Amaranth borsuk (30 Ergebnisse)

Sprache: Englisch
Verlag: The MIT Press, 2018
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Sprache: Englisch
Verlag: MIT Press, 2018
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Sprache: Englisch
Verlag: The MIT Press, 2018
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Paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Sprache: Englisch
Verlag: The MIT Press, 2018
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Sprache: Englisch
Verlag: The MIT Press, 2018
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Zustand: acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Pages may include limited notes and highlighting, but the text cannot be obscured or unreadable. Any access codes or passwords originally included with the book may be expired, used or no longer valid. Image is stock photo and cover art edition may be different than pictured.…

Sprache: Englisch
Verlag: MIT Press, Cambridge, MA, 2018
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Paperback. Zustand: Very Good. 322 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. Remainder mark (one dot) on bottom fore-edge.

Sprache: Englisch
Verlag: The MIT Press, 2018
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paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Sprache: Englisch
Verlag: The MIT Press, 2018
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Sprache: Englisch
Verlag: MIT Press Ltd, Cambridge, Mass., 2018
- Softcover
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Paperback. Zustand: new. Paperback. The book as object, as content, as idea, as interface.What is the book in a digital age? Is it a physical object containing pages encased in covers? Is it a portable device that gives us access to entire libraries? The codex, the book as bound paper sheets, emerged around 150 CE. It was preceded by clay tablets and papyrus scrolls. Are those books? In this volume in the MIT Press Essential Knowledge series, Amaranth Borsuk considers the history of the book, the future of the book, and the idea of the book. Tracing the interrelationship of form and content in the book's development, she bridges book history, book arts, and electronic literature to expand our definition of an object we thought we knew intimately.Contrary to the many reports of its death (which has been blamed at various times on newspapers, television, and e-readers), the book is alive. Despite nostalgic paeans to the codex and its printed pages, Borsuk reminds us, the term "book" commonly refers to both medium and content. And the medium has proved to be malleable. Rather than pinning our notion of the book to a single form, Borsuk argues, we should remember its long history of transformation. Considering the book as object, content, idea, and interface, she shows that the physical form of the book has always been the site of experimentation and play. Rather than creating a false dichotomy between print and digital media, we should appreciate their continuities.The book as object, as content, as idea, as interface.What is the book in a digital age? Is it a physical object containing pages encased in covers? Is it a portable device that gives us access to entire libraries? The codex, the book as bound paper sheets, emerged around 150 CE. It was preceded by clay tablets and papyrus scrolls. Are those books? In this volume in the MIT Press Essential Knowledge series, Amaranth Borsuk considers the history of the book, the future of the book, and the idea of the book. Tracing the interrelationship of form and content in the book's development, she bridges book history, book arts, and electronic literature to expand our definition of an object we thought we knew intimately.Contrary to the many reports of its death (which has been blamed at various times on newspapers, television, and e-readers), the book is alive. Despite nostalgic paeans to the codex and its printed pages, Borsuk reminds us, the term "book" commonly refers to both medium and content. And the medium has proved to be malleable. Rather than pinning our notion of the book to a single form, Borsuk argues, we should remember its long history of transformation. Considering the book as object, content, idea, and interface, she shows that the physical form of the book has always been the site of experimentation and play. Rather than creating a false dichotomy between print and digital media, we should appreciate their continuities. The book as object, as content, as idea, as interface. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Sprache: Englisch
Verlag: The MIT Press, 2018
- Softcover
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Soft cover. Zustand: Fine. Softcover in FINE condition. Uncorrected proof. Minimal shelf wear. All pages clean without any markings or folds. actual book is pictured. See images provided. Synopsis: HANDIWORK is in itself a work of craftsmanship, piecing together fragments while at the same time producing anew. Borsuk summons the tradition of Hebrew gematria to investigate and engage with language's slipperiness, and, as she explains, to provide "a sense of hope within constraint: the fruitful possibility of language." It also wrestles with and probes into "where family history becomes personal mythology, and where gaps open up that ask to be filled." The reader explores, in HANDIWORK, both the creative and destructive urges imminent in expression, as "what wounds is easily unwound." About the Author Amaranth Borsuk is the author of a chapbook, Tonal Saw (The Song Cave, 2010), and, with Brad Bouse, the hybrid digital/print artist's book Between Page and Screen (Siglio Press, forthcoming). She holds a Ph.D. in Literature and Creative Writing from the University of Southern California, and she is currently a Mellon Postdoctoral Fellow in the Humanities at MIT. "About this title" may belong to another edition of this title.…

Sprache: Englisch
Verlag: The MIT Press, 2018
- Softcover
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Sprache: Englisch
Verlag: The MIT Press, 2018
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Sprache: Englisch
Verlag: The MIT Press Bookstore, 2018
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Sprache: Englisch
Verlag: The MIT Press Bookstore, 2018
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Soft cover. Zustand: Fine. Limited Edition. 2012. Limited Edition. An as new copy that's limited (201/250) and signed by both authors. Pages not numbered. (F).

