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Dek. förlagsband i fint skick. Proveniens: Gunilla Palmstierna-Weiss (1928-2022). Partille, Warne förlag, 2009. 8:o. 112 sid. Rikligt illustrerad, delvis i färg. / Summary in English: "Women Lacemaking Trading" & "Hidden female history has become visible" (3 pp.). "Introduktion och bakgrund" (Från Venedig till höga Nord, Knyppling i praktiken, Knypplerskor i tusental, Kloster och knyppling, Från hantverk till maskin, År 1903 - ett märkligt knyppelår, Stora och sma handlare), "Så här har vi arbetat" (Material och metod, Fackord - Definitioner), "Kvinnors företagande" (Kvinnor i Sverige i samhälle och i arbetsliv 1850-1950), "Historisk promenad i Vadstena på 1890-talet", "Spetshandel och spetshandlare" (Inledning och förklaringar, "Knyppeldynan har fött opp fler än ho' slatt ihjäl", Spetshandlarnas sortiment, Spetshandlare i Vadstena och Motala, Anna Elisabeth Hartwick och Annette Björk, Familjen Lidbom, Ulla Hollman, Ingeborg Schoultz, Aurora Ingelotz och Mathilda Sjöstrand, Charlotte Randel och Aina Randel, Hanna Larson, Frideborg Öhman, Clara Löf, Familjen Andersson, Klara Larsson, Hanna Notander, Elsa Peterson, Gunnel Landtblom och Inez Pettersson, Emie Särnstedt, Alma Eek, Elsa Guttormsson, Knypplingens kvinnor starka och själständiga), "Dold kvinnohistoria har blivit synlig" (Knypplingen identitetsskapande, Knyppling en dominerande verksamhet i Vadstena, "De är damer över sitt arbete"), "Summary: Women Lacemaking Trading & Hidden female history has become visible", "Information om Vadstena Spetsmuseum", "Kaffe och knyppling. Knyppelkaka". - - - Women, Lace-making, Trading", in Swedish. With English Summary: "Women Lacemaking Trading" & "Hidden female history has become visible" (3 pp.). Richly illustrated, partly in colour. Publisher's boards, very fine. Provenance: Gunilla Palmstierna-Weiss (1928-2022).…

Dek. förlagsband i fint skick. Partille, Warne förlag, 2009. 8:o. 112 sid. Rikligt illustrerad, delvis i färg. / Summary in English: "Women Lacemaking Trading" & "Hidden female history has become visible" (3 pp.). "Introduktion och bakgrund" (Från Venedig till höga Nord, Knyppling i praktiken, Knypplerskor i tusental, Kloster och knyppling, Från hantverk till maskin, År 1903 - ett märkligt knyppelår, Stora och sma handlare), "Så här har vi arbetat" (Material och metod, Fackord - Definitioner), "Kvinnors företagande" (Kvinnor i Sverige i samhälle och i arbetsliv 1850-1950), "Historisk promenad i Vadstena på 1890-talet", "Spetshandel och spetshandlare" (Inledning och förklaringar, "Knyppeldynan har fött opp fler än ho' slatt ihjäl", Spetshandlarnas sortiment, Spetshandlare i Vadstena och Motala, Anna Elisabeth Hartwick och Annette Björk, Familjen Lidbom, Ulla Hollman, Ingeborg Schoultz, Aurora Ingelotz och Mathilda Sjöstrand, Charlotte Randel och Aina Randel, Hanna Larson, Frideborg Öhman, Clara Löf, Familjen Andersson, Klara Larsson, Hanna Notander, Elsa Peterson, Gunnel Landtblom och Inez Pettersson, Emie Särnstedt, Alma Eek, Elsa Guttormsson, Knypplingens kvinnor starka och själständiga), "Dold kvinnohistoria har blivit synlig" (Knypplingen identitetsskapande, Knyppling en dominerande verksamhet i Vadstena, "De är damer över sitt arbete"), "Summary: Women Lacemaking Trading & Hidden female history has become visible", "Information om Vadstena Spetsmuseum", "Kaffe och knyppling. Knyppelkaka". - - - Women, Lace-making, Trading", in Swedish. With English Summary: "Women Lacemaking Trading" & "Hidden female history has become visible" (3 pp.). Richly illustrated, partly in colour. Publisher's boards, very fine. …

