Amaranth borsuk (60 Ergebnisse)
Sprache: Englisch
Verlag: MIT Press, 2018
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Sprache: Englisch
Verlag: The MIT Press, 2018
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Sprache: Englisch
Verlag: The MIT Press, 2018
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Sprache: Englisch
Verlag: The MIT Press, 2018
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Sprache: Englisch
Verlag: The MIT Press, 2018
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Sprache: Englisch
Verlag: The MIT Press, 2018
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Sprache: Englisch
Verlag: The MIT Press, 2018
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Sprache: Englisch
Verlag: The MIT Press, 2018
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Sprache: Englisch
Verlag: The MIT Press, 2018
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Sprache: Englisch
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Sprache: Englisch
Verlag: MIT Press, 2018
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Sprache: Englisch
Verlag: The MIT Press, 2018
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Sprache: Englisch
Verlag: MIT Press, Cambridge, MA, 2018
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Sprache: Englisch
Verlag: MIT Press, 2018
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Sprache: Englisch
Verlag: The MIT Press, 2018
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paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.
Sprache: Englisch
Verlag: The MIT Press, 2018
- Softcover
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Sprache: Englisch
Verlag: MIT Press Ltd, US, 2018
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Paperback. Zustand: New. The book as object, as content, as idea, as interface.What is the book in a digital age? Is it a physical object containing pages encased in covers? Is it a portable device that gives us access to entire libraries? The codex, the book as bound paper sheets, emerged around 150 CE. It was preceded by clay…tablets and papyrus scrolls. Are those books? In this volume in the MIT Press Essential Knowledge series, Amaranth Borsuk considers the history of the book, the future of the book, and the idea of the book. Tracing the interrelationship of form and content in the book's development, she bridges book history, book arts, and electronic literature to expand our definition of an object we thought we knew intimately.Contrary to the many reports of its death (which has been blamed at various times on newspapers, television, and e-readers), the book is alive. Despite nostalgic paeans to the codex and its printed pages, Borsuk reminds us, the term "book" commonly refers to both medium and content. And the medium has proved to be malleable. Rather than pinning our notion of the book to a single form, Borsuk argues, we should remember its long history of transformation. Considering the book as object, content, idea, and interface, she shows that the physical form of the book has always been the site of experimentation and play. Rather than creating a false dichotomy between print and digital media, we should appreciate their continuities.
Sprache: Englisch
Verlag: MIT Press Ltd, Cambridge, Mass., 2018
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Paperback. Zustand: new. Paperback. The book as object, as content, as idea, as interface.What is the book in a digital age? Is it a physical object containing pages encased in covers? Is it a portable device that gives us access to entire libraries? The codex, the book as bound paper sheets, emerged around 150 CE. It was preced…ed by clay tablets and papyrus scrolls. Are those books? In this volume in the MIT Press Essential Knowledge series, Amaranth Borsuk considers the history of the book, the future of the book, and the idea of the book. Tracing the interrelationship of form and content in the book's development, she bridges book history, book arts, and electronic literature to expand our definition of an object we thought we knew intimately.Contrary to the many reports of its death (which has been blamed at various times on newspapers, television, and e-readers), the book is alive. Despite nostalgic paeans to the codex and its printed pages, Borsuk reminds us, the term "book" commonly refers to both medium and content. And the medium has proved to be malleable. Rather than pinning our notion of the book to a single form, Borsuk argues, we should remember its long history of transformation. Considering the book as object, content, idea, and interface, she shows that the physical form of the book has always been the site of experimentation and play. Rather than creating a false dichotomy between print and digital media, we should appreciate their continuities.The book as object, as content, as idea, as interface.What is the book in a digital age? Is it a physical object containing pages encased in covers? Is it a portable device that gives us access to entire libraries? The codex, the book as bound paper sheets, emerged around 150 CE. It was preceded by clay tablets and papyrus scrolls. Are those books? In this volume in the MIT Press Essential Knowledge series, Amaranth Borsuk considers the history of the book, the future of the book, and the idea of the book. Tracing the interrelationship of form and content in the book's development, she bridges book history, book arts, and electronic literature to expand our definition of an object we thought we knew intimately.Contrary to the many reports of its death (which has been blamed at various times on newspapers, television, and e-readers), the book is alive. Despite nostalgic paeans to the codex and its printed pages, Borsuk reminds us, the term "book" commonly refers to both medium and content. And the medium has proved to be malleable. Rather than pinning our notion of the book to a single form, Borsuk argues, we should remember its long history of transformation. Considering the book as object, content, idea, and interface, she shows that the physical form of the book has always been the site of experimentation and play. Rather than creating a false dichotomy between print and digital media, we should appreciate their continuities. The book as object, as content, as idea, as interface. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Sprache: Englisch
Verlag: Mit Press 5/4/2018, 2018
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Sprache: Englisch
Verlag: The MIT Press, 2018
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Sprache: Englisch
Verlag: MIT Press, 2018
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Verlag: The MIT Press, 2018
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Sprache: Englisch
Verlag: The MIT Press, 2018
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Sprache: Englisch
Verlag: The MIT Press, 2018
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Soft cover. Zustand: Fine. Softcover in FINE condition. Uncorrected proof. Minimal shelf wear. All pages clean without any markings or folds. actual book is pictured. See images provided. Synopsis: HANDIWORK is in itself a work of craftsmanship, piecing together fragments while at the same time producing anew. Borsuk summons the… tradition of Hebrew gematria to investigate and engage with language's slipperiness, and, as she explains, to provide "a sense of hope within constraint: the fruitful possibility of language." It also wrestles with and probes into "where family history becomes personal mythology, and where gaps open up that ask to be filled." The reader explores, in HANDIWORK, both the creative and destructive urges imminent in expression, as "what wounds is easily unwound." About the Author Amaranth Borsuk is the author of a chapbook, Tonal Saw (The Song Cave, 2010), and, with Brad Bouse, the hybrid digital/print artist's book Between Page and Screen (Siglio Press, forthcoming). She holds a Ph.D. in Literature and Creative Writing from the University of Southern California, and she is currently a Mellon Postdoctoral Fellow in the Humanities at MIT. "About this title" may belong to another edition of this title.
Sprache: Englisch
Verlag: The MIT Press, 2018
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Sprache: Englisch
Verlag: MIT Press, 2018
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