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Italian Renaissance Drawings : Technical Examination and Analysis
Ambers, Janet (EDT); Higgitt, Catherine (EDT); Saunders, David (EDT)
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Italian Renaissance Drawings : Technical Examination and Analysis
Ambers, Janet (EDT); Higgitt, Catherine (EDT); Saunders, David (EDT)
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Italian Renaissance Drawings : Technical Examination and Analysis
Ambers, Janet (EDT); Higgitt, Catherine (EDT); Saunders, David (EDT)
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Italian Renaissance Drawings : Technical Examination and Analysis
Ambers, Janet (EDT); Higgitt, Catherine (EDT); Saunders, David (EDT)
- Softcover
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Paperback. Zustand: New. The "Begram ivories" are widely considered to be miniature masterpieces of Indian art and are one of the largest archaeological collections of ancient ivories. They were excavated at the site of Begram, in northern Afghanistan, in 1937 and 1939 and belong to a period when Afghanistan, Pakistan and northe…rn India were united under rulers of the Kushan dynasty. Divided soon afterwards between the National Museum of Afghanistan in Kabul and the Musée national des arts asiatiques-Guimet in Paris, the collection in Kabul suffered a disaster during the civil war which ravaged the country during the early 1990s. Some of the pieces were successfully concealed by museum staff but most were stolen, hundreds have since been reported in different collections and very few have yet been recovered. In 2011 a group of twenty bone and ivory plaques was generously acquired for the National Museum of Afghanistan by a private individual. These were scientifically analysed, conserved and exhibited at the British Museum and returned to Kabul in 2012. This book describes their story from excavation to display and return, with individual object biographies and detailed scientific analyses and conservation treatments. It also discusses how these objects have attracted very different interpretations over the decades since their discovery, and how the new analyses shed a completely fresh light on the collection. It is lavishly illustrated in full colour, and includes many previously unpublished views of the objects when they were originally exhibited in Kabul. This book is essential reading for anyone interested in the archaeology of Afghanistan, Indian art, polychromy, museum studies, object biographies or the history of conservation.
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Paperback. Zustand: new. Paperback. The drawings discussed in this book, published in association with the British Museum, were included in the exhibition, Fra Angelico to Leonardo: Italian Renaissance Drawings, held at the British Museum, London and the Uffizi Gallery, Florence in 2010-2011. Technical studies of 47 of the Briti…sh Museum's finest Italian Renaissance drawings are given based on non-invasive and non-contact examination and analysis. Great emphasis has been placed on how the results from such examination and analysis can be interpreted in a manner that goes beyond simply determining the materials employed by artists, to draw conclusions about their role in the Renaissance workshop and the patterns of use across fifteenth-century Italy. The drawings discussed here were included in the exhibition, 'Fra Angelico to Leonardo: Italian Renaissance Drawings', held at the British Museum, London and the Uffizi Gallery, Florence in 2010-2011. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Zustand: new. Paperback. The Begram ivories are widely considered to be miniature masterpieces of Indian art and are one of the largest archaeological collections of ancient ivories. They were excavated at the site of Begram, in northern Afghanistan, in 1937 and 1939 and belong to a period when Afghanistan, Pakistan a…nd northern India were united under rulers of the Kushan dynasty. Divided soon afterwards between the National Museum of Afghanistan in Kabul and the Musee national des arts asiatiquesGuimet in Paris, the collection in Kabul suffered a disaster during the civil war which ravaged the country during the early 1990s. Some of the pieces were successfully concealed by museum staff but most were stolen, hundreds have since been reported in different collections and very few have yet been recovered. In 2011 a group of twenty bone and ivory plaques was generously acquired for the National Museum of Afghanistan by a private individual. These were scientifically analysed, conserved and exhibited at the British Museum and returned to Kabul in 2012. This book describes their story from excavation to display and return, with individual object biographies and detailed scientific analyses and conservation treatments. It also discusses how these objects have attracted very different interpretations over the decades since their discovery, and how the new analyses shed a completely fresh light on the collection. It is lavishly illustrated in full colour, and includes many previously unpublished views of the objects when they were originally exhibited in Kabul. This book is essential reading for anyone interested in the archaeology of Afghanistan, Indian art, polychromy, museum studies, object biographies or the history of conservation. A detailed scientific and conservation record of a group of ivory and bone furniture overlays excavated at Begram, stolen from the National Museum of Afghanistan, privately acquired on behalf of Kabul, analysed and conserved at the British Museum and returned to the National Museum of Afghanistan in 2012. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Zustand: New. A detailed scientific and conservation record of a group of ivory and bone furniture overlays excavated at Begram, stolen from the National Museum of Afghanistan, privately acquired on behalf of Kabul, analysed and conserved at the British Museum and return.