Dek. förlagsband i fint skick. Uppsala, Uppsala universitet / Uppsala universitetsbibliotek (distr.), 2013. 4:o. 168 sid. Illustrerad. Med kronologi och register. Innehåll: "Äldre tiders bildningsideal och exercitierna i Uppsala" av Lars Burman, "Hästen i kulturen" ('Att härska och behärska. Ryttarporträtt från stormaktstiden' av Margareta Nisser-Dalman, 'Hästar och musik' av Christer Åsberg, 'Hästen i litteraturen' av Carina Burman, 'Hästen i filmen' av Christina Andersson); "Ridundervisningen vid universitetet" ('Några milstolpar i ridundervisningens utveckling vid Uppsala universitet' av Kari Lawe, 'Ridinstitutionen under Birgitta Segerfeldts tid' av Marianne Andersson, 'Akademistallet i dag' av Karin Agenäs, 'Student till häst - Upsala Akademiska Ridklubb' av Anna-Karin Palm), "Hästen i föremålssamlingarna" ('Hästarna i Valsgärde' av Ing-Marie Munktell, 'Stångbettet som precisionsverktyg i 1600-talets ridkonst' av Anna Backman, 'Hästmotiv i Uppsala universitets myntkabinett' av Ylva Haidenthaller och Hendrik Mäkeler), "Bilagor" ('Händelser av särskild betydelse för ridundervisningen vid Uppsala universitet', 'Akademistallmästare', 'Inspektorer (inspectores equitandi)', 'Person- och hästregister'). - - - (Acta Universitatis Upsaliensis. Skrifter rörande Uppsala universitet. C, Organisation och historia, 98.) - - - "On Horseback: 350 Years of Riding Instruction at Uppsala University", in Swedish, illustrated, hardbound, very fine. …

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Hardback. Zustand: New. When Viking Age house interiors are reconstructed, the focus is usually on the fireplace and the placement of tables, benches and beds. These features help us understand how people lived. However, we often forget that textiles, such as blankets, sheets, tablecloths and wall hangings, were also important in everyday life. Textiles were used for comfort, cleaning and decoration, and they helped tell stories as well as signal a person's or family's social status. Most Viking Age textiles that have survived are found in graves. These include not only clothing but also bedding, pillows and fabrics used to wrap objects. A burial can be seen as a kind of room for the dead, filled with items that reflect how people lived and what they valued. Because of this, grave finds are important when discussing the interior textiles used in Viking Age houses. Wall hangings are mentioned as status symbols in the Icelandic sagas, and examples from the late Viking Age and early medieval period have been found and preserved in churches, giving us insight into their use and value. Old Norse texts also mention soft furnishings such as tablecloths and handcloths, and the use of interior textiles can be seen on the Bayeux embroidery. Other types of iconography, such as on rune stones and picture stones, help us understand how interior textiles may have been used. By combining information from textiles, written sources and iconography, and by applying different approaches, the chapters in this book offer various perspectives on how interior textiles were used in the Viking Age, why they were needed and how valuable they were.…

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Hardback. Zustand: New. When Viking Age house interiors are reconstructed, the focus is usually on the fireplace and the placement of tables, benches and beds. These features help us understand how people lived. However, we often forget that textiles, such as blankets, sheets, tablecloths and wall hangings, were also important in everyday life. Textiles were used for comfort, cleaning and decoration, and they helped tell stories as well as signal a person's or family's social status. Most Viking Age textiles that have survived are found in graves. These include not only clothing but also bedding, pillows and fabrics used to wrap objects. A burial can be seen as a kind of room for the dead, filled with items that reflect how people lived and what they valued. Because of this, grave finds are important when discussing the interior textiles used in Viking Age houses. Wall hangings are mentioned as status symbols in the Icelandic sagas, and examples from the late Viking Age and early medieval period have been found and preserved in churches, giving us insight into their use and value. Old Norse texts also mention soft furnishings such as tablecloths and handcloths, and the use of interior textiles can be seen on the Bayeux embroidery. Other types of iconography, such as on rune stones and picture stones, help us understand how interior textiles may have been used. By combining information from textiles, written sources and iconography, and by applying different approaches, the chapters in this book offer various perspectives on how interior textiles were used in the Viking Age, why they were needed and how valuable they were.…

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Författarna, utan år. (33) s. Rikt illustrerad. Klammerhäftad. 21 x 14,5 cm.[#\138425].

Hardback. Zustand: New. When Viking Age house interiors are reconstructed, the focus is usually on the fireplace and the placement of tables, benches and beds. These features help us understand how people lived. However, we often forget that textiles, such as blankets, sheets, tablecloths and wall hangings, were also important in everyday life. Textiles were used for comfort, cleaning and decoration, and they helped tell stories as well as signal a person's or family's social status. Most Viking Age textiles that have survived are found in graves. These include not only clothing but also bedding, pillows and fabrics used to wrap objects. A burial can be seen as a kind of room for the dead, filled with items that reflect how people lived and what they valued. Because of this, grave finds are important when discussing the interior textiles used in Viking Age houses. Wall hangings are mentioned as status symbols in the Icelandic sagas, and examples from the late Viking Age and early medieval period have been found and preserved in churches, giving us insight into their use and value. Old Norse texts also mention soft furnishings such as tablecloths and handcloths, and the use of interior textiles can be seen on the Bayeux embroidery. Other types of iconography, such as on rune stones and picture stones, help us understand how interior textiles may have been used. By combining information from textiles, written sources and iconography, and by applying different approaches, the chapters in this book offer various perspectives on how interior textiles were used in the Viking Age, why they were needed and how valuable they were.…

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