Sprache: Englisch
Verlag: The MIT Press Bookstore, 2018
- Softcover
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Sprache: Englisch
Verlag: Mit Pr, 2018
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Sprache: Englisch
Verlag: The MIT Press, 2018
- Softcover
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Sprache: Englisch
Verlag: Mit Pr, 2018
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Paperback. Zustand: New. A wide-ranging anthology of experimental writing-prose, poetry, and hybrid-from its most significant practitioners and innovators A variety of names have been used to describe fiction, poetry, and hybrid writing that explore new forms and challenges mainstream traditions. Those phrases include experimental, conceptual, avant-garde, hybrid, surfiction, fusion, radical, slip-stream, avant-pop, postmodern, self-conscious, innovative, L=A=N=G=U=A=G=E writing, alternative, and anti- or new literature. Conceptualisms: The Anthology of Prose, Poetry, Visual, Found, E- and Hybrid Writing as Contemporary Art is the first major anthology of writing that offers readers an overview of this other tradition as it lives in the early decades of the 21st century. Featuring over 100 pieces from more than 90 authors, this anthology offers a plethora of aesthetics and approaches to a wide variety subjects. Editor Steve Tomasula has gathered poems, prose, and hybrid pieces that all challenge our understanding of what literature means. Intended as a collection of the most exciting and bold literary work being made today, Tomasula has put a spotlight on the many possibilities available to writers and readers wishing for a glimpse of literature's future. Readers will recognize authors who have shaped contemporary writing, as among them Lydia Davis, Charles Bernstein, Jonathan Safran Foer, Shelley Jackson, Nathaniel Mackey, David Foster Wallace, and Claudia Rankine. Even seasoned readers will find authors, and responses to the canon, not yet encountered. Conceptualisms is a book of ideas for writers, teachers and scholars, as well as readers who wonder how many ways literature can live. The text features headnotes to chapters on themes such as sound writing, electronic literature, found text, and other forms, offering accessible introductions for readers new to this work. An online companion presents statements about the work and biographies of the authors in addition to audio, video, and electronic writing that can't be presented in print. Visit www.conceptualisms.info to read more. …

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paperback. Zustand: Very Good. Slope Editions, NY, 2012, trade paperbk.prtg., 79pp., NF $.

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paperback. Zustand: Very Good. Siglio, L.A., 2012, 1st., No. 247 of 250 copies. 7"x7", paperbk., 16pp., signed by both authors, NF $.

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Paperback. Zustand: New. A wide-ranging anthology of experimental writing-prose, poetry, and hybrid-from its most significant practitioners and innovators A variety of names have been used to describe fiction, poetry, and hybrid writing that explore new forms and challenges mainstream traditions. Those phrases include experimental, conceptual, avant-garde, hybrid, surfiction, fusion, radical, slip-stream, avant-pop, postmodern, self-conscious, innovative, L=A=N=G=U=A=G=E writing, alternative, and anti- or new literature. Conceptualisms: The Anthology of Prose, Poetry, Visual, Found, E- and Hybrid Writing as Contemporary Art is the first major anthology of writing that offers readers an overview of this other tradition as it lives in the early decades of the 21st century. Featuring over 100 pieces from more than 90 authors, this anthology offers a plethora of aesthetics and approaches to a wide variety subjects. Editor Steve Tomasula has gathered poems, prose, and hybrid pieces that all challenge our understanding of what literature means. Intended as a collection of the most exciting and bold literary work being made today, Tomasula has put a spotlight on the many possibilities available to writers and readers wishing for a glimpse of literature's future. Readers will recognize authors who have shaped contemporary writing, as among them Lydia Davis, Charles Bernstein, Jonathan Safran Foer, Shelley Jackson, Nathaniel Mackey, David Foster Wallace, and Claudia Rankine. Even seasoned readers will find authors, and responses to the canon, not yet encountered. Conceptualisms is a book of ideas for writers, teachers and scholars, as well as readers who wonder how many ways literature can live. The text features headnotes to chapters on themes such as sound writing, electronic literature, found text, and other forms, offering accessible introductions for readers new to this work. An online companion presents statements about the work and biographies of the authors in addition to audio, video, and electronic writing that can't be presented in print. Visit www.conceptualisms.info to read more. …
Weitere BilderVerlag: Siglio Press, Los Angeles, 2012
- Softcover
- Erstausgabe
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In den WarenkorbPaperback. Zustand: fine. First Edition. Square octavo. Limited edition, signed by both authors on title page, this copy #238 of 250. A fine copy red printed wraps.
Weitere BilderEleven chapbooks from Song Cave, including: Building Castles in Spain, Getting Married, Some Books, A Farm Boy, Tonal Saw et al. [Limited Editions, each Signed by the Author]
Alan Felsenthal [ed.]; Ben Estes [ed. and contrib.]; C.D. Wright, Amanda Nadelberg, Amaranth, Borsuk, and Monica de la Torre et al. [contribs.]
Verlag: The Song Cave, Northampton, MA, 2009
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Anbieter: Capitol Hill Books, ABAA, Washington, DC, USACapitol Hill Books, ABAA
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In den WarenkorbZustand: Very Good +. First Edition. Northampton, MA: The Song Cave, 2009 - 2014. Limited numbered editions of 50 or 100 copies, each signed by the author. Octavo; illustrated wraps. Mild rubbing to edges; bindings sound; pages unmarked; Very Good or better. Collection of poetry chapbooks from the Song Cave, still publishing today and dedicated to "recovering a lost sensibility and creating a new one by publishing books of poetry, translations, art criticism." Includes the Northampton publisher's first book, "Cymbals" by Ben Estes, one of a print run of 50; remaining titles published in a runs of 100. Full list of titles includes: - Cymbals by Ben Estes - Tonal Saw by Amaranth Borsuk - What's the Deal by Rod Smith - Hesiod by Geoffrey G. O'Brien - OK TONY by Cyrus Console - A Farm Boy by C.D. Wright - Woman Carrying Thing by Jae Choi - The Happy End by Monica de la Torre - Building Castles in Spain, Getting Married by Amanda Nadelberg - Some Books by Jane Gregory - To Graham Foust on the Morning of His Fortieth Birthday by Graham Foust. Signed.…