alison wilding (108 Ergebnisse)

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good+. Binding sound, text clean, very light shelfwear. 24 pages. 4to (oversize) paperback. Size: 4to - approx 12". Book.

Paperback. Zustand: Good+. Edition of 1000 Copies. Binding sound, text clean, moderate shelfwear. Book.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft Wraps Paperback. Zustand: Near Fine. First Edition. A LIMITED EDITION of 1,000 copies. A bright, clean, tight copy sans tears, stains, discoloration, and text and illustration markings. Catalog published in conjunction with the 1987 exhibition of the same name exhibited at the Karsten Schubert Gallery, London. ILLUSTRATED in black & white and color photograhic reproduction of Wilding's sculptures (some full page) with accompanying descriptive captions. 29 pages. GB22.

Soft Cover Paperback. Zustand: Near Fine. First Edition. A LIMITED EDITION of 1,000 copies. A bright, clean, tight copy sans tears, stains, markings, discoloration, etc. Catalog published in conjunction with the 1988 exhibition of the same name exhibited at the Karsten Schubert Gallery, London. From the Introductory essay 'Still Waters' by Marjorie Allthorpe Guyton: "The waywardness, the refractory secrecy of Alison Wilding's work, disobedient to the demands of the viewer for luxury of allusion, of metaphor, conceals a hard-won simplicity and clarity. She attempts what the sculptor, Phillip King spoke of as "not the order of mathematics but the kind of logic that exists in the basic activity of making sculpture: standingupness, layingontopness, nextoness, againstness.which is connected directly with my own physical and emotional make-up." ILLUSTRATED in 16 full page color and black & white plates of Wilding's sculptures with accompanying descriptive captions. 41 pages. GB22.

Softcover, 46 pages; very good condition, spine faded; no internal marks. Foreign shipping may be extra.

Softcover, 32 pages; very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Zustand: Good. 24 pp., paperback, library markings, else text clean and binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Near Fine. 1st. 24 pages, colour illustrations; 27 cm. Exhibition held April 1 to 22, 1989. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. *** Alison Wilding (b. 1948) is an English mixed-media artist associated with her contemporaries Anthony Gormley and Richard Deacon. Size: 4to. Collectible.

Soft cover. Zustand: Fine. Zustand des Schutzumschlags: No Jacket as Issued. .

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,950grams, ISBN:1903973104.

Zustand des Schutzumschlags: dj. First Edition. First edition. Softcover. Exhibition catalog for a traveling group show that ran February through March 1988 in Windsor and then went on to Saskatoon and Montreal for additional dates. Essay by Gregory Salzman. Includes numerous color and black and white illustrations of the works of Richard Deacon, Tom Dean, Remo Salvadori, and Alison Wilding. A fine copy in wrappers in a very near fine dust jacket.

Paperback. Zustand: Very Good. Binding sound, text clean, light shelfwear; some slight fading to extremities. 42 pages. Size: Folio - approx 12". Book.

paperback. Zustand: Good. Zustand des Schutzumschlags: No Dust Jacket. Softcover. Former owner's name penned on front endpaper. Small indentation near lower inner corner of front cover. Small tear to spine head. Light wear to leading corners and spine ends. Small, light mark on face of page block. Binding is sound and pages are tight and clean throughout. Contents are clear. AF. Used.

Soft cover. Zustand: Very Good. 1st Edition. Softcover exhibition catalog, with no marks or writing in book. 24 pages. Clean and presentable.

Softcover, unpaginated; as new condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Softcover staple bound exhibition catalog, 24 pages, very good condition, no internal marks, clean and crisp, with color and b/w reproductions.

