sujet alors brûlant, qui a d?ailleurs valu à l?auteur des problèmes avec l?Inquisition. Mais l?intérêt de l?opuscule va bien au-delà de l?enjeu théologique : par l?invention d?un langage visuel inédit et déroutant (à mi-chemin entre le géométrique et le figuratif, entre le diagramme et l?emblème), ainsi que par plusieurs chapitres explicitement consacrés aux pouvoirs des images et de l?imagination, l?ouvrage offre une étonnante clé de lecture à l?ensemble de l??uvre de Vaenius, et constitue en même temps un témoignage frappant de la créativité d?une époque en pleine mutation épistémologique. La présente édition propose une reproduction en fac-similé de cet opuscule rarissime ainsi que, pour la première fois, une traduction intégrale en langue française. Le texte est précédé d?une introduction nourrie, fruit d?une collaboration entre cinq chercheurs croisant des approches historiques, littéraires, artistiques et sémiotiques. Les Conclusiones sont ainsi remises dans le contexte de leur époque, au c?ur des querelles théologiques mais aussi au croisement de deux courants de pensée majeurs qui ont imprégné la réflexion de Vaenius, le néo-stoïcisme de Juste Lipse et l?alchimie de Paracelse ; dans un second temps, elles sont étudiées en profondeur dans leur rapport particulier aux images, qui apparaissent à la fois comme le moyen et l?objet de la démonstration proposée. Enfin, l?ouvrage se clôture par une série d?outils facilitant la consultation de l?ensemble : trois index (des noms propres, des passages bibliques, des notions françaises et latines) ainsi qu?une abondante bibliographie. 0 g.

Paperback. Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - Aux limites de l'imitation pose une question audacieuse que les innombrables études existantes sur l'ut pictura poesis à l'âge classique ont eu tendance à laisser dans l'ombre: celle de la matière comme limite de l'imitation, suivant l'hypothèse selon laquelle le surgissement du matériel est à l'origine du délitement de l'ut pictura poesis au cours de l'âge classique. Les études réunies ici abordent cette question pour l'ensemble de l'âge classique (allant du XVIe à la fin du XVIIIe siècle) ainsi que pour les principaux domaines artistiques que l'on peut distinguer (littérature, peinture, sculpture, musique, danse).

652pp., avec 124 bl/w illustrations, publisher's hardcover binding in blue cloth with gilt lettering, 25cm., in the series "Imago Figurata. Studies" volume 7, good condition, weight: 1.2kg., R119725.

Zustand: new. Questo è un articolo print on demand.

Paperback. Zustand: Brand New. 292 pages. French language. 8.75x6.00x0.75 inches. In Stock. This item is printed on demand.