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Zustand: New. A detailed scientific and conservation record of a group of ivory and bone furniture overlays excavated at Begram, stolen from the National Museum of Afghanistan, privately acquired on behalf of Kabul, analysed and conserved at the British Museum and returned to the National Museum of Afghanistan in 2012 Num Pages:… 336 pages, Highly illustrated throughout in colour. BIC Classification: 1FCA; HBJF; HDD. Category: (P) Professional & Vocational. Dimension: 298 x 211 x 15. Weight in Grams: 1110. . 2014. Paperback. . . . .
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Paperback. Zustand: New. The "Begram ivories" are widely considered to be miniature masterpieces of Indian art and are one of the largest archaeological collections of ancient ivories. They were excavated at the site of Begram, in northern Afghanistan, in 1937 and 1939 and belong to a period when Afghanistan, Pakistan and northe…rn India were united under rulers of the Kushan dynasty. Divided soon afterwards between the National Museum of Afghanistan in Kabul and the Musée national des arts asiatiques-Guimet in Paris, the collection in Kabul suffered a disaster during the civil war which ravaged the country during the early 1990s. Some of the pieces were successfully concealed by museum staff but most were stolen, hundreds have since been reported in different collections and very few have yet been recovered. In 2011 a group of twenty bone and ivory plaques was generously acquired for the National Museum of Afghanistan by a private individual. These were scientifically analysed, conserved and exhibited at the British Museum and returned to Kabul in 2012. This book describes their story from excavation to display and return, with individual object biographies and detailed scientific analyses and conservation treatments. It also discusses how these objects have attracted very different interpretations over the decades since their discovery, and how the new analyses shed a completely fresh light on the collection. It is lavishly illustrated in full colour, and includes many previously unpublished views of the objects when they were originally exhibited in Kabul. This book is essential reading for anyone interested in the archaeology of Afghanistan, Indian art, polychromy, museum studies, object biographies or the history of conservation.
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Zustand: New. A detailed scientific and conservation record of a group of ivory and bone furniture overlays excavated at Begram, stolen from the National Museum of Afghanistan, privately acquired on behalf of Kabul, analysed and conserved at the British Museum and returned to the National Museum of Afghanistan in 2012 Num Pages:… 336 pages, Highly illustrated throughout in colour. BIC Classification: 1FCA; HBJF; HDD. Category: (P) Professional & Vocational. Dimension: 298 x 211 x 15. Weight in Grams: 1110. . 2014. Paperback. . . . . Books ship from the US and Ireland.
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Paperback. Zustand: new. Paperback. The drawings discussed in this book, published in association with the British Museum, were included in the exhibition, Fra Angelico to Leonardo: Italian Renaissance Drawings, held at the British Museum, London and the Uffizi Gallery, Florence in 2010-2011. Technical studies of 47 of the Briti…sh Museum's finest Italian Renaissance drawings are given based on non-invasive and non-contact examination and analysis. Great emphasis has been placed on how the results from such examination and analysis can be interpreted in a manner that goes beyond simply determining the materials employed by artists, to draw conclusions about their role in the Renaissance workshop and the patterns of use across fifteenth-century Italy. The drawings discussed here were included in the exhibition, 'Fra Angelico to Leonardo: Italian Renaissance Drawings', held at the British Museum, London and the Uffizi Gallery, Florence in 2010-2011. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Paperback. Zustand: new. Paperback. The Begram ivories are widely considered to be miniature masterpieces of Indian art and are one of the largest archaeological collections of ancient ivories. They were excavated at the site of Begram, in northern Afghanistan, in 1937 and 1939 and belong to a period when Afghanistan, Pakistan a…nd northern India were united under rulers of the Kushan dynasty. Divided soon afterwards between the National Museum of Afghanistan in Kabul and the Musee national des arts asiatiquesGuimet in Paris, the collection in Kabul suffered a disaster during the civil war which ravaged the country during the early 1990s. Some of the pieces were successfully concealed by museum staff but most were stolen, hundreds have since been reported in different collections and very few have yet been recovered. In 2011 a group of twenty bone and ivory plaques was generously acquired for the National Museum of Afghanistan by a private individual. These were scientifically analysed, conserved and exhibited at the British Museum and returned to Kabul in 2012. This book describes their story from excavation to display and return, with individual object biographies and detailed scientific analyses and conservation treatments. It also discusses how these objects have attracted very different interpretations over the decades since their discovery, and how the new analyses shed a completely fresh light on the collection. It is lavishly illustrated in full colour, and includes many previously unpublished views of the objects when they were originally exhibited in Kabul. This book is essential reading for anyone interested in the archaeology of Afghanistan, Indian art, polychromy, museum studies, object biographies or the history of conservation. A detailed scientific and conservation record of a group of ivory and bone furniture overlays excavated at Begram, stolen from the National Museum of Afghanistan, privately acquired on behalf of Kabul, analysed and conserved at the British Museum and returned to the National Museum of Afghanistan in 2012. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
- Softcover
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Zustand: New. Print on Demand pp. ix + 174 Illus.