Zustand: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Soft cover. Zustand: Near Fine. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated wrappers; no dust jacket as issued. Sculpture by Alison Wilding. Essay and interview with the artist by Greg Hilty. Includes a list of works, biography, exhibition history and a bibliography. 76 pp., with numerous four-color and black-and-white plates and illustrations. 12-1/4 x 9-5/8 inches. Published on the occasion of exhibitions at the Tate Gallery, Liverpool and the Henry Moore Sculpture Trust Studio, Halifax. Near Fine (moderate wear to the extremities, else Fine).

Paperback. Zustand: new. Paperback. Acanthus, asymmetrically, refers to a new work made by Wilding for the Offer Waterman gallery's entrance hall in London and is inspired by the building's heritage as the former headquarters of William Morris & Co. This site-specific wall piece; comprising hand-printed wallpaper with sculptural element attached, translates and re-imagines the Acanthus motif of Morris, rendered with a deliberate asymmetry, typical of Wilding's sculpture. Wilding's work is held in numerous public collections worldwide and she is recognised as one of the most important sculptors of her generation. Her work has been shown at the Serpentine Gallery and MoMA NY, and in three survey exhibitions at the Tate, including the Duveen Galleries in 2013 and a retrospective at Tate Liverpool in 1991. The exhibition at Offer Waterman's Mayfair gallery includes 12 new and recent sculptures, alongside a selection of works on paper and prints. Richard Cork, in his book, New Spirit, New Sculpture, New Money; Art in the 1980s, neatly encapsulates the enduring appeal of this understated but mercurial artist; 'a wealth of complex relationships can be uncovered in Wilding's deceptively muted work by anyone patient enough to look'. Whilst she is known for the broad range of materials she has used in her sculpture, apparently delighting in the tension between hard and soft, transparent and opaque etc. Wilding pragmatically refutes that materiality is a significant driver in her work, stating: 'I'm not obsessed with materials and if I have used a huge variety over the years it's because there's lots of it freely available in the world. I don't believe in a hierarchy of materials. All materials, however mundane, can be transformed'. Acanthus, asymmetrically is both the title of a new site-specific wall piece made by British sculptor Alison Wilding (b. 1948) for her London galleries entrance hall and her accompanying exhibition at the Offer Waterman Gallery (2017). A petite but elegant catalog documents the wall work along with twelve new pieces, ranging from works on paper, pr Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

First edition Near fine tall wraps with gentle use and with strong spine and clean bright text. Exquisite illustrations of the artist's work, full page tall plates and with informative text.

Softcover, 32 pages, very good condition, fading to spine; no internal marks.

Softcover, 76 pages; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Soft cover. Zustand: Fine. Royal Academy of Art / Harry Abrams, 2006. Softcover, 192 pp. The 238th summer student exhibiton at Britain's Royal Academy of Art. Illustrated in color. Fine condition.

Paperback (Saddle Stitched). Zustand: Very Good. Unmarked text. Color plates. Essay. Alison Wilding (b. 1948) is an English mixed-media artist associated with her contemporaries Anthony Gormley and Richard Deacon. 24p. Measures 8.75x10.5 inches.

Trade Paperback. Zustand: Used - Good. 'At Home with Art' reconsiders the domestic environment as a context for contemporary art by discussing an exhibition of specially commissioned works that will be made available to the general public at affordable prices. It is in our homes that we express our personal tastes, yet as a place for the display of works of art the home has become marginalized in favor of public and institutional spaces. As a challenge to this stererotypical view, nine of Britain's leading sculptors--Angela Bulloch, Tony Cragg, Richard Deacon, Antony Gormley, Anish Kapoor, Permindar Kaur, David Mach, Richard Wentworth, and Alison Wilding--have been commissioned to design multiples which will be manufactured and made available in stores throughout England. 'At Home with Art 'documents the project in progress and includes an essay by curator Colin Painter. The texts are supplemented by photographs of the artists' drawings, prototypes, and finished objects. At Home With Art aims to reconsider the domestic environment as a context for contemporary art, challenging the stereotypical view that the home represents everything that contemporary art is not. Book has minor shelf wear.

Softcover, 112 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.